Character Catalog

Ingmar Bergman's masterpiece in which Liv Ullmann plays an actress who stops speaking, opposite a nurse. A landmark of European art cinema, the film revealed Ullmann's expressive genius to the world.

A Bergmanian drama about death and female suffering, nominated for the Academy Award for Best Picture. Ullmann's performance earned her international recognition and a Golden Globe nomination.

A Swedish television series later adapted for cinema, offering a devastating portrait of a couple falling apart. The work is said to have caused a dramatic spike in divorce rates across Scandinavia, so authentic did it feel.

Liv Ullmann's first memoir, translated into twenty languages and a worldwide bestseller. In it, she explores her life as a woman, an actress, and a mother with a candor that stands as a milestone in women's autobiographical writing.

Ingmar Bergman's final epic, winner of the Academy Award for Best Foreign Language Film. Ullmann plays a mother whose children experience a childhood both magical and traumatic in early twentieth-century Sweden.

Liv Ullmann's feature directorial debut, a portrait of a Danish Jewish woman spanning several decades. The film showcases her talents as a director, shaped by the formal rigor she learned at Bergman's side.

A film directed by Ullmann from an original autobiographical screenplay by Bergman, exploring guilt and betrayal within a couple. Acclaimed as one of the finest works to emerge from their collaboration in its later phase.

I am not a liberated woman. I am a woman who is trying to liberate herself. Every role I play is a way of understanding who I am, of finding myself through others.

The beauty of age is that you are no longer afraid to tell the truth. I spent my youth smiling when I wanted to cry. Now I cry when I want to cry, and I smile when I am happy.

I have seen children die not from fate, but from indifference. Every dollar you refuse to allocate to these programs has a face, a name, an age. These children cannot vote, they cannot advocate for themselves. We must do it for them.

Bergman did not direct actors the way other filmmakers did. He created a space of silence and absolute trust. He would watch us and wait. That gaze was a permission to be entirely oneself, without armor.

This remote island in the Baltic Sea was Ingmar Bergman's retreat, where Liv Ullmann lived by his side for several years. It was here that some of their most personal films were conceived, in an isolation that fostered creativity.

A major cultural institution where Liv Ullmann built her theatrical career and to which she regularly returns to perform Ibsen and Strindberg. This venue embodies her deep connection to the Scandinavian theatrical tradition.

These Swedish studios are the birthplace of the Ullmann-Bergman collaboration. It was on these soundstages that Persona, Cries and Whispers, and Scenes from a Marriage were filmed — landmarks of world cinema.

Liv Ullmann achieved great success on Broadway during the 1970s and 1980s, particularly in productions of Ibsen directed by American directors. The city became her second artistic home.

The city where Liv Ullmann spent her childhood and teenage years, settling there after her family's return from the Far East. It was here that she discovered amateur theatre and first recognized her calling as a performer.