Bessie Smith(1894 — 1937)

Bessie Smith

États-Unis

9 min read

MusicSociety20th CenturyEarly 20th century, the jazz and blues era, the period of the Great Migration of Black Americans to the North, racial segregation, and the Harlem Renaissance

Bessie Smith (1894–1937) was an American singer nicknamed the “Empress of the Blues.” A towering figure of classic blues in the 1920s, she helped popularize the genre and paved the way for Black American artists.

Famous Quotes

« Nobody in town can bake a sweet jelly roll like mine. »

Key Facts

  • Born on April 15, 1894, in Chattanooga, Tennessee, into a very poor family
  • Recorded her first record with Columbia Records in 1923: 'Down Hearted Blues' sold over 750,000 copies
  • At the height of her fame in the 1920s, she was the highest-paid Black artist in the United States
  • Died on September 26, 1937, from injuries sustained in a car accident in Mississippi
  • Inducted into the Grammy Hall of Fame and recognized as one of the greatest voices in the history of American music

Works & Achievements

Downhearted Blues (1923)

Bessie Smith's first recording for Columbia Records, selling over 780,000 copies in six months. This phenomenal commercial success immediately established her national reputation and revolutionized the race records industry.

St. Louis Blues (with Louis Armstrong) (1925)

A recording of the famous W.C. Handy standard alongside trumpeter Louis Armstrong. This collaboration between two giants of Black American music is considered one of the most important recordings in the history of blues and jazz.

Empty Bed Blues (1928)

A song with bold lyrics addressing sexuality and female loneliness, recorded in two parts. The work exemplifies Bessie Smith's freedom of expression and her refusal to conform to the conventions imposed on Black women of her era.

Nobody Knows You When You're Down and Out (1929)

A melancholic blues describing how friends disappear in times of hardship, recorded just months before the stock market crash. Covered by Eric Clapton and dozens of other artists, this song remains one of the most iconic in her repertoire.

Film St. Louis Blues (directed by Dudley Murphy) (1929)

A 17-minute short film representing the only known filmed footage of Bessie Smith in performance. Produced by RCA Victor, it shows her performing the W.C. Handy song and stands as an exceptional audiovisual historical document.

Black Mountain Blues (1930)

A powerful recording showcasing Bessie Smith's ability to evoke violence and racial injustice through the blues, made despite the severe commercial decline brought on by the Great Depression.

Anecdotes

In 1923, Bessie Smith signed with Columbia Records and recorded “Downhearted Blues.” The record sold more than 780,000 copies in just six months, a staggering figure for the era. This meteoric success made her the highest-paid blues singer in the United States and transformed the “race records” industry.

During a tour through the Deep South, members of the Ku Klux Klan one evening attempted to sabotage her show by pulling up the tent stakes. Bessie Smith then marched out to confront the group, shouting at them to leave, according to accounts from her musicians reported by biographer Chris Albertson. The men retreated, apparently intimidated by the boldness of the woman nicknamed the “Empress.”

Bessie Smith traveled between cities in her own private railroad car, an extremely rare luxury for a Black artist of the era. The car allowed her to avoid whites-only hotels and the daily humiliations of racial segregation. It also served as a dressing room, dining room, and sleeping quarters for her entire orchestra.

In 1929, the Great Depression hit the record industry hard and sales collapsed. Bessie Smith then recorded “Nobody Knows You When You’re Down and Out,” a song that resonates as an autobiographical testament to the brutal fall from success. Ironically, the track became one of her most celebrated recordings and most covered songs among subsequent generations.

On September 26, 1937, Bessie Smith died from injuries sustained in a serious car accident on Route 61 in Mississippi. An urban legend long claimed she had been turned away from a whites-only hospital, but historical investigations — notably the testimony of Dr. Hugh Smith, who was present at the scene — established that she was taken directly to the G.T. Thomas African American Hospital in Clarksdale, where she succumbed to her injuries.

Primary Sources

Columbia Records Recording Contract (1923)
Bessie Smith signed with Columbia Records on February 15, 1923. The contract provided for the recording of "race records" aimed at the African-American market, at a time when record labels were beginning to grasp the considerable commercial potential of that audience.
Downhearted Blues / Gulf Coast Blues (Columbia Records, A3844) (February 1923)
Bessie Smith's first commercial recording, released in February 1923. The record sold nearly 780,000 copies in six months, establishing Bessie Smith as the leading star of race records and proving the economic viability of female vocal blues.
Short film St. Louis Blues (directed by Dudley Murphy, RCA Victor) (1929)
Bessie Smith appears in this 17-minute film adapted from W.C. Handy's song of the same name. It is the only known audiovisual record featuring her performance and has been preserved by the Library of Congress as a historical document of the first importance.
Nobody Knows You When You're Down and Out (Columbia Records) (May 1929)
Recorded in May 1929, just months before the October stock market crash, this song captures with striking clarity the way friends disappear in times of hardship. It would be covered decades later by Eric Clapton and countless other artists.
Obituary article by John Hammond, Downbeat Magazine (November 1937)
Influential jazz producer John Hammond published an article incorrectly claiming that Bessie Smith had been turned away from a whites-only hospital after her accident. Though inaccurate on this crucial point, the article helped make her death a symbol of the brutality of racial segregation in 1930s America.

Key Places

Chattanooga, Tennessee

Bessie Smith's hometown, where she grew up in extreme poverty and began singing in the streets to survive after the early death of her parents. It was here that her older brother Clarence introduced her to the world of traveling entertainment.

Harlem, New York

The epicenter of the Harlem Renaissance and the heart of the record business in the 1920s. It was in New York that Bessie Smith recorded for Columbia Records, rubbed shoulders with Louis Armstrong and Duke Ellington, and established herself as the queen of classic blues.

Philadelphia, Pennsylvania

Bessie Smith's primary place of residence from the 1920s onward, where she settled with her husband Jack Gee. She led a more settled life there between her relentless tours across the country.

Route 61, Mississippi (Clarksdale)

The site of the fatal car accident on September 26, 1937, on the famous "Blues Highway" that connects Memphis to New Orleans through the heart of the Mississippi Delta. Bessie Smith was taken to the G.T. Thomas Afro-American Hospital in Clarksdale, where she succumbed to her injuries.

81 Theater, Atlanta, Georgia

One of the most iconic venues on the TOBA (Theatre Owners Booking Association) circuit, where Bessie Smith performed regularly before Black audiences. This network of venues formed the primary infrastructure for showcasing Black artists across the segregated South.

See also