Elsa Morante(1912 — 1985)

Elsa Morante

Italie, royaume d'Italie

8 min read

LiteratureÉcrivain(e)Poète(sse)20th Century20th-century Italy, between fascism, war, and reconstruction

A major Italian novelist of the 20th century, Elsa Morante is known for her powerful works blending realism with a mythic dimension. Her novel *La Storia* (1974) paints a moving portrait of the Second World War through the eyes of ordinary people.

Famous Quotes

« History is a scandal. »

Key Facts

  • Born 18 August 1912 in Rome, died 25 November 1985
  • Publication of *La Storia* in 1974, a best-seller both disputed and celebrated
  • Viareggio Prize in 1957 for *Arturo's Island*
  • Wife of novelist Alberto Moravia from 1941 to 1962
  • A major figure of post-war Italian literature

Works & Achievements

Menzogna e sortilegio (Lies and Sorcery) (1948)

Elsa Morante's first major novel, a family fresco blending love, deceit, and illusion against the backdrop of the southern Italian bourgeoisie. Awarded the Viareggio Prize, it immediately reveals her expansive style and mastery of epic storytelling.

L'isola di Arturo (Arturo's Island) (1957)

A coming-of-age novel recounting Arturo's solitary childhood on the island of Procida, caught between the idealization of his father and the brutal discovery of reality. Awarded the Premio Strega, it is one of the masterpieces of twentieth-century Italian literature.

Il mondo salvato dai ragazzini (The World Saved by Kids) (1968)

A hybrid work blending poetry, prose, and song, in which Morante expresses her rejection of consumer society and her faith in the innocence of children in the face of a corrupt adult world. A committed testament to the ferment of 1968.

La Storia (History: A Novel) (1974)

A monumental novel retracing the Second World War through the eyes of Ida Ramundo, a Roman schoolteacher, and her son Useppe. Deliberately published at a low price to reach the widest possible audience, it established itself as one of the great books of the century.

Aracoeli (1982)

Elsa Morante's final novel, a dark and introspective account of a man retracing the memory of his lost mother. Often read as Morante's literary testament, written when she was exhausted and ill, it closes an oeuvre haunted by love and loss.

Anecdotes

When La Storia was published in 1974, Elsa Morante made a radical decision: she demanded that Einaudi sell the novel at a very low price in a paperback edition, so that the ordinary people whose lives she was portraying could afford to buy it. This gesture caused a scandal in literary circles, but the book sold hundreds of thousands of copies within its first few weeks.

During the Second World War, Elsa Morante and her husband Alberto Moravia had to flee Rome in 1943 to escape Nazi persecution — Moravia being of Jewish origin. They took refuge for nine months in the mountains of Ciociaria, living in poverty and destitution. This traumatic experience deeply informed La Storia, a novel in which she depicts the war through the eyes of the most downtrodden.

Elsa Morante shared a deep intellectual friendship with the filmmaker and poet Pier Paolo Pasolini, with whom she debated literature, politics, and Italian society. When Pasolini was murdered in November 1975, Morante was devastated by his loss, and her mental health gradually deteriorated in the years that followed.

She began publishing short stories at the age of 18 in Roman literary journals, while giving private lessons to support herself. She had left the family home to live independently, which was still very rare for a young Italian woman in the 1930s.

Elsa Morante was known for her extraordinary passion for cats, which she regarded as noble and untameable companions. She took in many throughout her life and gave them a symbolic place in her work, seeing in them a form of freedom from the constraints of the human world.

Primary Sources

Dedication of La Storia (Einaudi edition, 1974) (1974)
Elsa Morante dedicates her novel 'A tutti' (To all), refusing any dedication to an elite and affirming that this story belongs to every human being, to the humble and the forgotten of History.
Interview given to Enzo Biagi (RAI, 1974) (1974)
Morante explains her choice of a low price for La Storia: 'I want this book to be read by the people I write about, not only by those who can afford expensive books.'
Pro o contro la bomba atomica (essay) (1965)
Morante develops her vision of literature as the only form of resistance against the destructive power of industrial and military modernity, declaring that the poet and the writer are the last guardians of humanity.
Letter to Cesare Garboli (personal correspondence) (1965)
Elsa Morante shares her obsession with the inner truth of characters and her refusal of the purely political or ideological novel, which in her view betrays literature by reducing it to a mere instrument.

Key Places

Rome — Trastevere and Testaccio neighborhoods

Born and died in Rome, Morante grew up in the working-class neighborhoods of Trastevere and Testaccio, whose vibrant atmosphere would permeate her entire body of work. The city, the central setting of *La Storia*, was for her both a refuge and a symbol of History with a capital H.

Ciociaria (wartime refuge, Fondi region)

Between 1943 and 1944, Elsa Morante and Alberto Moravia took refuge in this mountainous region south of Rome to flee the Nazis. These nine months of poverty and wandering stand as one of the formative experiences that shaped her vision of war and the downtrodden.

Island of Procida (Gulf of Naples)

This fishing island in the Gulf of Naples, which Morante visited and deeply loved, inspired the setting of *L'isola di Arturo*, her novel awarded the Premio Strega in 1957. There she found a closed, insular world well suited to exploring childhood and myth.

Via dell'Oca, Rome (apartment shared with Moravia)

Elsa Morante and Alberto Moravia lived together in this Roman apartment, which became an informal literary salon frequented by Pasolini, Calvino, and other leading figures of postwar Italian literature.

Capri

Morante stayed on Capri several times, an island cherished by Italian artists and intellectuals, where she worked and found renewal. These stays nourished her reflections on beauty, isolation, and the human condition.

See also