Biography

Pierre Desproges (1939-1988) was a French comedian, columnist, and writer. A master of black and absurdist humor, he left his mark on the French stage and radio with his cutting wit and erudition. He died of cancer at the age of 48.

Pierre Desproges(1939 — 1988)

Pierre Desproges

France

6 min read

Performing ArtsLiteratureHumoristeÉcrivain(e)20th CenturyFrance in the second half of the 20th century: the Fifth Republic, the rise of television and radio as mass media, and the growth of the one-man show and author-driven comedy in the 1970s and 1980s.

Frequently asked questions

Pierre Desproges (1939-1988) was a French comedian and columnist, famous for his dark humour, his biting irony and his mastery of paradox. What makes him singular is that he managed to blend refined language with grave subjects such as death, religion or politics, which earned him the nickname of “the resident humorist” on Le Petit Rapporteur and Le Tribunal des flagrants délires. Less a stage comic than a writer of the absurd, he left his mark on the 1970s-1980s with his inimitable style.

Famous Quotes

« You can laugh at anything, but not with just anyone.»
« Astonishing, isn't it?»
« Let us live happily while we await death.»

Key Facts

  • Born on 9 May 1939 in Pantin, died on 18 April 1988 in Paris.
  • Rose to fame in 1975 on Jacques Martin's television show “Le Petit Rapporteur.”
  • From 1982 to 1983, he delivered the famous “closing arguments” on the radio show Le Tribunal des flagrants délires on France Inter.
  • Created his solo shows at the Théâtre Fontaine and the Théâtre Grévin (1984, 1986).
  • Published several collections, including “Les Réquisitoires du Tribunal des flagrants délires” and “Chroniques de la haine ordinaire.”

Works & Achievements

Le Petit Rapporteur (1975-1976)

Jacques Martin's satirical show where he revealed himself to the public with his absurd fake interviews.

Le Tribunal des flagrants délires (1980-1983)

Cult show on France Inter where he played the role of the prosecutor; his closing arguments became legendary set pieces.

Vivons heureux en attendant la mort (1983)

His first major one-man show, which established his dark humor and literary style on stage.

Les Chroniques de la haine ordinaire (1986)

A series of radio columns on France Inter, later published as a book, a masterpiece of biting irony.

Fonds de tiroir (1990)

A posthumous collection of assorted writings that reveals the richness of his prose.

Textes de scène (1988)

The published versions of his shows, extending the success of his one-man shows onto bookshelves.

Manuel de savoir-vivre à l'usage des rustres et des malpolis (1981)

A parody of an etiquette manual, a ferocious and hilarious satire of social conventions.

Pierre Desproges se donne en spectacle (1986)

His second major solo show, confirming his status as a master of literary comedy.

Anecdotes

In 1975, Pierre Desproges joined the team of *Le Petit Rapporteur*, Jacques Martin's satirical show. He made a name for himself with a fake interview of the writer Françoise Sagan, in which he strung together absurd, unsettling questions, revealing the deadpan humour that would become his trademark.

From 1982 to 1983, Desproges hosted the segment *Le Tribunal des flagrants délires* on France Inter. Every day, playing a mock prosecutor, he would deliver a “case for the prosecution” against a famous guest. His most celebrated indictment targeted **Jean-Marie Le Pen**, which he opened with the provocative line: “Can we laugh about everything? Can we laugh with everyone?”

His most famous saying, “You can laugh about anything, but not with just anyone,” sums up his conception of dark humour. He developed it especially around taboo subjects such as death, illness or the tragedies of History, which he tackled with rare erudition and precision of language.

Stricken with lung cancer, Desproges kept performing and writing until the very end, joking about his own death. He would say ironically, “Astonishing, isn't it?”, a phrase that punctuated his *Chroniques de la haine ordinaire*. He died on **18 April 1988**, at just 48 years old.

A great lover of fine food and good wines, Desproges also cultivated his taste for classical French. He peppered his texts with rare words and polished literary turns of phrase — a striking contrast with the crudeness of some of his remarks — which gave his comedy a scholarly, refined dimension.

Primary Sources

Closing speech against Jean-Marie Le Pen, Le Tribunal des flagrants délires (France Inter) (28 September 1982)
Can we laugh at everything? Can we laugh with everyone? To the first question I will answer yes without hesitation... Can we laugh with everyone? That's difficult.
Les Chroniques de la haine ordinaire (France Inter) (1986)
Astonishing, isn't it?
Vivons heureux en attendant la mort (stage show) (1983)
The more I know people, the more I love my dog.
Stage texts (1980s)
You can laugh at everything, but not with just anyone.

Key Places

Pantin

Town in the north-eastern suburbs of Paris where Pierre Desproges was born on 9 May 1939.

Châlus (Haute-Vienne)

Village in the Limousin region where Desproges spent part of his childhood and to which he remained attached; he is buried there.

Maison de la Radio, Paris

Headquarters of Radio France where he recorded “Le Tribunal des flagrants délires” and “Les Chroniques de la haine ordinaire”.

Théâtre Fontaine, Paris

Parisian venue where he triumphed with his one-man shows in the 1980s.

Paris

Capital city where most of his career as a columnist, writer and stage performer took place; he died there on 18 April 1988.

See also