Icarus

Icarus

9 min read

MythologyExplorationBefore ChristAncient Greek mythology, transmitted through oral tradition and set in writing from around the 8th century BCE

Son of Daedalus, the ingenious craftsman of Greek mythology, Icarus escapes the Labyrinth of Crete using wings made of feathers and wax. Intoxicated by flight, he soars too close to the sun despite his father's warnings, melts his wings, and perishes in the sea that now bears his name.

Frequently asked questions

Icarus is the son of Daedalus, the legendary architect of the Labyrinth of Knossos. The key thing to remember is that he embodies reckless youth and hubris — that overweening excess which drives humans to defy their own limits. His myth, passed down orally from the 8th century BC and later set in writing by Ovid in the Metamorphoses, tells how he escapes the Labyrinth on wings of feathers and wax, only to drown in the Aegean Sea after flying too close to the sun. Above all, he is a symbol: that of ambition without wisdom.

Key Facts

  • Son of Daedalus, architect of the Labyrinth built for King Minos of Crete
  • Imprisoned with his father in the Labyrinth, he escapes using wings crafted from feathers and beeswax
  • Daedalus warns him to fly neither too low (the sea's moisture) nor too high (the sun's heat)
  • Icarus flies too close to the sun: the wax melts, the wings fall apart, and he plunges into the Aegean Sea, since known as the Icarian Sea
  • The myth is recorded in Ovid's Metamorphoses (1st century BCE) and in Diodorus Siculus

Works & Achievements

The myth of Icarus's flight (Greek oral tradition) (c. 8th century BCE)

Passed down orally by bards long before it was ever written down, the myth of Icarus's flight and fall is one of the earliest great metaphors for human ambition and hubris in Greek culture.

Metamorphoses, Book VIII — Ovid (c. 8 CE)

The most complete and most influential literary version of the Icarus myth, which transmitted this story to the entire Western world for two millennia and remains on the curriculum in literature classes to this day.

Landscape with the Fall of Icarus — Pieter Bruegel the Elder (attributed) (c. 1558)

A painting that shows the fall of Icarus as a barely noticeable event in a landscape where life goes on — a reflection on the world's indifference to individual tragedy, studied in art history programs.

Icarus — Henri Matisse (Jazz) (1943–1947)

A cut-out gouache depicting Icarus as a black silhouette against a vivid blue background, his heart a blazing red, published in the collection *Jazz*. An icon of modern art, this work is a frequent reference in art education.

Musée des Beaux Arts — W.H. Auden (poem) (1938)

A poem inspired by Bruegel's painting, in which Auden meditates on human suffering that goes unnoticed by everyone around it. This text is studied in upper secondary classes to bring together literature and the visual arts.

Depictions on Greek ceramics (5th–4th century BCE)

The myth of Daedalus and Icarus was depicted on red- and black-figure vases, spreading the story throughout the Mediterranean world and attesting to its importance in Greek moral education.

Anecdotes

Icarus was the son of Daedalus, the greatest craftsman in Greek mythology, who had built the famous Labyrinth of Crete to imprison the Minotaur. When King Minos imprisoned them both to prevent the secrets of the Labyrinth from being revealed, Daedalus devised an extraordinary plan: to craft wings from feathers and wax so they could fly over the walls.

Before their flight, Daedalus solemnly warned his son: “Do not fly too low, for the sea’s moisture would weigh down your feathers; do not fly too high, for the sun’s heat would melt the wax.” Icarus, intoxicated by the sensation of flight and the beauty of the sky, forgot this advice and climbed ever higher, until the wax melted and his wings fell apart.

Icarus plunged into the waters of the Aegean Sea, which thereafter took the name the Icarian Sea. The Greek island of Icaria, off the coast of Turkey, has likewise borne his name since Antiquity. These two place names are among the oldest testimonies to the enduring presence of a myth in collective memory.

The fall of Icarus has become in Western culture the symbol of hubris — that arrogant excess which drives human beings to overstep the limits set by nature and the gods. This myth is still taught today because it illustrates in a striking way that ambition without wisdom can lead to catastrophe.

The painting attributed to Pieter Bruegel the Elder (c. 1558) offers an unexpected and memorable vision of the myth: Icarus occupies only a tiny corner of the canvas, barely visible, while peasant life continues normally all around him. The poet W.H. Auden drew inspiration from it for his poem *Musée des Beaux-Arts* (1938), a meditation on the world’s indifference to great individual tragedies.

Primary Sources

Metamorphoses, Book VIII — Ovid (c. 8 AD)
Daedalus, exiled in Crete and longing to see his homeland again, was hemmed in by the sea. “Though Minos may bar my way by land and sea,” he said, “the sky at least lies open to me; that is the way I shall go.” [...] Icarus, whose young age should have taught him greater caution, flew with bolder daring; he left his guide behind and, lured by his desire to touch the heavens, steered his course toward the upper regions.
Library of History, Book IV — Diodorus Siculus (1st century BC)
Daedalus built wings for himself and his son Icarus, and having prepared everything necessary for the journey, he waited for a favourable wind. Icarus, reckless and with little experience of flight, did not follow his father's instructions and rose too high; the wax melted and he perished in the sea.
Fabulae, Fable 40 — Hyginus (1st–2nd century AD)
Daedalus, son of Eupalamus, made wings of feathers and wax for himself and his son Icarus. Icarus, flying too high, felt the wax melt in the heat of the sun; he fell into the sea, which is still called the Icarian Sea to this day.
Aeneid, Book VI — Virgil (c. 19 BC)
He wished to carve your misfortunes, O Icarus; twice his hands attempted it, twice they fell away. A father's heart could not bear to finish the image of his son's fall.
Oral Tradition of Greek Bards (c. 8th century BC (earlier oral tradition))
The myth of Daedalus and Icarus circulated among the aoidoi — singing poets — long before it was committed to writing. These oral tales associated Daedalus with technical ingenuity and Icarus with reckless youth, and were sung at festivals and banquets throughout Greece and Crete.

Key Places

Knossos, Crete

Palace of King Minos where Daedalus built the Labyrinth, and where he and Icarus were imprisoned. It was from this place that father and son took flight toward freedom.

Icarian Sea

Part of the Aegean Sea between the Greek islands and the Turkish coast, the place where Icarus drowned after his wings melted. This geographical name is one of the most enduring traces of the myth in the real world.

Island of Icaria (Ikaria)

Greek island in the Aegean Sea that has borne the name of Icarus since Antiquity, located near the spot where he is said to have drowned according to tradition. It is the most visible geographical memorial to the mythological figure.

Athens

Birthplace of Daedalus, who had been forced to flee after killing his nephew Perdix out of jealousy over the boy's talent. It was from Athens that Daedalus had taken refuge in Knossos, drawing Icarus into that exile.

Sicily (Camicus)

Daedalus's final destination after the death of Icarus: he found refuge at the court of King Cocalus in Sicily, where he continued to invent and build until the end of his days.

See also