Penelope

Penelope

MythologyLiteratureBefore ChristGreek mythological age, recorded around the 8th century BCE in the Odyssey attributed to Homer

A figure from Greek mythology, wife of Odysseus and mother of Telemachus. During her husband's twenty-year absence, she fends off her suitors with a famous trick: each night she unravels the shroud she weaves by day. She embodies faithfulness, patience, and female intelligence in the Homeric epic.

Famous Quotes

« "Stranger, the gods destroyed whatever beauty I had when the Argives sailed for Troy." (Odyssey, Book XIX — words attributed by the Homeric tradition) »

Key Facts

  • Penelope is the daughter of Icarius and niece of Tyndareus; her marriage to Odysseus, king of Ithaca, is recorded in the Odyssey
  • During Odysseus's twenty-year absence (Trojan War and wanderings), she holds off more than a hundred suitors
  • Her main ruse: weaving the shroud of Laertes by day and unraveling it each night for three years before being discovered
  • She recognizes Odysseus through the secret of their bed, carved from a living olive tree — a test of truth that brings the epic to a close
  • Her name has entered the cultural lexicon: "Penelope's web" refers to a never-ending task

Works & Achievements

The Odyssey — Homer (8th century BCE)

A foundational epic in twenty-four books in which Penelope is a central figure. She embodies conjugal virtue, cunning, and patience as she faces the suitors besieging her palace.

Heroides, Letter I (Penelope to Ulysses) — Ovid (between 25 and 16 BCE)

A fictional verse letter in elegiac couplets in which Ovid gives voice to Penelope, expressing her despair, her hope, and her faithfulness. This text inaugurates a tradition of retelling the Homeric myth from a female perspective.

Penelope — painting by John William Waterhouse (1849–1917 (artist's period))

A celebrated Pre-Raphaelite canvas depicting Penelope at her loom, the very symbol of the waiting woman. This work played a major role in fixing the romantic and melancholic image of the character in the modern Western imagination.

The Penelopiad — Margaret Atwood (2005)

A contemporary retelling of the Odyssey from the perspective of Penelope and her twelve handmaids. Atwood offers a feminist and critical reading of the myth, restoring a voice to the female characters marginalized by tradition.

Ulysses — James Joyce (1922)

A modernist novel that reinterprets the Odyssey in twentieth-century Dublin. The final chapter (Penelope) is a long interior monologue by Molly Bloom, Penelope's alter ego, and has become one of the most celebrated passages in world literature.

Fresco from the Palace of Tiryns (Mycenaean art) (13th–12th century BCE)

Although not directly linked to Penelope, the frescoes from Mycenaean palaces depicting noblewomen at court illustrate the visual and social world in which the myth of Penelope first took shape.

Anecdotes

The ruse of Laertes' shroud is one of the most famous stratagems in all of ancient literature. To hold off the suitors who were pressing for her hand, Penelope announced that she would choose a husband the day she finished weaving her father-in-law's funeral shroud. But each night, by torchlight, she secretly undid the work she had done during the day. The deception lasted three years, until a maidservant betrayed her secret.

When Odysseus returned to Ithaca disguised as a beggar, Penelope did not recognize him at once. To settle the matter of the suitors, she devised a contest: whoever could string Odysseus's great bow and shoot an arrow through twelve axe-heads lined in a row would win her hand. None of the suitors could do it. The old beggar then asked to try: he strung the bow effortlessly and loosed the arrow with perfect precision. The slaughter of the suitors began.

Even after Odysseus's victory, Penelope was not easily convinced. She put her husband to one final test by asking the maidservant Eurycleia to move their marriage bed out of the bedchamber. But that bed was one of a kind: Odysseus himself had built it around a living olive tree still rooted in the ground, making it impossible to move. By knowing this secret, Odysseus proved his true identity, and Penelope finally accepted him.

In late antiquity and post-Homeric mythology, some authors told that Penelope had been seduced by one of the suitors — or even by the god Hermes — and that she had given birth to Pan. This version, radically at odds with her image of absolute fidelity, shows how deeply the figure of Penelope fueled moral and literary debate from antiquity onward. Homer himself presents her as the supreme model of the virtuous wife.

The name Penelope is itself open to interpretation. Some ancient etymologists linked it to the Greek words pênê (weaver's thread) and lepô (to unravel), making her very name an allusion to her famous stratagem. Others connected it to pênelopê, the barnacle goose (a water bird), suggesting a link to the sea and to waiting. This ambiguity reflects the symbolic richness the character held in Greek culture.

Primary Sources

The Odyssey, Books I–XXIV — attributed to Homer (8th century BC (earlier oral tradition))
"But the wise Penelope had devised another stratagem: she had set up a great loom in her chambers and begun to weave a fine and very large shroud. She told us: Young men, my suitors, since the noble Odysseus is dead, wait until I have finished this cloth."
Heroides, Letter I: Penelope to Ulysses — Ovid (between 25 and 16 BC)
"While you were fighting beneath the walls of Troy, I remained here weeping. My loom, a futile ruse, kept me company. I feared everything, and love magnifies fears."
Description of Greece, III, 12 — Pausanias (2nd century AD)
"At Sparta, a place is pointed out where Penelope, they say, wove her web; the inhabitants venerate her memory as a symbol of conjugal virtue."
Bard's song (Homeric oral tradition) (12th–8th century BC)
A tale transmitted orally by the aoidoi of the Greek Epic Cycle, recounting Penelope's resistance against the suitors in the megaron of the palace of Ithaca, before being set down in writing in the tradition attributed to Homer.
The Telegony — attributed to Eugamon of Cyrene (lost cyclic poem) (6th century BC)
Fragment evoking the fate of Penelope after Odysseus's return, and her supposed connections with Telegonus, son of Odysseus and Circe.

Key Places

Ithaca (Ithaki, Greece)

A rocky island in the Ionian Sea, kingdom of Odysseus and home of Penelope during the twenty years of her husband's absence. This is where most of the Odyssey takes place, in the royal palace perched on the heights.

The megaron of Odysseus's palace

The great central hall of the royal palace of Ithaca, where Penelope receives the suitors, where the bow contest takes place, and where the final massacre occurs. A symbolic space of domestic power and dramatic reversal.

Troy (Troia/Hisarlik, Turkey)

The legendary city in Anatolia whose war and fall cause Odysseus's prolonged absence. For Penelope, Troy represents the distant cause of twenty years of solitude, veiled mourning, and waiting.

Sparta (Lacedaemon, Greece)

Telemachus travels here to gather news of his father; Penelope, who was Helen's cousin according to some traditions, is said to have had family ties with this city herself. Sparta venerated the memory of Penelope as a model of conjugal virtue.

The Ionian Sea

The stretch of sea that separates Ithaca from the wider world, upon which Penelope fixes her waiting gaze. The sea is both obstacle and promise — the horizon that the palace's inhabitants scan every day in hope of seeing Odysseus return.

Gallery

Ulysses and Penelope

Ulysses and Penelope

Wikimedia Commons, Public domain — Francesco Primaticcio

Lucrèce & Tarquin - Départ d'Ulysse

Lucrèce & Tarquin - Départ d'Ulysse

Wikimedia Commons, Public domain — Tangopaso


Les travavx d'Vlysse

Les travavx d'Vlysse

Wikimedia Commons, Public domain — Thulden, Theodoor van, 1606-1669

Firenze - Florence - Palazzo Vecchio - 2nd Floor - Sala di Penelope - View Up - Central Painting depicts Penelope at the Spinning-Wheel (incorrect stitch geometry)

Firenze - Florence - Palazzo Vecchio - 2nd Floor - Sala di Penelope - View Up - Central Painting depicts Penelope at the Spinning-Wheel (incorrect stitch geometry)

Wikimedia Commons, CC BY-SA 4.0 — Txllxt TxllxT

BarbierPenelopeUlysse

BarbierPenelopeUlysse

Wikimedia Commons, Public domain — Jean-Jacques François Le Barbier dit Le Barbier l’Aîné (1738-1826)

'La Grande Penelope', bronze sculpture by --Antoine Bourdelle--, 1912, --Honolulu Academy of Arts--

'La Grande Penelope', bronze sculpture by --Antoine Bourdelle--, 1912, --Honolulu Academy of Arts--

Wikimedia Commons, Public domain — Antoine Bourdelle


Histoire de la sculpture antique

Histoire de la sculpture antique

Wikimedia Commons, Public domain — Emeric-David, T.-B. (Toussaint-Bernard), 1755-1839 Walckenaer, C. A. (Charles Athanase), 1771-1852 Jacob, P. L., 18


L'album autographique : peinture, sculpture, architecture : l'art à Paris en 1867

L'album autographique : peinture, sculpture, architecture : l'art à Paris en 1867

Wikimedia Commons, Public domain — Salon (Exhibition : Paris, France) (1867) Pothey, A. (Alexandre) Exposition universelle de 1867 à Paris


Phidias et la sculpture grecque au Ve siècle

Phidias et la sculpture grecque au Ve siècle

Wikimedia Commons, Public domain — Lechat, Henri, b. 1862

Georges Rochegrosse - Poster for Gabriel Fauré's Pénélope (1913)

Georges Rochegrosse - Poster for Gabriel Fauré's Pénélope (1913)

Wikimedia Commons, Public domain — Georges Rochegrosse / Adam Cuerden

See also