Gustav Mahler(1860 — 1911)

Gustav Mahler

empire d'Autriche, Cisleithanie

6 min read

MusicCompositeur/trice20th CenturyA turning point between the end of Romanticism and the beginning of musical modernism, during the waning years of the Austro-Hungarian Empire and the intellectual Vienna of the turn of the century.

Gustav Mahler (1860-1911) was an Austrian composer and conductor, a major figure of post-Romanticism. His vast symphonies and song cycles bridge the Romantic tradition of the 19th century and the musical modernism of the 20th century.

Frequently asked questions

Gustav Mahler (1860-1911) was an Austrian composer and conductor, a key figure of post-Romanticism. What you need to remember is that he bridges the Romanticism of the 19th century and the modernity of the 20th, pushing the boundaries of the symphony through gigantic forces and the addition of voices. His career as director of the Vienna Opera (1897-1907) transformed theatrical practices. His work, long neglected, has undergone a major rediscovery since the 1960s.

Famous Quotes

« Tradition is the handing down of the flame, not the worship of the ashes. »
« A symphony must be like the world. It must embrace everything. »

Key Facts

  • Born in 1860 in Kalischt (Bohemia), in the Austrian Empire
  • Director of the Vienna Court Opera from 1897 to 1907
  • Composed nine completed symphonies and the cycle The Song of the Earth (Das Lied von der Erde, 1908-1909)
  • Author of major song cycles such as the Kindertotenlieder (1901-1904)
  • Died in 1911 in Vienna, leaving his Tenth Symphony unfinished

Works & Achievements

Symphony No. 1 "Titan" (1888)

Mahler's first great symphony, which establishes his personal language blending lyricism, funeral march and popular fanfares.

Symphony No. 2 "Resurrection" (1894)

A vast fresco for orchestra, choir and soloists on death and rebirth; one of his most frequently performed works.

Des Knaben Wunderhorn (songs) (1899)

A cycle of lieder set to German folk poems, where humor, irony and tragedy intertwine.

Symphony No. 5 (with the Adagietto) (1902)

A symphony famous for its Adagietto, a love song made known worldwide by cinema in the 20th century.

Kindertotenlieder (1904)

A deeply moving cycle of lieder on the death of children, of poignant intimacy, composed before the loss of his own daughter.

Symphony No. 8 "Symphony of a Thousand" (1907)

A monumental work bringing together hundreds of musicians and choristers, the pinnacle of symphonic gigantism.

Das Lied von der Erde (The Song of the Earth) (1909)

A symphony for voices and orchestra set to Chinese poems, a meditation on the fleeting nature of life; Mahler avoided giving it a number.

Symphony No. 9 (1909)

His last completed symphony, a heart-rending farewell to life that heralds the musical modernity of the 20th century.

Anecdotes

Mahler ran the Vienna Opera with legendary strictness: he had the chandeliers dimmed during performances and barred latecomers from entering, scandalizing a fashionable audience used to chatting away. These reforms made him a feared but admired conductor who lastingly transformed the customs of the opera house.

Born into a Jewish family in Bohemia, Mahler converted to Catholicism in 1897 in order to take up the post of director of the Vienna Opera, which was then closed to Jews. He later declared: “I am thrice homeless: as a Bohemian among Austrians, as an Austrian among Germans, and as a Jew throughout the world.”

In 1910, tormented by anguish after discovering the infidelity of his wife Alma, Mahler consulted the famous psychoanalyst Sigmund Freud during a long walk of several hours in Leiden, in the Netherlands. It is one of the few documented encounters between two giants of Viennese culture.

Mahler composed during the summer in small isolated huts (the Komponierhäuschen) built out in nature, far from any noise. He demanded absolute silence: it is said that the bells of a herd of cattle had to be silenced and a barrel organ kept away so that he could work.

Convinced that he was struck by a “curse of the Ninth” (Beethoven, Schubert, and Bruckner having died after their ninth symphony), Mahler tried to cheat fate by not numbering Das Lied von der Erde. He died nonetheless, leaving his Tenth Symphony unfinished.

Primary Sources

Letter from Mahler to Bruno Walter (c. 1909)
I am thrice homeless: a Bohemian among Austrians, an Austrian among Germans, and a Jew throughout the world. Everywhere an intruder, never welcomed.
Memories and Letters, Alma Mahler (reported remark, summer 1907)
A symphony must be like the world. It must embrace everything.
Letter from Mahler to Anna von Mildenburg (c. 1902)
My time will come. Posterity will understand me.
Postcard from Sigmund Freud regarding the Leiden meeting (1910)
I spent a memorable afternoon with him; he seemed the man most capable of understanding analysis that I had ever met.

Key Places

Kalischt (Kaliště), Bohemia

Village in Bohemia where Mahler was born in 1860, into a modest German-speaking Jewish family. Today in the Czech Republic.

Vienna Court Opera (Hofoper)

Prestigious opera house that Mahler directed from 1897 to 1907, introducing artistic reforms that remain famous to this day. The peak of his career as a conductor.

Maiernigg, Lake Wörthersee

Holiday retreat in Carinthia where Mahler had a villa and a secluded composing hut built. There he composed several of his great symphonies during the summer.

Vienna Conservatory

Institution where Mahler studied music starting in 1875, in a Vienna that was the cultural capital of Europe. There he shaped his training as a composer and pianist.

Metropolitan Opera, New York

American opera house where Mahler conducted from 1908, after leaving Vienna. There he continued his career across the Atlantic in his final years.

Grinzing Cemetery, Vienna

Place where Mahler was buried after his death in 1911, according to his wish, without ceremony or music. His grave bears only his name.

See also