Aspasia of Miletus
Aspasia
469 av. J.-C. â 399 av. J.-C.
Milet
Ămotions disponibles (6)
Neutre
par défaut
Inspirée
Pensive
Surprise
Triste
FiĂšre
Key Facts
Works & Achievements
Aspasia ran a school of rhetoric and practical philosophy in Athens, attended by politicians, philosophers, and their wives. Cicero and Plato acknowledge her as Pericles' teacher in oratory, making her one of the first women recognized as a philosophy teacher in Western history.
In the Menexenus, Plato attributes to Aspasia the authorship of the famous funeral speech that Pericles allegedly delivered in honor of fallen soldiers. Even if the exact authorship is debated, this text bears witness to the ancient tradition acknowledging Aspasia's rhetorical skills at the highest level.
The orator and philosopher Aeschines of Sphettus, a disciple of Socrates, wrote a dialogue entitled 'Aspasia' in which he described her teaching methods through questioning. Cicero quotes excerpts showing Aspasia using a proto-maieutic technique to guide her interlocutors.
Plutarch and several ancient sources attribute to Aspasia a decisive influence on Pericles' foreign policy, particularly during the Samian War. Though not quantifiable, this intellectual influence constitutes a real contribution to the political history of classical Athens.
Anecdotes
Aspasia was the only woman allowed to participate in philosophical discussions in Athens. Socrates himself would visit her home with his students to hear her discourse on rhetoric and virtue, a fact attested by Xenophon in his Memorabilia. This recognition from the greatest Athenian philosopher bears witness to an exceptional intellect, in a society where women were generally excluded from intellectual life.
Aspasia was tried for impiety (asebeia) around 432 BC, most likely for political reasons tied to her adversaries seeking to undermine Pericles. During her trial, Pericles himself took the floor to defend her and, according to Plutarch, broke down in tears before the judges â an extraordinary gesture for a statesman renowned for his composure. She was ultimately acquitted.
Plato, in his dialogue the Menexenus, attributes to Aspasia the authorship of the funeral oration that Pericles delivered in honor of Athenian soldiers who died in war. Cicero also mentions her talents as a teacher of rhetoric, reporting that she used an original method based on dialogue and maieutics to help her interlocutors clarify their thinking.
After the death of Pericles in 429 BC, carried off by the great plague of Athens, Aspasia became the companion of Lysicles, a cattle merchant who aspired to a political career. According to Plutarch, through Aspasia's teaching and her influence, this man of little culture became a skilled orator and a respected strategos of Athens â a vivid illustration of her pedagogical talent.
Aspasia was a foreigner (xenos) originally from Miletus in Ionia, which legally prevented her from marrying an Athenian citizen. The citizenship law enacted by Pericles himself in 451 BC stipulated that only children of two Athenian parents could be citizens. Yet Pericles lived openly with her and honored her publicly, going so far as to obtain an exceptional exemption from the Athenian people so that their son Pericles the Younger could receive citizenship.
Primary Sources
Socrates said: 'I will send you to Aspasia, who will explain this better than I can.' He himself frequented her home with his disciples and consulted her on matters of education and virtue.
Socrates: 'I heard Aspasia composing a funeral oration yesterday [...] She reminded me that it was she who had taught rhetoric to Pericles, whom she considered far superior to all other orators.'
Pericles loved Aspasia with extraordinary tenderness [...] Every day, upon leaving and returning home, he would greet her and embrace her. Philosophers would visit her and bring their wives to hear her.
Aspasia, in a dialogue attributed to her by Aeschines the Socratic, skillfully questions a woman and her husband in turn, leading them to acknowledge what is truly good in their shared life.
It is reported that Aspasia of Miletus gained such a reputation in philosophy and rhetoric that the greatest men of Athens sought her company and submitted their speeches to her.
Key Places
Greek city of Asia Minor where Aspasia was born around 469 BC. Miletus was a major Ionian intellectual center, birthplace of philosophers such as Thales, Anaximander, and Anaximenes, which partly explains Aspasia's high level of culture.
Residential district of Athens where Aspasia settled with Pericles around 445 BC and where she held her school of rhetoric. It was there that Socrates, Phidias, Herodotus, and other great minds came to take part in her discussions.
The central public square of Athens, the political, commercial, and intellectual heart of the city. Aspasia could not intervene there officially as a foreign woman, but her influence was felt indirectly through the speeches of Pericles and the conversations of Socrates.
The sacred hill where the Parthenon was erected under the direction of Phidias, a friend of Aspasia. Pericles and Aspasia were both accused by their enemies of having desecrated this holy site â Phidias through the temple's ornamentation, Aspasia through her impious words.
The principal popular court of Athens where Aspasia's trial for impiety was held around 432 BC. It was before this court that Pericles took the floor to defend her in tears â a remarkable fact for a statesman renowned for his impassiveness.
Typical Objects
The main writing medium in ancient Greece, used to preserve and transmit philosophical and literary texts. Aspasia, recognized for her exceptional erudition, necessarily had access to these scrolls and used them in her teaching of rhetoric.
The central piece of furniture at the Greek symposion where guests reclined to debate, philosophize, and be entertained. Aspasia presided over mixed-gender symposia â an extremely rare occurrence in Athens â where philosophers, artists, and politicians came to hear her.
A small wooden or ivory tablet coated with wax, on which one wrote with a stylus to jot down ideas or draft speeches. Essential for anyone teaching rhetoric, as Aspasia did.
A large piece of draped wool forming the classical Greek female dress. As a high-ranking hetaira, Aspasia likely wore quality fabrics and refined drapery, distinctive of her particular social standing.
A flask containing the perfumed oil used for body care and rituals. An everyday object of Greek women and a symbol of attention to appearance, important for a hetaira like Aspasia whose status also rested on her elegance.
A low two-handled cup used for drinking wine mixed with water at symposia. Aspasia presided over these intellectual gatherings where the kylix passed from guest to guest, accompanying philosophical debates.
A perfume burner used in religious ceremonies and daily life to honor the gods. Aspasia was notably accused of impiety (asebeia), which makes objects of domestic worship particularly significant in her story.
School Curriculum
Daily Life
Morning
Aspasia rose early in her Athenian home, beginning her day with bodily care using perfumed oils, in keeping with Greek customs. Unlike female citizens confined to the gyneceum, she enjoyed great freedom of movement as a hetaira. She sometimes received students in the morning for private rhetoric lessons.
Afternoon
The afternoon was devoted to reflection, reading philosophy scrolls, and preparing for the evening's debates. Visitors â philosophers, politicians, artists â would come to consult her or debate with her. Pericles, returning from the council or assembly, would stop by to see her according to the custom reported by Plutarch.
Evening
In the evening, Aspasia presided over or participated in symposia â mixed philosophical banquets, rare in Athens. The guests, reclining on klinai, debated rhetoric, virtue, and politics over wine diluted with water. These evenings were the heart of her intellectual influence on Athenian life.
Food
A typical Mediterranean diet of the 5th century: barley or wheat bread, olives, goat cheese, figs, honey. Meat, reserved for feast days and sacrifices, appeared at banquets. Aegean wine, diluted with water according to Greek custom, accompanied the symposia.
Clothing
Aspasia wore the peplos or chiton, long pieces of linen or wool draped and fastened with fibulae. As a high-ranking hetaira who mingled with the Athenian elite, she stood out for the quality of her fabrics, likely dyed in vivid colors, and for discreet gold ornaments. She wore a veil when going out into public spaces.
Housing
Aspasia's house, in the Kerameikos district, was a comfortable dwelling organized around a peristyle courtyard. Unlike ordinary homes where women were confined, her household functioned as a semi-public space open to intellectual discussions. The walls were likely decorated with painted ceramics and the floors with simple mosaics.
Historical Timeline
Period Vocabulary
Gallery
Aspasia

Aviat - Portrait de Madame Aspasie Caron (1893)

French: Portrait de jeune femme assise sur un sofa violetlabel QS:Lfr,"Portrait de jeune femme assise sur un sofa violet"

French: Portrait de jeune femme debout, Ă mi-corpslabel QS:Lfr,"Portrait de jeune femme debout, Ă mi-corps"

"Portrait de Marguerite d'Orléans"
Aspasie Pio-Clementino Inv272

1Alcibiade 2 Pericles 3 Alexandre 4 Aspasie - Pouqueville François Charles Hugues Laurent - 1835
Explication des ouvrages de peinture et dessins, sculpture, architecture et gravure, des artistes vivans
Explication des ouvrages de peinture et dessins, sculpture, architecture et gravure, des artistes vivans
Plaque Rue Aspasie Jules Caron - Arcueil (FR94) - 2022-05-15 - 1
Visual Style
Style de la GrĂšce classique du Ve siĂšcle av. J.-C. : blancs de marbre, ocres mĂ©diterranĂ©ens, rouge-figures de la cĂ©ramique attique, lumiĂšre vive de l'ĂgĂ©e.
AI Prompt
Classical Greek visual style, 5th century BC Athens, Golden Age of Pericles. Soft marble whites and warm Mediterranean ochres, terracotta reds from painted ceramics, deep Aegean blue sky. Draped figures in fine linen and wool peplos, elegant sandals, simple gold jewelry. Architecture of colonnaded stoa and sunlit courtyards. Aesthetic inspired by red-figure Athenian pottery, classical sculpture, and the frescoes of ancient Greek symposion scenes. Balanced, harmonious composition evoking intellectual refinement and Mediterranean light.
Sound Ambience
L'atmosphĂšre sonore de la maison d'Aspasie mĂȘle les Ă©changes intellectuels animĂ©s des symposions Ă la rumeur de l'agora athĂ©nienne et aux sons du quotidien grec classique.
AI Prompt
Ancient Greek city ambience, 5th century BC Athens. Sounds of a philosophical gathering in a private home: animated intellectual discussions in Greek, the soft clink of kylix wine cups, the gentle strumming of a kithara lyre in the background. Outside: the distant bustle of the Athenian agora, merchants calling, sandals on marble and stone pavement, the cries of seagulls from the port of Piraeus carried by the wind, water from a courtyard fountain, the crackling of olive oil lamps at nightfall.
Portrait Source
Wikimedia Commons â CC BY 3.0 â Daigaz â 2009
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Références
Ćuvres
Enseignement de la rhétorique
vers 445â399 av. J.-C.
Oraison funÚbre (attribuée par Platon)
vers 430 av. J.-C.
Dialogue socratique (rapporté par Eschine de Sphettos)
vers 430â399 av. J.-C.
Influence sur la politique athénienne
vers 445â429 av. J.-C.




