Barbara Carroll(1925 — 2017)

Barbara Carroll

États-Unis

6 min read

Music20th CenturyTwentieth-century America, from the golden age of postwar bebop to the jazz clubs of Manhattan

Barbara Carroll (1925-2017) was an American jazz pianist and singer, regarded as one of the first women to play bebop on the piano. She enjoyed a long career in the clubs of New York.

Frequently asked questions

Barbara Carroll (1925-2017) est une pianiste et chanteuse de jazz américaine. Ce qu'il faut retenir, c'est qu'elle fut l'une des premières femmes à maîtriser le bebop au piano, un style alors dominé par les hommes. Contrairement à l'idée reçue que les femmes instrumentistes se limitaient au chant, elle dirigea son propre trio dès les années 1940 dans les clubs de la 52e rue à New York. Le critique Leonard Feather salua très tôt son talent, comme en témoignent ses notices de la fin des années 1940.

Key Facts

  • Born in 1925 in Worcester, Massachusetts, and died in 2017 in New York
  • A bebop piano pioneer in the 1940s, at a time when few women made their mark in the genre
  • Formed her own trio in the late 1940s and performed on Broadway
  • Long-running musical residency at the Bemelmans Bar of the Carlyle Hotel in New York
  • A career spanning more than six decades, lasting into the 2010s

Works & Achievements

“Me and Juliet” (Broadway) (1953)

A musical by Rodgers and Hammerstein in which she appears on stage as a pianist, a rare occurrence for a jazz musician.

“Barbara Carroll Trio” (RCA Victor) (around 1956)

An iconic album by her trio, showcasing her bebop piano playing.

“Lullabies in Rhythm” (around 1958)

An album in which she revisits standards, confirming her reputation as a refined pianist.

Residency at the Carlyle's Bemelmans Bar (from around 1976)

A long-running musical engagement that became a New York jazz institution, where she played and sang for decades.

A recording career spanning more than sixty years (from the 1940s to the 2000s)

A long series of recordings that places her among the most enduring jazz pianists of her generation.

Anecdotes

In the 1940s, bebop was a new kind of jazz — fast and complex, played almost exclusively by men. Yet Barbara Carroll established herself as one of the first women to master it on piano, leading her own trio in the clubs of 52nd Street in New York. The famous critic Leonard Feather noticed her very early on and praised her talent.

In 1953, the great Broadway composers Rodgers and Hammerstein gave her a role in their musical *Me and Juliet*: she appeared on stage as a pianist, before New York audiences. It was rare at the time for a genuine jazz musician to perform that way in a Broadway show.

Early in her career, her trio included the bassist Joe Shulman, whom she married in 1954. Their story was brief: Shulman died prematurely in 1957, and Barbara then put her career on hold for several years.

After a long break devoted to her family life, she returned to the stage in the 1970s and settled in at the Bemelmans Bar of the Carlyle Hotel in Manhattan. She would play there for decades, almost until her death in 2017, becoming a true institution of New York jazz.

First known as a pianist for her playing, Barbara Carroll began singing later in her career, adding her voice to her renditions of standards. She was still performing regularly at over 90 years old, faithful to her piano right to the end.

Primary Sources

New York Times obituary (February 2017)
The newspaper describes Barbara Carroll as a pioneer of bebop piano who died at age 92, long a fixture of Manhattan's clubs and supper clubs.
Playbill for the musical “Me and Juliet” (Broadway) (1953)
The Rodgers and Hammerstein production features Barbara Carroll as a pianist appearing on stage during the show.
Album “Barbara Carroll Trio” (RCA Victor) (around 1956)
A piano-bass-drums recording that documents her bebop playing and her repertoire of standards, a direct testimony to her artistry.
Leonard Feather's notes and reviews on the jazz scene (late 1940s)
The critic and jazz historian singles out Barbara Carroll as one of the few women instrumentalists able to play bebop with genuine mastery.

Key Places

Worcester, Massachusetts

New England city where Barbara Carroll was born in 1925.

New England Conservatory of Music, Boston

Renowned conservatory where she trained in music before turning to jazz.

52nd Street, Manhattan, New York

Famous “Swing Street” lined with jazz clubs where she performed with her trio during the golden age of bebop.

Bemelmans Bar, Carlyle Hotel, New York

Elegant Manhattan bar where she held a musical residency for decades, almost until her death.

New York

City where she spent most of her career and where she died in 2017.

See also