Bong Joon-ho(1969 — ?)

Bong Joon-ho

Corée du Sud

6 min read

Performing ArtsRéalisateur/trice21st CenturySouth Korean cinema and cultural globalization in the early 21st century

Bong Joon-ho is a South Korean director and screenwriter born in 1969, a major figure in contemporary cinema. Blending social criticism, satire, and dramatic tension, he has established himself as one of the most influential filmmakers of the 21st century.

Frequently asked questions

Bong Joon-ho is a South Korean director and screenwriter born in 1969 in Daegu, who has become a major figure in world cinema. What you need to remember is that he is best known for Parasite (2019), a film that won the Palme d'Or at Cannes and four Oscars, including Best Picture — a first for a non-English-language film. His style blends social criticism, satire and suspense, and he is regarded as an ambassador of the Korean cultural wave (Hallyu).

Famous Quotes

« Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to so many more amazing films. »

Key Facts

  • Born on September 14, 1969, in Daegu, South Korea
  • Broke through internationally with Memories of Murder (2003) and then The Host (2006)
  • Directed Snowpiercer (2013), his first English-language production
  • Parasite (2019) won the Palme d'Or at the 2019 Cannes Film Festival
  • Parasite won the Academy Award for Best Picture in 2020, a first for a non-English-language film

Works & Achievements

Barking Dogs Never Bite (Bokseoneun naui geot) (2000)

Bong's first feature, a dark comedy set against a backdrop of high-rise apartment blocks, already signaling his taste for social satire.

Memories of Murder (Salinui chueok) (2003)

A thriller inspired by a real serial-killer case, considered one of the greatest Korean films and his first critical breakthrough.

The Host (Gwoemul) (2006)

A monster movie blending horror, comedy and political critique; a huge hit that introduced Bong to international audiences.

Mother (Madeo) (2009)

A drama about a mother willing to do anything to clear her son, praised for its tension and the performance of its lead actress.

Snowpiercer (Le Transperceneige) (2013)

A science-fiction film set aboard a train carrying the last surviving humans, a fable about class struggle; Bong's first major English-language film.

Okja (2017)

An ecological tale about a young girl and her giant animal, produced by Netflix, at the heart of a debate at Cannes over streaming.

Parasite (Gisaengchung) (2019)

A social satire about the meeting of two families who could not be more different; Palme d'Or winner and four Oscars, the peak of his career.

Anecdotes

Bong Joon-ho is nicknamed "Bong Tae-il" by his crews, a pun blending his name with the English word "detail": he draws extremely precise storyboards of every shot himself before filming, to the point that his films are almost entirely framed on paper before the camera ever rolls.

His grandfather was the famous Korean novelist Park Tae-won, a modernist author of the 1930s who defected to North Korea during the Korean War. For decades, the story of this ancestor remained a sensitive subject in Bong's family, raised under the South Korean dictatorship.

In 2019, "Parasite" became the very first Korean film to win the Palme d'Or at the Cannes Film Festival. The following year, it won four Oscars, including Best Picture: it was the first time in history that a non-English-language film won this supreme award.

During his speech at the Golden Globes in January 2020, Bong declared, through his interpreter: "Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to so many more amazing films." The phrase traveled around the world and became a symbol of openness to foreign cinema.

For the film "The Host" (2006), a story about a monster rising from the Han River, Bong called on foreign special-effects studios and shot one of its key scenes by placing the creature in broad daylight — a bold choice, since monster films usually hide their creature in the shadows.

Primary Sources

Acceptance speech for the Golden Globe for Best Foreign Language Film (January 5, 2020)
Once you overcome the one-inch-tall barrier of subtitles, you will be introduced to so many more amazing films.
Acceptance speech for the Academy Award for Best Director (February 9, 2020)
When I was young and studying cinema, there was a saying that I carved deep into my heart: “The most personal is the most creative.” That quote is from our great Martin Scorsese.
Press conference, Cannes Film Festival (Palme d'Or for Parasite) (May 25, 2019)
Cinema is an art that crosses borders. I wanted to tell a story about the coexistence of rich and poor, a universal subject in today's world.

Key Places

Daegu, South Korea

City in southeastern Korea where Bong Joon-ho was born in 1969.

Yonsei University, Seoul

University where Bong studied sociology before devoting himself to cinema, a period during which he was an activist and ran a film club.

Seoul, South Korea

Capital where Bong lives and works; his films often set out a critique of urban social inequality there, as in *Parasite*.

Palais des Festivals, Cannes

Home of the Cannes Film Festival, where Bong received the Palme d'Or in 2019 for *Parasite*.

Dolby Theatre, Los Angeles

Venue of the Academy Awards ceremony where *Parasite* triumphed in February 2020 with four statuettes.

See also