Charles Mingus(1922 — 1979)

Charles Mingus

États-Unis

6 min read

MusicCompositeur/trice20th CenturyTwentieth-century American jazz, from the 1940s to the 1970s, in the era of bebop and hard bop, against the backdrop of the civil rights struggles in the United States.

Charles Mingus (1922-1979) was an American jazz double bassist, composer, and bandleader. A major figure in modern jazz, he is renowned for his virtuoso playing and his ambitious compositions blending gospel, blues, and collective improvisation.

Frequently asked questions

Charles Mingus (1922-1979) était un contrebassiste, compositeur et chef d'orchestre américain. Ce qu'il faut retenir, c'est qu'il a révolutionné le jazz en mêlant gospel, blues et improvisation collective dans des compositions ambitieuses. Contrairement à beaucoup de ses contemporains, il refusait les étiquettes et utilisait sa musique pour dénoncer les injustices raciales, comme dans Fables of Faubus. Son jeu de contrebasse, à la fois puissant et chantant, en fait l'un des plus grands instrumentistes du genre.

Famous Quotes

« Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that's creativity. »

Key Facts

  • Born in 1922 in Nogales, Arizona, he grew up in Los Angeles
  • Recorded the major album “Mingus Ah Um” in 1959, one of his masterpieces
  • Composed “Goodbye Pork Pie Hat” (1959), a tribute to saxophonist Lester Young
  • Committed to the civil rights struggle, he composed “Fables of Faubus” (1959), denouncing segregation
  • Died in 1979 in Cuernavaca, Mexico, suffering from ALS (Lou Gehrig's disease)

Works & Achievements

Mingus Fingers (1947)

An early composition recorded by Lionel Hampton's big band, already revealing Mingus's talent as a composer.

Jazz at Massey Hall (1953)

A recording of the Toronto concert bringing together the greatest names in bebop, released on Debut Records, the label co-founded by Mingus.

Pithecanthropus Erectus (1956)

A manifesto album in which Mingus asserts his style; the title track tells in music the rise and then the fall of humankind.

Mingus Ah Um (1959)

His most famous record, which contains “Goodbye Pork Pie Hat,” a tribute to saxophonist Lester Young, and “Fables of Faubus,” a satire of a segregationist governor.

The Black Saint and the Sinner Lady (1963)

A vast composition for large ensemble, conceived as a ballet, regarded as one of the high points of orchestral jazz.

Beneath the Underdog (1971)

An unbridled, partly fictionalized autobiography in which Mingus recounts his life, his rages, and his contradictions.

Let My Children Hear Music (1972)

An ambitious album blending jazz and orchestra, which Mingus considered his finest record.

Anecdotes

Charles Mingus is one of the very few musicians the great Duke Ellington ever fired from his orchestra. In 1953, a violent backstage quarrel with trombonist Juan Tizol — Mingus reportedly brandished a cleaver — hastened his departure after only a few weeks. Ellington dismissed him with an icy politeness that has remained famous.

In 1953, Mingus took part in a legendary concert in Toronto alongside Charlie Parker, Dizzy Gillespie, Bud Powell, and Max Roach, sometimes called “the greatest jazz concert in history.” Finding the sound of his double bass too faint on the tape, he re-recorded his own parts in the studio before releasing the record on Debut Records, the label he had just co-founded.

In 1959, Mingus composed “Fables of Faubus” to ridicule Orval Faubus, the governor of Arkansas who had opposed the admission of Black students to a high school in Little Rock. His record label, Columbia, refused to record the lyrics, deeming them too provocative: Mingus had to release a sung version the following year with another publisher.

Late in his life, Mingus was struck by amyotrophic lateral sclerosis (also known as “Lou Gehrig's disease”), which gradually paralyzed him and kept him from playing. Refusing to fall silent, he kept composing by humming his melodies, which assistants notated for him.

According to his wife Sue, on the day Mingus died in Mexico in January 1979, fifty-six whales beached themselves on a nearby shore. And the musician was exactly fifty-six years old. This unsettling coincidence has become one of the legends attached to his memory.

Primary Sources

Beneath the Underdog (autobiography) (1971)
“In other words, I am three. One man stands forever in the middle, unconcerned, unmoved, watching, waiting to be allowed to express what he sees to the other two.”
Original Faubus Fables (song lyrics) (1960)
“Oh, Lord, don't let 'em shoot us! Don't let 'em stab us!” then, in dialogue form: “Name me someone who's ridiculous, Dannie. — Governor Faubus! Why is he so sick and ridiculous? — Because he won't permit integrated schools.”
Let My Children Hear Music (title and liner note) (1972)
“Let my children hear music.” — Mingus's call for living music, played by real musicians.

Key Places

Nogales (Arizona, United States)

Border town in the southern United States where Charles Mingus was born in 1922.

Watts, Los Angeles (United States)

Working-class neighborhood where Mingus grew up and received his first music lessons.

New York (United States)

Jazz capital where Mingus lived, composed, and performed in clubs such as the Five Spot and the Village Vanguard.

Massey Hall, Toronto (Canada)

Venue where the legendary 1953 bebop concert took place, featuring Parker, Gillespie, Powell, and Roach.

Cuernavaca (Mexico)

Mexican city where Mingus, gravely ill, died on January 5, 1979.

The Ganges, Varanasi (India)

Sacred river where his ashes were scattered, according to his wish.

See also