John Cage(1912 — 1992)

John Cage

États-Unis

6 min read

MusicCompositeur/triceArtiste20th Century20th century, the era of artistic avant-gardes and postwar American experimental music

John Cage (1912-1992) was an American composer, theorist, and visual artist, a major figure of the 20th-century musical avant-garde. A pioneer of chance music and of silence as sonic material, he profoundly reshaped the very conception of the musical work.

Frequently asked questions

John Cage (1912-1992) was an American composer who revolutionized twentieth-century music by challenging the very notions of sound, silence, and composition. The key thing to remember is that he invented the prepared piano, turned a piano into a percussion orchestra, and above all composed 4'33", a work in which the performer plays no notes for four minutes and thirty-three seconds. To understand this, you have to remember that Cage wanted to show that silence does not exist: the concert hall itself becomes the source of sound. His historical importance lies in the fact that he opened the way to aleatoric music, to chance as a method of composition, and to conceptual art.

Famous Quotes

« I have nothing to say and I am saying it, and that is poetry. »

Key Facts

  • Born in 1912 in Los Angeles, died in 1992 in New York
  • Invented the “prepared piano” in the 1940s by inserting objects between the strings
  • Composed *4'33"* in 1952, a work of silence in which the performer plays no notes
  • Developed chance music (indeterminacy) drawing on the I Ching and Zen thought
  • A central figure of the New York avant-garde, close to painter Robert Rauschenberg and choreographer Merce Cunningham

Works & Achievements

Bacchanale (first work for prepared piano) (1940)

Introduces the prepared piano, turning the instrument into a percussion orchestra.

Sonatas and Interludes for prepared piano (1948)

A cycle regarded as a masterpiece of the prepared piano, inspired by the emotions of Indian aesthetics.

Music of Changes (1951)

First major work composed with the help of chance, based on the I Ching.

Imaginary Landscape No. 4 (1951)

A piece for twelve radios, incorporating the chance of broadcasts picked up live.

4'33" (1952)

Cage's most famous work: a performed silence that reveals ambient sounds as music.

Silence: Lectures and Writings (1961)

A collection of writings and lectures setting out his thinking on sound, silence and chance.

HPSCHD (1969)

A vast multimedia work for harpsichords and electronic tapes, created with Lejaren Hiller.

Europeras 1 & 2 (1987)

A radical collage of the history of European opera, built on chance and superimposition.

Anecdotes

In 1952, John Cage created 4'33", a piece in which the performer plays no notes at all for four minutes and thirty-three seconds. The “piece” is in fact made up of the unintentional sounds of the room: coughs, whispers, noise from the street. Cage wanted to show that absolute silence never truly exists.

Cage invented the “prepared piano” by slipping screws, bolts, and bits of rubber and felt between a piano's strings. The instrument is thus transformed into a small percussion orchestra with strange sonorities. He came up with the idea to accompany a dance performance in a hall too small for a percussion ensemble.

A passionate mycologist, Cage was a great connoisseur of mushrooms. He co-founded the New York Mycological Society and even won an Italian television quiz show in 1959 by answering questions on the subject, taking home a tidy sum of money.

To compose, Cage used the I Ching, the ancient Chinese “Book of Changes,” drawing numbers at random to decide on notes and durations. This “chance music” allowed him to remove his own tastes from the work and let chance decide.

In 1985, Cage launched in Halberstadt (Germany) the idea of an organ work titled “As Slow as Possible.” One performance, begun in 2001, is meant to last 639 years: each chord change is a genuine event that draws visitors from all over the world.

Primary Sources

Silence: Lectures and Writings (collection of lectures and writings by John Cage) (1961)
“I have nothing to say and I am saying it and that is poetry.”
Lecture on 4'33" — remarks attributed to Cage (1952)
“There is no such thing as silence. What they thought was silence, because they did not know how to listen, was full of accidental sounds.”
The Future of Music: Credo (manifesto by John Cage) (1937)
“I believe that the use of noise to make music will continue and increase until we reach a music produced through the aid of electrical instruments.”

Key Places

Los Angeles, California

John Cage's birthplace, where he grew up and later studied under Arnold Schoenberg.

Black Mountain College, North Carolina

Experimental college where Cage taught and, in 1952, staged a happening that became a founding moment of performance art.

New York

The center of Cage's artistic life for decades; here he created his major works and died in 1992.

Woodstock, New York

Site of the premiere of 4'33", performed by pianist David Tudor in 1952.

Halberstadt, Germany

Town where the performance of “As Slow as Possible” is taking place, designed to last 639 years.

Paris, France

Cage stayed here as a young man in the early 1930s, discovering architecture, modern art, and European music.

See also