Lil Hardin Armstrong(1898 — 1971)

Lil Armstrong

États-Unis

6 min read

Music20th CenturyThe golden age of New Orleans and Chicago jazz in 1920s America, at the height of Prohibition and the “Jazz Age.”

American pianist, composer, and bandleader, one of the first major female figures in jazz. A member of King Oliver's Creole Jazz Band and then a mainstay of Louis Armstrong's Hot Five and Hot Seven, she was also his wife.

Frequently asked questions

Lil Hardin Armstrong (1898-1971) was an African American pianist, composer, and bandleader often reduced to the role of Louis Armstrong's wife. What you need to remember is that she was far more than an accompanist: in 1924, she pushed Louis to leave King Oliver's Creole Jazz Band and become a soloist, even telling him she didn't want to be married to a "second trumpeter." She organized and composed for the legendary sessions of the Hot Five and Hot Seven (1925-1928), which revolutionized jazz. Without her, Louis Armstrong's solo career might never have taken off.

Key Facts

  • Born on February 3, 1898, in Memphis, Tennessee; died on August 27, 1971, in Chicago.
  • Pianist in King Oliver's Creole Jazz Band in Chicago in the early 1920s.
  • Founding member of Louis Armstrong's Hot Five and Hot Seven, whom she married in 1924.
  • Composer of standards such as “Struttin' with Some Barbecue” and “Bad Boy.”
  • A female jazz pioneer: she led her own bands in the 1930s.

Works & Achievements

Hot Five and Hot Seven Recordings (1925-1928)

Pianist, composer, and organizer of these legendary sessions that revolutionized jazz and launched Louis Armstrong as a soloist of genius.

Struttin' with Some Barbecue (1927)

One of her most famous compositions, which became a standard covered by countless jazz musicians.

Just for a Thrill (1936)

A song she composed that would go on to enormous success in 1959 thanks to Ray Charles's cover.

King Oliver's Creole Jazz Band (Gennett sessions) (1923)

She played piano in one of the first major jazz bands ever to record, alongside King Oliver and the young Louis Armstrong.

Bad Boy (1930s)

A composition that would be covered much later by Ringo Starr, a testament to the longevity of her songwriting.

Satchmo and Me (1959)

Recorded memoirs in which she recounts her early days, her meeting with Louis, and the role she played in his career — a precious firsthand account.

Anecdotes

When Louis Armstrong arrived in Chicago in 1922 to play alongside King Oliver, it was Lil who spotted his genius and pushed him to stop staying in the shadows. She is said to have declared that she didn't want to be married to a “second trumpeter”: she convinced him to leave Oliver, helped him lose weight, dress better and put himself forward. Without her, Louis Armstrong's solo career might never have taken off.

As a teenager and then a young woman in Chicago, Lil earned a few dollars a week as a “sheet-music demonstrator” at the Jones music store: she played the latest hit songs on the piano so that customers would want to buy them. An excellent reader, she could sight-read any piece, which opened the doors of the city's jazz orchestras to her.

Unlike many jazz musicians of her time, who were trained “by ear,” Lil had studied music at Fisk University and earned diplomas from music schools. Able to read and write music, she composed, arranged and organized the famous recording sessions of the Hot Five and Hot Seven.

On August 27, 1971, six weeks after the death of Louis Armstrong, Lil took part in a televised concert held in his memory in Chicago. As she played “St. Louis Blues” on the piano, she collapsed on stage and died instantly. Her life thus ended in the midst of music, dedicated to the man whose legend she had launched.

Primary Sources

Satchmo and Me — recorded memoirs of Lil Hardin Armstrong (Riverside Records) (1959)
Lil recounts how she pushed Louis to become a leading soloist, explaining that she did not want to be married to a “second trumpeter.”
Satchmo and Me — account of her first meeting with Louis (1959)
She recalls that when he arrived from New Orleans, the young Louis had not impressed her: pudgy, poorly dressed, and sporting bangs, he made an unremarkable impression before she discovered his talent.
OKeh record labels and catalogs — Louis Armstrong and His Hot Five (1925-1928)
The sleeves and credits bear the name “Lil Hardin Armstrong” on piano, and credit her with compositions such as “Struttin' with Some Barbecue.”

Key Places

Memphis (Tennessee)

Lillian Hardin's birthplace, in the American South, the cradle of her musical roots.

Fisk University, Nashville

The institution where she studied music, gaining a solid classical training unusual among jazz musicians.

Chicago (Illinois)

The heart of her career: she worked there as a sheet-music demonstrator, joined King Oliver, recorded the Hot Five, and would live out the rest of her life there.

New York

In the 1930s and 1940s, she led her own orchestras there, hosted radio shows, and continued her career as a bandleader.

See also