McCoy Tyner(1938 — 2020)

McCoy Tyner

États-Unis

6 min read

MusicCompositeur/trice20th CenturySecond half of the 20th century, the golden age of modal jazz and hard bop in the United States

American jazz pianist, one of the most influential of the post-war era. A member of John Coltrane's historic quartet, he developed a recognizable piano style built on quartal chords and a powerful left-hand technique.

Frequently asked questions

McCoy Tyner (1938–2020) is one of the most influential pianists in postwar jazz. What matters is that he revolutionized piano playing by developing quartal harmony (stacking notes in fourths rather than thirds), which produced a broad, powerful, instantly recognizable sound. He is best known as the pianist of John Coltrane's historic quartet (with Jimmy Garrison and Elvin Jones), with whom he recorded masterpieces like A Love Supreme (1965). His career as a leader, marked by albums such as The Real McCoy (1967) and Sahara (1972), confirmed his genius. What makes him unique is his ability to combine technical virtuosity with spiritual depth, influencing generations of pianists.

Key Facts

  • Born in 1938 in Philadelphia, died in 2020 in New Jersey
  • Member of the John Coltrane Quartet from 1960 to 1965, contributing to major albums including A Love Supreme (1965)
  • Prolific solo career beginning in 1965, with the landmark album The Real McCoy (1967)
  • Style characterized by quartal chords and a powerful left-hand technique, a model for generations of pianists
  • Honored with several Grammy Awards over the course of his career

Works & Achievements

My Favorite Things (John Coltrane) (1961)

Hypnotic jazz reworking of a musical-theater song; Tyner's piano solo on it has remained famous.

A Love Supreme (John Coltrane) (1965)

Spiritual suite regarded as one of the peaks of jazz; Tyner plays piano in the legendary quartet.

The Real McCoy (1967)

Tyner's first major album as a leader, on Blue Note, where his quartal style fully comes into its own.

Sahara (1972)

A defining album of his solo career on Milestone, where he also plays the koto and percussion.

Enlightenment (1973)

Concert recorded at the Montreux Festival, a testament to the energy of his quartet on stage.

Blues for Coltrane: A Tribute to John Coltrane (1987)

A tribute to his former mentor that won a Grammy Award.

The Turning Point (McCoy Tyner Big Band) (1992)

Big-band album crowned with a Grammy, showcasing his talent as an arranger and bandleader.

Anecdotes

As a child, McCoy Tyner grew up in a Philadelphia neighborhood that was home to the great bebop pianist **Bud Powell**, whom he admired enormously. His mother, a hairdresser, installed a piano in her beauty salon so the boy could practice: he played in the middle of the customers. By his teenage years, he had already decided to become a professional musician.

As a teenager, he met the saxophonist **John Coltrane**, who was also from the Philadelphia area, and the two men promised to play together one day. In **1960**, Coltrane kept his word and invited him to join his new quartet: Tyner was only 21 at the time. He stayed for five years, alongside bassist **Jimmy Garrison** and drummer **Elvin Jones**.

Around the age of 17, McCoy Tyner converted to Islam and took the name **Sulaiman Saud**, in connection with the Ahmadiyya community. He nevertheless continued to perform and record under his birth name throughout his career.

In **1960**, Coltrane's quartet transformed “My Favorite Things,” a song from the musical *The Sound of Music*, into a long, almost hypnotic jazz piece. Against all odds, the record became a hit and brought the group to the attention of the general public.

Tyner developed a very personal way of playing: he stacked notes in intervals of a fourth rather than a third, which gave his piano an open, wide sound. His left hand pounded the low notes with such power that countless jazz pianists later sought to imitate him.

Primary Sources

J.C. Thomas, Chasin' the Trane (biography of John Coltrane) (1975)
“Towards the end, I didn't feel I was contributing anything musically. All I could hear was a lot of noise. I had no feeling for the music, and when I don't have feeling, I don't play.” — McCoy Tyner explaining why he left Coltrane's group in 1965.
A Love Supreme, Impulse! Records album (1965)
Sleeve credits: “John Coltrane – tenor saxophone; McCoy Tyner – piano; Jimmy Garrison – double bass; Elvin Jones – drums.” The album also features a devotional poem written by Coltrane.
The Real McCoy, Blue Note Records album (1967)
Credits: “McCoy Tyner – piano; Joe Henderson – tenor saxophone; Ron Carter – double bass; Elvin Jones – drums.” Tyner's first major album as a leader, made up entirely of his own compositions.

Key Places

Philadelphia (Pennsylvania)

Tyner's hometown, where he learned the piano and mixed with young musicians destined for great careers. It was there that he met John Coltrane.

New York

The capital of jazz, where Tyner settled and worked, playing in the major clubs and recording for the leading labels. He spent most of his career there.

Rudy Van Gelder Studio, Englewood Cliffs (New Jersey)

The legendary studio where A Love Supreme and many Impulse! and Blue Note records were cut. Tyner recorded several of his masterpieces there.

Village Vanguard, New York

The famous Manhattan jazz club where Coltrane's quartet performed and was recorded live. A landmark of avant-garde jazz in the 1960s.

Bergenfield (New Jersey)

The town where McCoy Tyner died in 2020. He spent his final years in the New York area.

See also