Miles Davis(1926 — 1991)

Miles Davis

États-Unis

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MusicCompositeur/trice20th Century20th-century America, from the golden age of postwar bebop to the electric revolutions of the 1970s and 1980s

Miles Davis (1926-1991) was an American jazz trumpeter, composer, and bandleader. A major figure of the musical 20th century, he relentlessly reinvented jazz, from cool jazz to modal jazz and on to electric fusion.

Frequently asked questions

Miles Davis (1926-1991) est un trompettiste, compositeur et chef d'orchestre américain qui a constamment réinventé le jazz pendant près de cinq décennies. Ce qu'il faut retenir, c'est qu'il n'a jamais cessé d'explorer : du cool jazz au jazz modal, puis à la fusion électrique, chaque étape a marqué l'histoire. Contrairement à beaucoup de ses contemporains restés dans un style, Davis a fait de la mutation son moteur créatif, influençant des générations de musiciens au-delà du jazz, jusqu'au rock et à la pop.

Famous Quotes

« Don't play what's there, play what's not there. »
« Jazz is the big brother of revolution. Revolution follows it. »

Key Facts

  • Born in 1926 in Alton, Illinois, he moved to New York in 1944, where he played alongside Charlie Parker, a leading figure of bebop.
  • In 1949-1950, his recordings gathered under the title Birth of the Cool launched the cool jazz movement.
  • In 1959, the album Kind of Blue established modal jazz and became one of the best-selling jazz records in history.
  • In 1970, the album Bitches Brew paved the way for jazz-rock fusion by bringing together electric instruments and amplification.
  • He died in 1991 in Santa Monica, California, after a career spanning nearly fifty years marked by constant reinvention.

Works & Achievements

Birth of the Cool (1949-1950 sessions)

With a nonet and arranger Gil Evans, Davis laid the foundations of cool jazz, softer and more spacious than bebop.

Ascenseur pour l'échafaud (film score) (1957-1958)

An almost entirely improvised soundtrack for Louis Malle's film, a famous example of the meeting between jazz and cinema.

Kind of Blue (1959)

A masterpiece of modal jazz and the best-selling jazz record in history, recorded almost without rehearsal.

Sketches of Spain (1960)

An orchestral album made with Gil Evans, inspired by Spanish music (including the Concierto de Aranjuez).

Bitches Brew (1970)

A founding double album of jazz-rock fusion, blending electric instruments, rock and funk.

Tutu (1986)

A landmark album of his later period, modern and electronic, awarded a Grammy Award.

Anecdotes

In 1944, Miles Davis arrived in New York at age 18, officially to study at the prestigious Juilliard School. But every evening he skipped class to comb the clubs of 52nd Street in search of his idols Charlie Parker and Dizzy Gillespie. He eventually dropped out of Juilliard to learn jazz directly on stage, at their side.

To record Kind of Blue in 1959, Davis handed out almost no sheet music to his musicians: he gave them only a few scales and some notes scribbled down just before playing. Most of the tracks were nailed on the very first take. The album would go on to become the best-selling jazz record of all time.

Around 1955, after a throat operation meant to remove nodules, doctors forbade Davis from speaking for a few days. But he lost his temper and raised his voice too soon, permanently damaging his vocal cords. That is how he kept that famous raspy whisper for the rest of his life.

In August 1959, outside the Birdland club where he had just played, Davis was walking a woman to a taxi. A police officer ordered him to move along; the confrontation escalated and the musician, already famous as he was, was struck on the head and then arrested. The affair caused a scandal and illustrated the racism endured even by the most celebrated Black artists.

On stage, Davis often played with his back to the audience, which many took for arrogance. He explained that he was simply directing his musicians with his eyes and his gestures, entirely focused on the music rather than on the show.

Primary Sources

Miles: The Autobiography (with Quincy Troupe), opening line (1989)
Listen. The greatest feeling I ever had in my life — with my clothes on — was when I first heard Diz and Bird together in St. Louis, Missouri, back in 1944.
Liner notes for the album Kind of Blue, written by pianist Bill Evans (“Improvisation in Jazz”) (1959)
There is a Japanese visual art in which the artist is forced to be spontaneous. He must paint on a thin stretched parchment with a special brush and black water paint in such a way that an unnatural or interrupted stroke will destroy the line.
Aphorism by Miles Davis about his playing, widely reported (1950s–1960s)
It's not the notes you play, it's the notes you don't play.

Key Places

Alton, Illinois

Midwestern town where Miles Davis was born on May 26, 1926, on the banks of the Mississippi.

East St. Louis, Illinois

Town where Davis grew up in a well-off family; his dentist father gave him his first trumpet around age 13.

New York (52nd Street and Juilliard)

Jazz capital where Davis enrolled at Juilliard before learning everything in the clubs alongside Charlie Parker, then building his career there.

Paris, France

A city he loved, where in 1957 he improvised the score for Louis Malle's film “Elevator to the Gallows,” playing live in front of the projected images.

Santa Monica, California

City where Miles Davis died on September 28, 1991, at the age of 65.

See also