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Portrait de Olympe de Gouges

Olympe de Gouges

Olympe de Gouges

1748 — 1793

France

PoliticsLiteratureRévolutionnaireDramaturgePolitiqueEarly Modern18th century (Age of Enlightenment and French Revolution)

French author, politician and pamphleteer (1748–1793), Olympe de Gouges campaigned for women's rights and the abolition of slavery during the French Revolution. She wrote the Declaration of the Rights of Woman and of the Female Citizen in 1791, a founding document of feminism.

Émotions disponibles (6)

N

Neutre

par défaut

I

Inspirée

P

Pensive

S

Surprise

T

Triste

F

Fière

Famous Quotes

« Woman has the right to mount the scaffold; she must equally have the right to mount the rostrum. »
« Mothers, daughters, sisters, representatives of the nation, demand to be constituted into a national assembly. »

Key Facts

  • 1791: Wrote the Declaration of the Rights of Woman and of the Female Citizen, the first declaration demanding equal political and civic rights for women
  • 1788–1792: Published numerous pamphlets and plays criticising the Ancien RĂ©gime and championing equality
  • 1793: Arrested for her moderate political positions and her criticism of Robespierre
  • November 3, 1793: Executed by guillotine, the first French female politician to suffer this fate

Works & Achievements

Declaration of the Rights of Woman and of the Female Citizen (1791)

Founding text of feminism, written as a mirror of the Declaration of the Rights of Man of 1789. Olympe de Gouges proclaims the equality of rights between men and women and demands women's access to political citizenship.

Black Slavery, or the Happy Shipwreck (1789)

Anti-slavery play performed at the Comédie-Française, denouncing the slave trade and slavery in the French colonies. One of the first openly abolitionist dramatic works in France.

Reflections on Black Men (1788)

Militant pamphlet in favor of the abolition of slavery, published the year preceding the Revolution. It bears witness to Olympe de Gouges's early commitment to the rights of oppressed peoples.

The Philosopher Prince, an Oriental Tale (1792)

Philosophical novel in which Olympe de Gouges defends women's rights and criticizes social inequalities through a fictional narrative of Oriental inspiration, a fashionable genre in the 18th century.

The Rights of Woman — Dedication to Queen Marie-Antoinette (1791)

Prefatory text of the Declaration addressed to Marie-Antoinette, in which Olympe de Gouges calls upon the queen to support the cause of women and to use her influence in favor of equality.

Political Testament (1793)

Last text written shortly before her execution, in which she reaffirms her convictions and her fidelity to her ideals of freedom and equality in the face of the death that awaits her.

Anecdotes

Olympe de Gouges, born Marie Gouze in Montauban in 1748, invented a noble origin for herself by claiming to be the illegitimate daughter of the Marquis Le Franc de Pompignan. This identity construction allowed her to establish herself in Parisian salons, where women of low birth were rarely admitted.

In 1791, she wrote the Declaration of the Rights of Woman and of the Female Citizen, mirroring point by point the Declaration of the Rights of Man and of the Citizen of 1789. She dedicated it to Queen Marie-Antoinette, hoping the sovereign would champion the cause of women — an audacious political gamble that did not pay off.

Olympe de Gouges wrote a play, 'The Slavery of the Blacks', which was performed at the Comédie-Française in 1789 after years of resistance from the actors, backed by the colonial lobby. She is one of the first women to have had an anti-slavery play staged on a major national theatre.

Arrested in July 1793 for posting a placard proposing a referendum on the form of government, she attempted to plead pregnancy to escape the guillotine — a legal stratagem recognized at the time. The physicians appointed by the tribunal concluded she was not pregnant, and she was guillotined on 3 November 1793.

Despite her revolutionary commitment, Olympe de Gouges publicly opposed the execution of King Louis XVI, even offering to defend him herself before the tribunal. This courageous but unpopular stance earned her the hostility of the Montagnards and contributed to her condemnation.

Primary Sources

Declaration of the Rights of Woman and of the Female Citizen (1791)
Woman is born free and remains equal to man in rights. Social distinctions can only be founded on the common good.
The Rights of Woman — Dedication to the Queen (1791)
Madame, little accustomed to the language used to Kings, I will not employ the flattery of courtiers to address this work to you. My aim is to speak to you frankly.
The Philosophical Prince, an Oriental Tale (1792)
Laws were made by men alone, and they have always sought to enslave women, as though they had not been created to share their virtues and their glory.
Political Testament of Olympe de Gouges (1793)
I die, my fellow citizens, a victim of my passion for the fatherland and for the people. Its enemies, wearing a hypocritical mask, have led me to the grave.

Key Places

Montauban, birthplace

A town in southwestern France where Marie Gouze was born in 1748. She spent her early years there before forging a new identity in Paris.

Paris, Palais-Royal

A hub of political and cultural life where revolutionaries, philosophers, and men of letters gathered. Olympe de Gouges frequented this neighborhood to spread her ideas and meet influential figures.

Comédie-Française, Paris

The national theatre where Olympe de Gouges's anti-slavery play 'L'Esclavage des Noirs' was performed in 1789, after years of resistance from the colonial lobby.

Place de la Révolution (present-day Place de la Concorde), Paris

The site where Olympe de Gouges was guillotined on November 3, 1793, during the Reign of Terror. It was also where Louis XVI and Marie-Antoinette had been executed.

National Assembly (Salle du Manège), Paris

The meeting place of the Constituent Assembly and later the National Convention. Olympe de Gouges submitted her petitions and her Declaration of the Rights of Woman to its members, none of which were ever debated.

Typical Objects

Quill pen and inkwell

The daily tool of Olympe de Gouges, who wrote dozens of pamphlets, plays, and political declarations. Her written output is remarkable for a woman who had learned to read and write late in life.

Revolutionary gazette or newspaper

Pamphlets and newspapers circulated widely during the Revolution. Olympe de Gouges published her political texts and declarations in them, reaching a broad audience across Paris.

Printed poster

Olympe de Gouges used public posting to spread her political ideas through the streets of Paris. It was precisely one of these posters proposing a vote on the form of government that prompted her arrest in 1793.

Dress in the revolutionary fashion

Women involved in the Revolution often wore outfits in tricolour colours or adorned with cockades. Olympe de Gouges attended clubs and revolutionary gatherings dressed according to the codes of her era.

Text of the Declaration of the Rights of Man and of the Citizen

Olympe de Gouges literally took this founding text and rewrote it article by article to include women, thereby creating her own Declaration of the Rights of Woman and of the Female Citizen.

Candle or oil lamp

Lighting in the 18th century relied on candles and oil lamps. Olympe de Gouges often wrote her many texts at night, in her Parisian apartment.

School Curriculum

Cycle 4 (5e-3e)Histoire — Histoire du féminisme et des mouvements pour l'égalité
Cycle 4 (5e-3e)Français — Révolution française et droits humains
Cycle 4 (5e-3e)EMC — Libertés et droits fondamentaux (EMC)
LycéeHistoire — Histoire du féminisme et des mouvements pour l'égalité
LycéeFrançais — Révolution française et droits humains
LycéeEMC — Libertés et droits fondamentaux (EMC)
LycéeHistoire — Les pensées politiques des Lumières
LycéeHistoire — Analyse de sources primaires : écrits révolutionnaires
LycéeHistoire — Rôle des femmes dans la Révolution française

Vocabulary & Tags

Key Vocabulary

pamphleteerDeclaration of Rightscitizenshipequal rightsfeminismFrench RevolutionEnlightenmentabolition

Tags

Mouvement

Olympe de GougesRévolutionnaireDramaturgeAbolition de l'esclavagepolémisteDéclaration des droitscitoyennetéégalité des droitsféminismeabolitionXVIIIe siècle (Époque des Lumières et Révolution française)

Daily Life

Morning

Olympe de Gouges rose early in her Parisian apartment and began her day by reading the revolutionary gazettes and newspapers published the day before. She would dictate or write her political texts herself, taking advantage of the cool morning hours to work on her pamphlets and declarations.

Afternoon

The afternoon was devoted to visits to literary and political salons, where she debated with intellectuals, politicians, and other engaged women. She also went to the National Assembly to attempt to have her petitions heard, or distributed her posters in the streets of Paris.

Evening

In the evening, Olympe de Gouges sometimes attended theatrical performances or meetings of revolutionary political clubs. Back home, she continued her writing by candlelight, drafting speeches, open letters, and legislative proposals until late into the night.

Food

The diet in 18th-century Paris for a woman of letters of modest means consisted of bread, soups, vegetables, cheeses, and occasionally meat at more festive salon gatherings. Olympe de Gouges, like many Parisians during the Revolution, sometimes suffered from the food shortages that troubled the city.

Clothing

She wore the fashionable revolutionary-era dresses: white muslin gowns or light-colored fabrics, high-waisted beneath the bust in the emerging neoclassical style. She most likely wore the tricolor cockade, a symbol of allegiance to revolutionary ideals, and took care with her appearance in order to be taken seriously in political circles.

Housing

Olympe de Gouges lived in a Parisian apartment, most likely in a lively neighborhood on the Right Bank. Her living conditions were those of a woman of letters of modest origins: a functional space with a writing desk, a bookcase, and enough room to receive visitors and correspondents.

Historical Timeline

1748Naissance de Marie Gouze à Montauban, fille d'une marchande de marché.
1765Arrivée à Paris après la mort de son mari ; elle commence à fréquenter les milieux littéraires et les salons des Lumières.
1788Rédaction de 'Réflexions sur les hommes nègres', premier texte antiesclavagiste publié.
1789Représentation de 'L'Esclavage des Noirs' à la Comédie-Française ; prise de la Bastille et début de la Révolution française.
1789Publication de la Déclaration des droits de l'homme et du citoyen, qui exclut les femmes de la citoyenneté active.
1791Rédaction et publication de la Déclaration des droits de la femme et de la citoyenne.
1791L'Assemblée nationale adopte la Constitution qui maintient l'exclusion politique des femmes.
1792La France déclare la guerre à l'Autriche ; début des guerres révolutionnaires européennes.
1792Proclamation de la République française ; abolition de la monarchie.
1793Exécution de Louis XVI en janvier ; Olympe de Gouges s'était opposée à cette décision.
1793La Convention jacobine vote l'abolition de l'esclavage en février (décret du 16 pluviôse an II en 1794).
1793Arrestation d'Olympe de Gouges en juillet pour ses affiches contestant la dictature montagnarde.
1793Exécution d'Olympe de Gouges le 3 novembre, place de la Révolution à Paris, pendant la Terreur.

Period Vocabulary

Citoyenne — Title used during the French Revolution to address women, replacing 'Madame' or 'Mademoiselle'. Olympe de Gouges claimed this title to assert women's belonging to the national political community.
Pamphlet — A short, polemical text, printed and widely distributed, used to criticize those in power or defend a cause. It was the preferred political communication tool of revolutionaries, and one that Olympe de Gouges used extensively.
Natural rights — According to Enlightenment philosophers, fundamental rights belonging to every human being by nature, independently of human laws. Olympe de Gouges drew on this concept to demand equal rights between men and women.
The Reign of Terror — A period of the French Revolution (1793–1794) during which the Committee of Public Safety, dominated by Robespierre, had thousands of people executed for being deemed enemies of the Republic. Olympe de Gouges was among its victims.
Slave trade — The trade in human beings reduced to slavery, primarily Africans, organized by European powers to supply forced labor to their colonies in the Americas. Olympe de Gouges was among the first to demand its abolition.
Political club — An association of citizens gathered to debate politics and put forward proposals. During the Revolution, clubs such as the Cordeliers and the Jacobins played a central role. Women attempted to establish their own clubs, which were banned in 1793.
Suffrage — The right to vote in elections. In 1791, only property-owning men were declared 'active citizens' entitled to vote. Olympe de Gouges demanded that suffrage be extended to women.
Abolition — The legal suppression of an institution deemed unjust, particularly slavery. Olympe de Gouges was an abolitionist — that is, she campaigned for the end of slavery in the French colonies, well before its official abolition in 1794.
Montagnards — The radical faction of the National Convention seated on the highest tiers of the chamber (hence their name), led by Robespierre and Marat. They violently opposed Olympe de Gouges, who criticized their grip on the Revolution.
Declaration — A solemn text setting out fundamental principles, such as the Declaration of the Rights of Man and of the Citizen of 1789. Olympe de Gouges wrote a version that included women, the Declaration of the Rights of Woman and of the Female Citizen, in 1791.

Gallery

Marie-Olympe-de-Gouges

Marie-Olympe-de-Gouges

Olympe de Gouges

Olympe de Gouges


The court of Napoleon;

The court of Napoleon;


The court of Napoleon; or, Society under the first empire; with portraits of its beauties, wits and heroines, from authentic originals

The court of Napoleon; or, Society under the first empire; with portraits of its beauties, wits and heroines, from authentic originals


The court of Napoleon; : or, Society under the first empire ; with portraits of its beauties, wits and heroines, from authentic originals.

The court of Napoleon; : or, Society under the first empire ; with portraits of its beauties, wits and heroines, from authentic originals.

Montauban - Sculptures by Antoine Bourdelle -02

Montauban - Sculptures by Antoine Bourdelle -02

Montauban - Olympe de Gouges theater

Montauban - Olympe de Gouges theater

Olympe de Gouges 19178

Olympe de Gouges 19178

Olympe de GOuges assemblée 16866

Olympe de GOuges assemblée 16866

Clermont-Ferrand - Square Olympe de Gouges - Fontaine d'Amboise - Partie centrale

Clermont-Ferrand - Square Olympe de Gouges - Fontaine d'Amboise - Partie centrale

Visual Style

Esthétique néoclassique de la fin du XVIIIe siècle : salons à la bougie, pamphlets imprimés, robes de mousseline et décors révolutionnaires parisiens aux contrastes dramatiques.

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AI Prompt
Late 18th-century French neoclassical aesthetic. Scenes set in candlelit Parisian salons and street corners filled with printed pamphlets. A woman in a powdered wig or natural hair tied with a tricolor ribbon, wearing a soft muslin dress typical of the 1790s. Background elements include quill and inkwell on a writing desk, pamphlets scattered across the floor, a guillotine silhouetted in the distance. Color palette inspired by revolutionary France: ivory, cobalt blue, blood red, dusty gold, and slate grey. Style reminiscent of Jacques-Louis David's neoclassical portraits, with strong contrasts and dramatic lighting evoking both Enlightenment ideals and revolutionary turmoil.

Sound Ambience

L'ambiance sonore de Paris révolutionnaire : le bruit des pavés, des crieurs de journaux, des salons animés et de la plume grattant le papier la nuit à la lueur des bougies.

AI Prompt
The rumble of iron-wheeled carriages on cobblestones in revolutionary Paris. Street vendors crying out pamphlets and gazettes. The distant sound of a crowd chanting revolutionary slogans near the Palais-Royal. Quill scratching on parchment in a candlelit apartment. Church bells echoing across rooftops. The noise of a printing press producing political tracts. Murmurs and debates in a literary salon, the clink of porcelain cups, a harpsichord playing softly in the background. Occasionally, the distant drumroll of a revolutionary ceremony or a public reading of decrees.

Portrait Source

Wikimedia Commons — domaine public — Alexander Kucharsky — 1750