Stan Getz(1927 — 1991)

Stan Getz

États-Unis

6 min read

Music20th CenturyPost-war American jazz, from the cool jazz of the 1950s to the bossa nova wave of the 1960s

American tenor saxophonist and a leading figure of 1950s “cool” jazz. Nicknamed “The Sound” for the warm, lyrical tone of his instrument, he popularized bossa nova in the United States in the early 1960s.

Frequently asked questions

Stan Getz (1927-1991) was an American tenor saxophonist and a major figure of cool jazz in the 1950s. The key point is that his nickname "The Sound" comes from the exceptionally warm and lyrical tone of his instrument, forged by admiring Lester Young. This velvety timbre, instantly recognizable, made him a reference: many saxophonists tried to imitate him without ever succeeding. He also popularized bossa nova in the United States in the 1960s.

Key Facts

  • Born February 2, 1927, in Philadelphia; died June 6, 1991, in Malibu, California
  • Member of the “Four Brothers” in Woody Herman's orchestra in the late 1940s
  • An iconic figure of cool jazz in the 1950s, nicknamed “The Sound”
  • The album “Jazz Samba” (1962) with Charlie Byrd, whose track “Desafinado” launched the bossa nova craze in the United States
  • The album “Getz/Gilberto” (1964) with João Gilberto and Antônio Carlos Jobim, featuring “The Girl from Ipanema” and honored with several Grammy Awards

Works & Achievements

Early Autumn (with Woody Herman's orchestra) (1948)

A brief solo of great delicacy that revealed Getz's talent and launched his career as a soloist.

Focus (1961)

An ambitious album blending saxophone and string orchestra, arranged by Eddie Sauter; Getz considered it one of his crowning achievements.

Jazz Samba (with Charlie Byrd) (1962)

The first album to widely spread bossa nova across the United States; its track “Desafinado” became a major hit.

Getz/Gilberto (with João Gilberto and Antônio Carlos Jobim) (1964)

A landmark album marking the meeting of jazz and bossa nova, crowned Album of the Year at the Grammy Awards.

The Girl from Ipanema (1964)

A song that became a worldwide hit, named Record of the Year and now a classic of the 20th century.

Sweet Rain (with Chick Corea) (1967)

A refined album that reveals Getz's openness to the new sounds of modern jazz.

Captain Marvel (1972)

Recorded with Chick Corea and younger musicians, it illustrates Getz's ability to reinvent himself.

People Time (with Kenny Barron) (1991)

A moving duo album recorded shortly before his death, regarded as a deeply touching farewell.

Anecdotes

Stan Getz was nicknamed "The Sound" because the tone of his tenor saxophone was so warm, smooth, and recognizable among thousands. He had shaped that velvety timbre by admiring Lester Young, and many saxophonists spent years trying to imitate it without ever succeeding.

At just 21 years old, in 1948, Getz played a short solo on the tune "Early Autumn" in Woody Herman's orchestra. Those few bars, of rare delicacy, made him famous almost overnight and launched his career as a soloist.

In 1962, Getz discovered Brazilian bossa nova and recorded the album "Jazz Samba." Two years later, with "The Girl from Ipanema

he set off a genuine bossa nova craze in the United States: the song played everywhere on the radio and introduced this Brazilian style to the entire world.

Getz's life was also marked by his battles against addiction. In 1954, in Seattle, suffering from morphine withdrawal, he clumsily tried to rob a pharmacy with his finger pointed inside his pocket like a weapon; overcome with remorse, he immediately phoned to apologize. He was arrested, but he later found his way back to music.

His friend

the saxophonist Zoot Sims

summed up Getz

s changeable nature with a now-famous quip: "He

s a lovely guy... as long as you catch him on a good day.

A genius of melody but a tormented man

Getz could shift from tenderness to anger in an instant.

Primary Sources

Stan Getz, on the meaning of his life (remarks reported, 1980s)
My life is music. In some vague, mysterious, and unconscious way I have always been driven by an inner spring that has compelled me, almost compulsively, to seek perfection in music — often at the expense of everything else.
John Coltrane, on Stan Getz (remarks attributed, late 1950s)
We'd all play like Stan Getz... if only we could.
Zoot Sims, friend and fellow saxophonist (reported testimony)
Stan? He's a hell of a guy — several guys, actually, all at once.

Key Places

Philadelphia (Pennsylvania, USA)

Birthplace of Stan Getz, born on February 2, 1927 into a family of immigrants.

New York (the Bronx and 52nd Street)

Getz grew up here and learned music; as a young man, he played in the clubs of 52nd Street, the beating heart of New York jazz.

Copenhagen (Denmark)

Getz settled here in the late 1950s, like many American jazzmen drawn by Europe's enthusiastic welcome.

Seattle (Washington State, USA)

Site of the 1954 pharmacy incident, which brought his struggles with addiction into the open.

Malibu (California, USA)

Getz spent his final years here and died on June 6, 1991 of liver cancer.

See also