Federico García Lorca(1898 — 1936)

Federico García Lorca

Espagne

6 min read

LiteraturePerforming ArtsPoète(sse)Dramaturge20th CenturySpain in the first third of the 20th century, the Generation of '27 and the onset of the Spanish Civil War

Spanish poet and playwright, a major figure of the Generation of '27. Author of the Romancero gitano and rural tragedies such as Blood Wedding, he was assassinated in 1936 at the start of the Spanish Civil War.

Frequently asked questions

Federico García Lorca (1898-1936) was a Spanish poet and playwright, a leading figure of the Generation of '27. What stands out is that he managed to blend Andalusian folk tradition — such as cante jondo — with the surrealist avant-garde, creating a unique body of work. His rural tragedies, like Blood Wedding (1933), and his poetry collections, such as the Gypsy Ballads (1928), left their mark on twentieth-century literature. He was murdered in 1936 at the start of the Spanish Civil War, which turned him into a symbol of freedom silenced by political violence.

Famous Quotes

« El más terrible de los sentimientos es el sentimiento de tener la esperanza muerta.»
« En España, los muertos están más vivos que los muertos de cualquier otro sitio del mundo.»

Key Facts

  • Born in 1898 in Fuente Vaqueros, near Granada, in Andalusia
  • Published the Romancero gitano in 1928, the collection that made him famous
  • Stayed in New York (1929-1930), which gave rise to Poet in New York
  • Founded the university theatre troupe La Barraca in 1932
  • Wrote his rural trilogy: Blood Wedding (1933), Yerma (1934), The House of Bernarda Alba (1936)
  • Assassinated in August 1936, at the start of the Spanish Civil War

Works & Achievements

Poema del cante jondo (written in 1921, published in 1931)

A collection inspired by Andalusian deep song, a tribute to the soul of flamenco.

Romancero gitano (1928)

A collection of ballads blending popular tradition with modern imagery; it made Lorca famous.

Poeta en Nueva York (written in 1929-1930, published in 1940)

A dark, surrealist collection born of his time in America, a critique of the dehumanized city.

La Barraca (theatre troupe) (1932)

A travelling company bringing classical Spanish theatre to villages, a major cultural project of the Republic.

Bodas de sangre (Blood Wedding) (1933)

A rural tragedy about love, honour, and death; the first part of his great dramatic trilogy.

Yerma (1934)

A tragedy about a woman's longing for a child within a rigid rural society.

Llanto por Ignacio Sánchez Mejías (1935)

A poignant elegy dedicated to a bullfighter friend who died in the ring, a high point of Lorca's poetry.

La casa de Bernarda Alba (The House of Bernarda Alba) (1936, published in 1945)

His final play, a drama of confinement and stifling authority in a household of women.

Anecdotes

Before becoming a poet, the young Federico dreamed of being a musician. He played the piano remarkably well and remained close his whole life to the great composer Manuel de Falla, with whom he organized a *cante jondo* competition in Granada in 1922 — the deep song of flamenco that he wanted to save from oblivion.

At the Student Residence in Madrid, Lorca became friends with the painter Salvador Dalí and the future filmmaker Luis Buñuel. This band of bold young artists would remake the world by night; Dalí painted several portraits of his poet friend.

In 1932, Lorca founded La Barraca, a student theater troupe that travelled across the villages of Spain aboard a truck. Dressed in simple blue overalls, these young actors performed the great Spanish classics for free in front of peasants who had often never set foot in a theater.

In 1929-1930, Lorca stayed in New York and studied at Columbia University. Disoriented by the giant city and the Wall Street stock market crash, and barely speaking English, he drew from the experience a dark and visionary collection, *Poet in New York*.

Lorca theorized the idea of *duende*, that mysterious and overwhelming force that runs through the flamenco artist or the poet. In a famous lecture, he quoted the singer Manuel Torre: “All that has dark sounds has duende.”

Primary Sources

Romance sonámbulo (Romancero gitano) (1928)
“Verde que te quiero verde. / Verde viento. Verdes ramas.” (Green, how I want you green. / Green wind. Green branches.)
Llanto por Ignacio Sánchez Mejías (1935)
“A las cinco de la tarde. / Eran las cinco en punto de la tarde.” (At five in the afternoon. / It was exactly five in the afternoon.) An elegy written for his bullfighter friend killed in the arena.
La aurora (Poeta en Nueva York) (1929-1930)
“La aurora de Nueva York tiene / cuatro columnas de cieno.” (The dawn of New York has / four columns of mire.)
Juego y teoría del duende (lecture) (1933)
“Todos los sonidos negros tienen duende.” (All dark sounds have duende.) In it, Lorca explains the dark, deep force that animates the true artist.

Key Places

Fuente Vaqueros (province of Granada)

Andalusian village where Lorca was born in 1898, in the middle of the fertile countryside of the Vega. Its landscapes and folk songs would feed his entire body of work.

Students' Residence, Madrid

A hub of intellectual ferment where Lorca lived during the 1920s. There he met Dalí and Buñuel and took part in avant-garde life.

Huerta de San Vicente, Granada

The Lorca family's summer home, surrounded by gardens, where Federico wrote several of his major works. Today it is a museum.

Columbia University, New York

Lorca stayed here in 1929-1930, shaken by the metropolis and the stock market crash. From it he drew the collection Poet in New York.

Barranco de Víznar (between Víznar and Alfacar)

A ravine near Granada where Lorca was shot in August 1936 at the start of the civil war. A memorial park now honors the victims.

See also