Biography

Gerhard Richter is a German painter and visual artist born in 1932, considered one of the most important living artists. His work oscillates between blurred photo-painting and radical abstraction, ceaselessly questioning the relationships between painting, photography and memory.

Gerhard Richter(1932 — ?)

Gerhard Richter

Allemagne

6 min read

Visual ArtsArtiste20th CenturyPostwar Germany and contemporary art from the second half of the 20th century into the 21st century, from the two Germanys to the globalization of art

Frequently asked questions

Gerhard Richter, born in 1932 in Dresden, is a German painter and visual artist whose work spans both Germanies and the globalization of art. What stands out is that he managed to combine blurred photo-painting with radical abstraction, endlessly questioning the relationships between painting, photography and memory. His ability to move from political portraiture (October 18, 1977) to pure color (Abstrakte Bilder) makes him one of the most important living artists.

Famous Quotes

« Painting is another form of thinking.»

Key Facts

  • Born on 9 February 1932 in Dresden, Germany
  • Fled East Germany (the GDR) for West Germany in 1961, just before the Berlin Wall was built
  • From the 1960s onward developed his photo-painting technique (blurred paintings based on photographs)
  • Created the cycle “18 October 1977” in 1988 about the Baader-Meinhof gang (the Red Army Faction)
  • Designed in 2007 the abstract stained-glass window of Cologne Cathedral, made up of thousands of colored squares

Works & Achievements

Aunt Marianne (1965)

A blurred portrait painted from a family photo, showing the artist as a baby with his aunt, a victim of the Nazi “euthanasia” program. The work ties intimate history to German history.

Ema (Nude on a Staircase) (1966)

A blurred painting of a woman walking down a staircase, in dialogue with Duchamp. It proves that painting can rival photography.

48 Portraits (1971-1972)

A series of 48 portraits of famous men (writers, scholars, composers) painted in grey from encyclopedias, presented at the Venice Biennale.

October 18, 1977 (1988)

A cycle of 15 grey, blurred paintings about the deaths of members of the Red Army Faction. A deeply moving reflection on political violence and memory.

Abstract Paintings (Abstrakte Bilder) (1980s-2010s)

A vast series of abstract canvases made with a squeegee, in layered coats. They embody his search for chance and pure color.

Cologne Cathedral Window (2007)

An immense abstract stained-glass window of 11,500 squares of colored glass, partly arranged by random draw. It replaces a window destroyed during the war.

Birkenau (2014)

A cycle of four large abstract paintings inspired by clandestine photos taken at Auschwitz. Here Richter confronts the impossibility of directly depicting the Holocaust.

Anecdotes

In February 1945, the young Gerhard Richter, aged 13, watched from afar as Dresden went up in flames under Allied bombing. This destruction of his hometown would leave a lasting mark on his relationship to the image, to memory, and to catastrophe.

In 1961, just before the construction of the Berlin Wall, Richter fled East Germany to cross over to the West. He left behind almost all of his early works, considering that his true career began in Düsseldorf, where he studied under Joseph Beuys.

Many of his paintings look blurry, like a botched photograph. Richter first paints the image very sharply, then drags a wide dry brush across the still-wet paint to smear it: this deliberate blur questions what we think we “see” in a photo.

In 2007, Richter designed a stained-glass window for Cologne Cathedral, which had been badly damaged during the war. Instead of holy figures, he arranged 11,500 squares of colored glass whose layout was partly decided by chance, blending randomness and calculation.

In 2012, his abstract painting “Abstraktes Bild” sold for more than 34 million dollars, making him one of the most expensive living artists in the world — a paradox for a painter who distrusts certainties and the art market.

Primary Sources

Notes by Gerhard Richter (published in The Daily Practice of Painting) (1966)
“I pursue no intentions, no system, no tendency. I have no program, no style, no concern.”
Interview with Gerhard Richter (Notes, studio journals) (1964-1965)
“The photograph is the most perfect picture. It does not change; it is absolute, and therefore autonomous, unconditional, devoid of style.”
Notes by Gerhard Richter on the series “18 October 1977” (1989)
“The deaths of these terrorists deeply disturbed me. I could not, and did not want to, explain it; I only wanted to paint it.”
Statement by Gerhard Richter on abstraction (1982)
“Abstract paintings are fictive models, because they make visible a reality that we can neither see nor describe, but whose existence we can nonetheless infer.”

Key Places

Dresden, Germany

Richter's birthplace, destroyed by the bombings of 1945. There he studied painting at the Academy of Fine Arts under the East German regime.

Düsseldorf, Germany

After fleeing East Germany, Richter studied and then taught at the Academy of Fine Arts there. It was there that he invented his photo-painting.

Cologne, Germany

The city where Richter set up his studio and lived for many years. There he created the famous abstract stained-glass window of the cathedral in 2007.

Cologne Cathedral

A Gothic building for which Richter designed in 2007 a stained-glass window made of 11,500 squares of coloured glass, blending chance and geometry.

Berlin, Germany

The capital whose wall, built in 1961, separated the two Germanys. Richter crossed to the West just before it closed.

See also