Biography

René Magritte was a Belgian surrealist painter. Famous for his enigmatic images that question the relationship between objects, their representations and language, he is the author of the painting *The Treachery of Images* (“This is not a pipe”).

René Magritte(1898 — 1967)

René Magritte

Belgique

5 min read

Visual ArtsArtiste20th CenturyFirst half and middle of the 20th century, marked by the European artistic avant-gardes and the rise of surrealism in the interwar period.

Frequently asked questions

René Magritte (1898-1967) was a Belgian surrealist painter. The key thing to remember is that, unlike other surrealists, he was not trying to depict dreams, but to unsettle the relationship between objects, their image and their name. His painting The Treachery of Images (1929), with the phrase “This is not a pipe,” has become a worldwide reference for showing that an image is not reality.

Famous Quotes

« This is not a pipe.»

Key Facts

  • Born in 1898 in Lessines (Belgium) and died in 1967 in Brussels.
  • Painted *The Treachery of Images* in 1929, bearing the inscription “This is not a pipe”.
  • A major figure of Belgian surrealism, connected to André Breton's Parisian surrealist group.
  • Created iconic works such as *The Son of Man* (1964) and *The Empire of Light*.
  • His work had a lasting influence on conceptual art and the pop art of the second half of the 20th century.

Works & Achievements

The Lost Jockey (1926)

Considered his first Surrealist painting, it marks the beginning of his language of enigmatic images.

The Treachery of Images (1929)

The famous “This is not a pipe,” a reflection on the gap between an object, its image and its name.

The Human Condition (1933)

A canvas set in front of a window continues the landscape exactly, blurring reality and representation.

The Lovers (1928)

A couple kisses, their faces wrapped in cloth, a disturbing image of love and separation.

The Empire of Light (1954)

A daytime sky sits above a street plunged into night, playing on the impossible coexistence of day and night.

Golconda (1953)

A rain of identical men in bowler hats floats above a town, an image of modern anonymity.

The Son of Man (1964)

A self-portrait of a man in a suit whose face is hidden by a green apple, which has become a worldwide icon.

The Key of Dreams (1935)

Objects are paired with words that do not match them, questioning the link between image and language.

Anecdotes

In 1929, Magritte painted *The Treachery of Images*: a perfectly realistic pipe accompanied by the sentence “This is not a pipe.” The artist explained that he was right, because it was only an image of a pipe: impossible to stuff it with tobacco and smoke it!

To earn a living early in his career, Magritte worked in advertising and catalogue illustration, notably for a fashion house and on posters. This day job shaped his taste for crisp, legible, and striking images.

Magritte led a seemingly very ordinary life in Brussels, in a suburban house, with a bowler hat and a dark suit. Yet this man with the look of a discreet middle-class gentleman painted the most unsettling images of his time.

During the German Occupation, between 1943 and 1947, Magritte briefly adopted a bright, colourful style inspired by the Impressionist Renoir, which became known as his “Renoir period” or “full sunlight” period. He wanted to set joy and light against the darkness of the war.

The face hidden by a green apple in *The Son of Man* is one of his most widely reproduced images. Magritte explained that everything we see hides something else, and that we always want to see what is concealed.

Primary Sources

The Treachery of Images (inscription on the painting) (1929)
This is not a pipe.
Words and Images, in the journal La Révolution surréaliste (1929)
An object is never so attached to its name that we cannot find another that suits it better.
Lifeline (La Ligne de vie), a lecture by Magritte (1938)
Painting allowed me to see, in a sense, behind things, behind the bars of their presence.
Letter from Magritte about The Son of Man (1965)
Everything we see hides another thing; we always want to see what is hidden by what we see.

Key Places

Lessines (Belgium)

Town in Hainaut where René Magritte was born in 1898.

Royal Academy of Fine Arts of Brussels

School where Magritte studied painting from 1916 onwards.

Brussels

Belgian capital where Magritte lived and worked for most of his life, in the Jette district.

Le Perreux-sur-Marne, near Paris

Parisian suburb where Magritte lived from 1927 to 1930 and mingled with the French Surrealists.

Charleroi

Industrial town where Magritte spent part of his youth after his mother's death.

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See also