Rosalba Carriera (1675-1757) was a Venetian painter and pastellist, a leading figure of pastel portraiture in Europe. Her stay in Paris in 1720-1721 helped launch the fashion for pastel and the rococo style.
Rosalba Carriera(1675 — 1757)
Rosalba Carriera
république de Venise
5 min read
Frequently asked questions
Key Facts
- Born in Venice in 1675, died in the same city in 1757
- Pioneer of pastel portraiture, a technique she raised to the rank of a major art form
- Admitted to the Royal Academy of Painting and Sculpture in Paris in 1720
- Member of the Accademia di San Luca in Rome from 1705
- Became blind toward the end of her life (around 1746-1749)
Works & Achievements
Pastel held at the Uffizi in Florence, a testament to her virtuosity and to her bond with her sister Giovanna.
Created during her stay in Paris; it marked the triumph of pastel at the French court.
An allegorical composition reflecting her erudition and her place among the arts; a recurring theme in her work.
Pastel of the French painter she met in Paris, a precious record of the face of the Rococo artist.
Idealized heads of young women as allegories, much sought after by European collectors.
The Saxon court in Dresden gathered the largest collection of her pastels, famous to this day.
Anecdotes
Rosalba Carriera began by painting tiny portraits on the ivory lids of snuffboxes, which were highly fashionable in Venice. This delicate technique taught her precision and earned her her first wealthy clients before she turned to pastel.
In 1705, she was admitted to the Accademia di San Luca in Rome, one of the most prestigious academies, an honour exceedingly rare for a woman. Her reception piece was an allegory depicting a young girl holding a dove.
During her stay in Paris in 1720–1721, she was given a triumphant welcome: the banker Pierre Crozat hosted her, and the young king Louis XV and the entire court wanted their portraits in pastel. She was admitted to the Royal Academy of Painting that same year.
Rosalba kept a diary during her time in Paris, in which she noted her appointments, her commissions and her impressions. This notebook is a precious source on the artistic life of the Regency.
Near the end of her life, around 1746, a serious eye disease left her almost blind. Two cataract operations failed and she had to stop painting, ending her days in darkness and depression in Venice.
Primary Sources
The artist's daily notes on her commissions, her visits, and the personalities she met at the French court during the Regency.
Exchanges with her patrons and European friends, attesting to her international fame and the organization of her workshop.
The French collector and critic discusses Carriera's mastery of the art of pastel and the enthusiasm she aroused in Paris.
Key Places
Birthplace of Rosalba Carriera, where she lived, ran her renowned studio and died. A major stop on the Grand Tour, she received an international clientele there.
She stayed here in 1720-1721, hosted by Pierre Crozat, and launched the fashion for pastel. She was admitted to the Royal Academy of Painting.
A major artistic center where she was admitted to the Accademia di San Luca in 1705, cementing her reputation.
Imperial capital where she traveled in 1730 to work at the court of Emperor Charles VI, who collected her pastels.
Court of the House of Este where she portrayed the princesses around 1723, illustrating her demand across all the Italian courts.






