Biography

Rosalba Carriera (1675-1757) was a Venetian painter and pastellist, a leading figure of pastel portraiture in Europe. Her stay in Paris in 1720-1721 helped launch the fashion for pastel and the rococo style.

Rosalba Carriera(1675 — 1757)

Rosalba Carriera

république de Venise

5 min read

Visual ArtsEarly ModernVenice and Enlightenment Europe in the 18th century, at the height of the rococo style and the fashionable society portrait

Frequently asked questions

Rosalba Carriera (1675-1757) was a Venetian painter who revolutionized the art of pastel in the 18th century. The key thing to remember is that she transformed a technique considered minor into a noble medium, capable of rivaling oil painting. Her stay in Paris in 1720-1721 launched the fashion for pastel portraits throughout Europe, and she was admitted to the Royal Academy of Painting, a rare honor for a woman. Less a simple pastel artist than a true ambassador of the Rococo, she captured the elegance of the European courts with unrivaled delicacy.

Key Facts

  • Born in Venice in 1675, died in the same city in 1757
  • Pioneer of pastel portraiture, a technique she raised to the rank of a major art form
  • Admitted to the Royal Academy of Painting and Sculpture in Paris in 1720
  • Member of the Accademia di San Luca in Rome from 1705
  • Became blind toward the end of her life (around 1746-1749)

Works & Achievements

Self-Portrait Holding a Portrait of Her Sister (1715)

Pastel held at the Uffizi in Florence, a testament to her virtuosity and to her bond with her sister Giovanna.

Portrait of Louis XV as a Child (Dauphin) (1720-1721)

Created during her stay in Paris; it marked the triumph of pastel at the French court.

Allegory of Painting (around 1720)

An allegorical composition reflecting her erudition and her place among the arts; a recurring theme in her work.

Portrait of Antoine Watteau (1721)

Pastel of the French painter she met in Paris, a precious record of the face of the Rococo artist.

The Four Seasons / The Elements Series (1720s)

Idealized heads of young women as allegories, much sought after by European collectors.

Portrait of a Court Lady (Dresden Collection) (1720s-1740s)

The Saxon court in Dresden gathered the largest collection of her pastels, famous to this day.

Anecdotes

Rosalba Carriera began by painting tiny portraits on the ivory lids of snuffboxes, which were highly fashionable in Venice. This delicate technique taught her precision and earned her her first wealthy clients before she turned to pastel.

In 1705, she was admitted to the Accademia di San Luca in Rome, one of the most prestigious academies, an honour exceedingly rare for a woman. Her reception piece was an allegory depicting a young girl holding a dove.

During her stay in Paris in 1720–1721, she was given a triumphant welcome: the banker Pierre Crozat hosted her, and the young king Louis XV and the entire court wanted their portraits in pastel. She was admitted to the Royal Academy of Painting that same year.

Rosalba kept a diary during her time in Paris, in which she noted her appointments, her commissions and her impressions. This notebook is a precious source on the artistic life of the Regency.

Near the end of her life, around 1746, a serious eye disease left her almost blind. Two cataract operations failed and she had to stop painting, ending her days in darkness and depression in Venice.

Primary Sources

Diary of Rosalba Carriera during her stay in Paris (Diario) (1720-1721)
The artist's daily notes on her commissions, her visits, and the personalities she met at the French court during the Regency.
Letters of Rosalba Carriera (correspondence with Christian Cole, Anton Maria Zanetti, and Pierre Crozat) (1700-1750)
Exchanges with her patrons and European friends, attesting to her international fame and the organization of her workshop.
Pierre-Jean Mariette, Abecedario (mid-18th century)
The French collector and critic discusses Carriera's mastery of the art of pastel and the enthusiasm she aroused in Paris.

Key Places

Venice

Birthplace of Rosalba Carriera, where she lived, ran her renowned studio and died. A major stop on the Grand Tour, she received an international clientele there.

Paris

She stayed here in 1720-1721, hosted by Pierre Crozat, and launched the fashion for pastel. She was admitted to the Royal Academy of Painting.

Rome

A major artistic center where she was admitted to the Accademia di San Luca in 1705, cementing her reputation.

Vienna

Imperial capital where she traveled in 1730 to work at the court of Emperor Charles VI, who collected her pastels.

Modena

Court of the House of Este where she portrayed the princesses around 1723, illustrating her demand across all the Italian courts.

See also