Sergei Rachmaninoff(1873 — 1943)

Sergei Rachmaninoff

États-Unis, Empire russe

6 min read

MusicCompositeur/trice20th CenturyThe end of Russian Romanticism and the early 20th century, marked by the Russian Revolution and exile

Russian composer, virtuoso pianist, and conductor, one of the last great representatives of late Romanticism. After emigrating in the wake of the 1917 revolution, he continued his career in the United States, where he became one of the most famous pianists of his time.

Frequently asked questions

Sergei Rachmaninoff (1873-1943) was one of the last great composers of Russian late Romanticism, as well as a piano virtuoso and conductor. What makes him unique is that he had to flee the Revolution of 1917 and rebuild his career in the United States as a concert pianist. Far more than a drawing-room composer, he was an artist whose nostalgia for a lost Russia permeates his entire body of work, from the Second Piano Concerto to the Symphonic Dances. His melodic genius and extraordinary piano technique make him an essential figure of the 20th century.

Famous Quotes

« Music is enough for a lifetime, but a lifetime is not enough for music. »

Key Facts

  • Born in 1873 near Novgorod, Russia, into a family of the nobility
  • Composed his Piano Concerto No. 2 in 1901, one of his most famous works
  • Left Russia for good after the 1917 revolution
  • Pursued an international career as a virtuoso pianist, notably in the United States
  • Died in 1943 in Beverly Hills, California, shortly before he was due to receive American citizenship

Works & Achievements

Prelude in C-sharp minor, op. 3 no. 2 (1892)

A piano piece that made Rachmaninoff famous from his youth and that audiences demanded of him in concert all his life.

Piano Concerto No. 2 in C minor, op. 18 (1901)

Arguably his most beloved work, a symbol of his creative rebirth after his depression.

Piano Concerto No. 3 in D minor, op. 30 (1909)

Reputed to be one of the most difficult concertos in the repertoire, premiered during his American tour.

The Bells, op. 35 (1913)

A symphonic poem for chorus and orchestra, inspired by a poem by Edgar Allan Poe and by Russian bells.

All-Night Vigil (Vespers), op. 37 (1915)

A masterpiece of Orthodox a cappella sacred music, a pinnacle of the Russian choral repertoire.

Rhapsody on a Theme of Paganini, op. 43 (1934)

A brilliant work for piano and orchestra whose famous 18th variation is known worldwide.

Symphony No. 3 in A minor, op. 44 (1936)

One of his last great orchestral works, imbued with nostalgia for a lost Russia.

Symphonic Dances, op. 45 (1940)

His very last composition, a rich and colorful musical testament written in the United States.

Anecdotes

At the premiere of his First Symphony in 1897, the work was an absolute disaster: the conductor Alexander Glazunov, it is said, conducted it while inebriated, and the critics were ferocious. Rachmaninoff then sank into a deep depression that left him unable to compose for nearly three years.

It was thanks to a hypnotist physician, Doctor Nikolai Dahl, that Rachmaninoff regained his confidence and inspiration. He dedicated his Second Piano Concerto to him — which became one of the most famous works in the repertoire — in gratitude for this cure.

Rachmaninoff had gigantic hands, able to span an interval of twelve white keys on the keyboard (a thirteenth). This physical peculiarity partly explains the very wide and difficult chords found in his piano scores.

After the 1917 revolution, Rachmaninoff left Russia for good by sleigh, crossing the Finnish border in the dead of winter with his wife and two daughters, taking only a few pieces of luggage. He never saw his homeland again.

In the United States, Rachmaninoff earned his living mainly as a concert pianist, giving exhausting tours. Nostalgic for Russia, he recreated a Russian atmosphere in his villa in Switzerland, and later in America, even going so far as to employ Russian staff.

Primary Sources

Letter from Rachmaninoff on the failure of his First Symphony (1897)
I am not dead, yet I no longer feel any joy in living; I am like a man struck by apoplexy who has lost the use of his arms and his head.
Rachmaninoff's recollections of Doctor Dahl (reported by Oskar von Riesemann) (1900)
Day after day, as I dozed in his armchair, I heard repeated: “You will begin to write your concerto... You will work with ease... The concerto will be excellent.”
Rachmaninoff's words on the loss of his homeland (around 1930)
On leaving Russia, I lost the desire to compose. Having lost my homeland, I lost myself.

Key Places

Semionovo (Novgorod region), Russia

Rachmaninoff's birthplace, on a family estate of the Russian nobility.

Moscow Conservatory

The institution where Rachmaninoff trained as a pianist and composer, winning the Great Gold Medal in 1892.

Ivanovka, Russia

A family estate in the countryside where Rachmaninoff spent his summers and composed a large part of his works, until the revolution.

Villa Senar, Hertenstein (Switzerland)

A house he had built on the shore of Lake Lucerne in the 1930s, recreating a Russian atmosphere.

Beverly Hills, California (United States)

Rachmaninoff's last home, where he died in 1943 shortly before his 70th birthday.

Carnegie Hall, New York

A prestigious hall where Rachmaninoff regularly performed as a pianist and conductor during his American tours.

See also