Azrael
Azrael
Azrael is the angel of death in Islamic and Jewish traditions. He is responsible for separating the soul from the body at the moment of death and for recording births and deaths in a great celestial book.
Key Facts
- Mentioned in Islamic traditions (hadiths) as one of the four great archangels
- In medieval Judaism, his role is detailed in texts such as the Zohar (13th century)
- He is described as a gigantic cosmic being with one foot on land and the other on the sea
- In Islam, he is associated with Surah As-Sajda (Quran 32:11), which refers to the angel tasked with taking back souls
- His name literally means 'help of God' in Hebrew (עזראל, Ezra'el)
Works & Achievements
The sacred text of Islam mentions the 'Malak al-Mawt' (Angel of Death) without explicitly naming him Azrael. These verses form the foundational theological source for this figure in Islamic tradition.
This collection of authenticated hadîths contains the main descriptions of Azrael and the process of the soul's separation from the body, serving as the normative reference for Sunni Muslims on death and the angel's role.
This masterpiece of medieval Islamic thought devotes an entire book to death and the agony of dying, with Azrael's intervention at its center. It synthesizes the entire prior tradition and spread a coherent image of the angel throughout popular piety.
The Babylonian Talmud codifies the Malakh ha-Mavet in Rabbinic Judaism, with narratives featuring the Angel of Death alongside figures such as Moses and David — foundational texts of the Jewish eschatological tradition.
This central text of medieval Kabbalah describes the angel of death with a symbolic richness unprecedented in Judaism, sometimes identified with Azrael or Samael, and has had a lasting influence on Jewish and Christian mysticism.
The great Persian mystical poem by Jalâl al-Dîn Rûmî contains poetic meditations on death and the encounter with the Angel, including the famous parable of the man who flees to India only to be overtaken by Azrael there — helping spread this figure throughout Persian and Ottoman culture.
Anecdotes
The name Azrael (in Arabic: عزرائيل, 'Izrā'īl) does not appear explicitly in the Quran, which refers to him simply as 'Malak al-Mawt', the Angel of Death. It is in hadith literature and medieval Quranic commentaries (tafsīr) that Azrael is first named and described with precision, reflecting a process of gradual codification over the centuries.
According to several Islamic traditions recorded in hadith collections, Azrael is of prodigious size: his feet resting on the Earth, his head would touch the heavens. His entire body is said to be covered with eyes and tongues, one for every human soul to be recorded, each one going dark at the death of the corresponding person.
In Jewish mysticism, particularly medieval Kabbalah and the Zohar (13th century), the angel of death is sometimes identified with Samael or Azrael. He is said to hold a sword whose tip drips a drop of bitterness that causes the final breath. This image profoundly shaped European funerary iconography throughout the Middle Ages.
A famous Islamic legend, retold in numerous medieval collections, describes a man who catches sight of Azrael at a caliph's court. Seized with terror, he asks the wind to carry him all the way to India to escape. But Azrael tells the caliph that he had an appointment with that very man... in India. This parable illustrates the inexorability of death and circulated throughout Arabic and Persian moral literature.
The theologian and philosopher Al-Ghazali (1058–1111), in his monumental 'Ihyāʾ ʿUlūm al-Dīn' (The Revival of the Religious Sciences), devotes extensive passages to Azrael and the process by which the soul is separated from the body. He describes how the angel acts differently according to the virtue of the deceased: gently with the pious faithful, sternly with the wicked — helping to forge a very precise image of this figure in medieval Islamic piety.
Primary Sources
Say: 'The Angel of Death, who has been entrusted with you, will gather your souls, then you will be returned to your Lord.'
The Prophet said: 'When the soul of a believer is about to leave the body, angels with radiant faces descend from heaven... and the Angel of Death comes and sits at his head and says: O beautiful soul, come forth toward the forgiveness and pleasure of God.'
The Angel of Death stands at the bedside of the dying and holds in his hand an unsheathed sword, from whose tip hangs a drop of gall. When the dying person sees it, he trembles and opens his mouth; the drop falls and he dies.
Know that the angels are present at the moment of death's agony. Azrael, charged with seizing souls, takes that of the believer with the same gentleness as one draws a hair from dough, while he wrenches that of the wicked as one tears thorns from wet cloth.
He is the Supreme Sovereign over His servants. He sends guardians over you until, when death comes to one of you, Our messengers take his soul — and they never fail in their duty.
Key Places
A holy city for all three Abrahamic religions, Jerusalem lies at the heart of the eschatological cosmologies associated with Azrael. Islamic tradition places on the Temple Mount a point of contact between the world of the living and the realm of the dead.
This Jerusalem site, the third holiest place in Islam, is linked to the Prophet's Night Journey (Mi'raj), during which he encounters the angels of heaven, including the Angel of Death. It serves as a geographical anchor for Islamic cosmology.
Baghdad's House of Wisdom, during the 8th to 10th centuries, was the foremost center of intellectual synthesis where Jewish, Christian, Persian, and Greek angelological traditions merged, helping to shape the codified figure of Azrael.
A city of coexistence among Christians, Jews, and Muslims (11th–13th centuries), Toledo was a crossroads of theological exchange where the angelic traditions of all three religions intersected, influencing in particular the Spanish Kabbalah, which incorporates the figure of Azrael.
During the Hebrew exile in Babylon (6th century BCE), contact with Mesopotamian beliefs about psychopomp spirits profoundly shaped Jewish angelology, laying the earliest conceptual groundwork that would eventually give rise to the figure of Azrael.
Gallery

"L’Allégorie de l’Enfer" or "Azrael" (c. 1890) - Jean Delville
Wikimedia Commons, Public domain — Jean Delville
Anthologie des écrivains français contemporains; poésie
Wikimedia Commons, Public domain — Léon Adolphe Gauthier-Ferrières
The American epic. A concise scenic history of the United States
Wikimedia Commons, Public domain — Welburn, Drummond, b. 1818
Fragments of coloured glass; poems and ballads, historical, religious, Australian and miscellaneous
Wikimedia Commons, Public domain — Webster, Alphonsus W







