Bernhard Schlink(1944 — ?)

Bernhard Schlink

Allemagne

8 min read

LiteratureÉcrivain(e)Juriste20th CenturyPost-war Germany, German reunification and the memory of the Holocaust

Bernhard Schlink (born in 1944) is a German jurist and writer, world-renowned for his novel The Reader (*Der Vorleser*, 1995), translated into more than 50 languages. His work explores guilt, memory, and the moral legacy of Nazism.

Frequently asked questions

Bernhard Schlink (born in 1944) is a German novelist and legal scholar, internationally renowned for his novel "The Reader" (1995). What makes him remarkable is his rare dual career: he is both a novelist and a constitutional judge. His work explores guilt, memory, and the moral legacy of Nazism, making him a key figure in postwar German literature.

Famous Quotes

« The crimes of the past do not disappear simply because we keep silent about them.»

Key Facts

  • Born **July 6, 1944**, in **Bielefeld**, Germany
  • Published *The Reader* (*Der Vorleser*) in **1995**, the first German novel to appear on the *New York Times* bestseller list
  • *The Reader* was adapted for the screen in **2008** by **Stephen Daldry** with **Kate Winslet** (Academy Award for Best Actress)
  • Professor of public law and legal philosophy at **Humboldt University of Berlin**
  • His work is included in several European school curricula as a key example of *Vergangenheitsbewältigung* (coming to terms with the past)

Works & Achievements

Selbs Justiz (Self's Punishment) (1987)

Schlink's first crime novel, co-written with Walter Popp, featuring detective Gerhard Selb, a former Nazi prosecutor turned private investigator. The novel begins the exploration of guilt and impossible redemption that runs throughout his entire body of work.

Der Vorleser (The Reader) (1995)

Schlink's masterpiece, translated into more than 50 languages and adapted for film in 2008. The novel explores the relationship between a teenage boy and a former SS guard, questioning guilt, shame, and the memory of Nazism in postwar Germany.

Liebesfluchten (Flights of Love) (2000)

A collection of seven stories about impossible loves and acts of renunciation. Schlink examines the mechanisms by which people avoid moral and emotional responsibility, extending the themes of *The Reader* into more intimate territory.

Der Heimkehrer (The Homecoming) (2006)

A novel in which a man searches for his missing father through the ruins of postwar German memory. This quest for identity is woven around pulp novels from the postwar years and the accounts of soldiers returning from the Eastern Front.

Das Wochenende (The Weekend) (2008)

A novel about a former RAF terrorist released after twenty years in prison, reunited with old friends. Schlink shifts his meditation on political guilt toward the left-wing terrorism of the 1970s.

Guilt about the Past (2010)

A philosophical and legal essay in which Schlink develops his thinking on collective guilt, inherited responsibility, and the moral obligations of the second generation with regard to the crimes of Nazism.

Anecdotes

The Reader (Der Vorleser, 1995) was the first German novel to reach the top spot on the New York Times bestseller list, in 1999. This unexpected success in the United States propelled Schlink to the rank of the most widely read German writers in the world, with translations into more than 50 languages.

Bernhard Schlink pursues a rare dual career: he is both an acclaimed novelist and a senior legal scholar, having served as a judge on the Constitutional Court of North Rhine-Westphalia. This experience with law and justice directly informs his novels, where legal guilt and moral guilt are constantly intertwined.

British actress Kate Winslet won the Academy Award for Best Actress in 2009 for her role in the film adaptation of The Reader, directed by Stephen Daldry with Ralph Fiennes. She stated that the novel had profoundly affected her through its way of addressing shame and memory.

Schlink belongs to the German 'second generation' — children born during or just after Nazism, who grew up gradually discovering their parents' complicity in the crimes of the regime. This collectively traumatic experience lies at the heart of all his literary work and philosophical essays.

In The Reader, Schlink uses Hannah's illiteracy as a metaphor to explore how an ordinary person can commit monstrous acts without fully grasping their moral weight. This psychological dimension has sparked intense academic debate about the nature of collective guilt and the banality of evil.

Primary Sources

Der Vorleser (The Reader) — novel (1995)
"I loved Hanna and I didn't want to lose her. But at the same time I wanted to be rid of her. I no longer wanted to find myself in that situation, no longer wanted to see that look, no longer wanted to hear that voice."
Vergangenheitsschuld (Guilt about the Past) — essay (2007)
"The second generation did not commit the crimes of Nazism, but it inherited their moral weight. The question is not whether we are guilty, but how we must live with this inherited guilt."
Liebesfluchten (Flights of Love) — short story collection (2000)
"People carry their past like a house on their back. Sometimes they can set that house down, and sometimes they no longer can."
Speech at the Hans Fallada Prize ceremony (2001)
"Literature can do what the law cannot: it can give voice to moral complexity, to ambiguity, to what resists any definitive judgment."

Key Places

Bielefeld, Germany

The birthplace of Bernhard Schlink in 1944. This city in North Rhine-Westphalia, shaped by postwar reconstruction, is representative of the Germany in which his generation came of age.

Heidelberg, Germany

The main setting of *The Reader*, where the affair between young Michael and Hannah Schmitz unfolds. Schlink studied law here, and this romantically charming university town forms the backdrop of the narrator's troubled memory.

Berlin, Germany

The city where Schlink taught law at Humboldt University. Reunified Berlin, with its memorials and visible urban scars, is an everyday environment that feeds his work on memory and the traces of the past.

Frankfurt, Germany

The city of the Auschwitz trials (1963–1965), which profoundly shaped the German conscience. In *The Reader*, a similar trial is the moment when Michael encounters Hannah as an adult and grasps the full extent of her war crimes.

New York, United States

The city where *The Reader* achieved its greatest international success in 1999, reaching the top of the *New York Times* bestseller list. This American reception transformed Schlink into a global figure in literature on the memory of the Holocaust.

See also