Gustave Klimt(1862 — 1918)

Gustave Klimt

empire d'Autriche, Autriche-Hongrie

7 min read

Visual ArtsArtiste19th CenturyThe Kiss, Vienna Secession, Art Nouveau

The Kiss, Vienna Secession, Art Nouveau

Frequently asked questions

Gustav Klimt (1862-1918) was an Austrian painter, a leading figure of the Vienna Secession and Art Nouveau. What you need to remember is that he revolutionized decorative art by blending gold, geometric patterns, and erotic symbolism, notably in his masterpiece The Kiss (1907-1908). His unique style, inherited from his family's goldsmithing and Byzantine mosaics, made him both adored and scandalous, refusing any academic censorship.

Key Facts

  • Gustave Klimt naît à Vienne en 1862 et devient l'un des peintres les plus représentatifs de l'Art nouveau autrichien.
  • En 1897, il fonde la Sécession viennoise, un mouvement artistique cherchant à s'affranchir des académismes officiels.
  • Entre 1907 et 1908, il peint Le Baiser, œuvre emblématique de sa « période dorée » caractérisée par l'usage abondant de feuilles d'or.
  • Ses peintures murales pour l'Université de Vienne (1900-1907) provoquent un scandale pour leur représentation symbolique et sensuelle du corps humain.
  • Il meurt en 1918 à Vienne, laissant une œuvre majeure qui influencera durablement l'art du XXe siècle, notamment l'expressionnisme autrichien.

Works & Achievements

Allegories for the Burgtheater in Vienna (1886-1888)

Mural decoration for the imperial theater, which earned him official recognition and the Golden Cross of Franz Joseph. These academic frescoes contrast sharply with his future style.

Beethoven Frieze (1902)

An immense 34-meter frieze adorning the Secession pavilion during an exhibition dedicated to Beethoven. It illustrates the Ode to Joy and embodies the ideal of total art (Gesamtkunstwerk).

Philosophy, Medicine, Jurisprudence (university triptych) (1900-1907)

Three panels commissioned by the University of Vienna, rejected for obscenity and reclaimed by Klimt. Burned by the Nazis in 1945, they are known only through photographs.

Judith I (1901)

Portrait of a femme fatale in gold and black, depicting Judith holding the head of Holofernes. The first major work of the golden period, it symbolizes the emancipated and dangerous woman.

The Kiss (1907-1908)

Klimt's absolute masterpiece, combining gold leaf, geometric and floral motifs in a representation of universal love. Purchased immediately by the Austrian state, it is one of the most reproduced paintings in the world.

Portrait of Adele Bloch-Bauer I (1907)

Portrait of a wealthy Viennese Jewish patron, entirely covered in gold leaf. Confiscated by the Nazis, restituted to the family in 2006, it is now in New York — its story inspired the film Woman in Gold.

The Virgin (1913)

A swirling composition depicting women at different stages of life, typical of his late period in which geometric ornaments give way to more fluid and psychological forms.

Anecdotes

Klimt was known for working in a long blue monk's robe with nothing underneath, which he sewed himself. He claimed that this outfit gave him complete freedom of movement and mind during his painting sessions.

In 1897, Klimt co-founded the Vienna Secession with a group of artists who rejected academic rules. Their motto, engraved on the pediment of their building, was: "To every age its art, to art its freedom." This break marked a cultural revolution in Vienna.

His three paintings commissioned by the University of Vienna — Philosophy, Medicine, and Jurisprudence — were so scandalous that the professors themselves asked the State not to exhibit them. Klimt repaid the advances he had received and reclaimed his canvases, refusing any censorship.

The Kiss (1907–1908) was purchased by the Austrian State at its very exhibition, before the paint had even dried. It is one of the few works by Klimt never sold to a private collector, and it is today the most visited painting in the Belvedere in Vienna.

Klimt never wrote a manifesto or gave interviews about his art. He would say: "If you want to know something about me, look carefully at my paintings." He remained deeply secretive about his private life, although he had numerous relationships and several unacknowledged children.

Primary Sources

Letter from Klimt to the Austrian Ministry of Education (1905)
I am not an official artist. I refuse to carry out commissions that force me to betray my vision. Give me back my paintings.
Catalogue of the first Vienna Secession exhibition (1898)
Our association recognizes no distinction between 'high' art and 'decorative' art. We want Vienna to reclaim its place among the great artistic capitals of Europe.
Ver Sacrum, official journal of the Vienna Secession, no. 1 (1898)
To every age its art, to art its freedom. We invite artists of all disciplines to reject the artificial boundaries between the arts.
Testimony of Emilie Flöge, Klimt's companion (circa 1910)
Gustav would spend hours watching women in his studio, letting them move freely before beginning to sketch. He said that movement was the soul of the body.

Key Places

Josefstädter Straße Studio, Vienna

Klimt's main studio from 1892, where he received numerous women as models and produced his major works. Klimt also kept a garden there with cats.

Secession Building, Vienna

Inaugurated in 1898, this iconic landmark of Viennese modernism — nicknamed the 'golden cabbage' — hosted the Secession exhibitions and today houses the Beethoven Frieze.

Lake Attersee, Upper Austria

Klimt spent every summer on the shores of this lake with Emilie Flöge and her family. He painted the majority of his landscapes there, seeking calm away from the bustle of Vienna.

Belvedere Gallery, Vienna

This imperial museum holds the largest collection of Klimt's works in the world, including The Kiss and Judith I. It is the essential destination for discovering his work.

Kunsthistorisches Museum, Vienna

Klimt contributed to the decoration of the spandrels of this imperial museum (1890–1891), an official commission that earned him the Golden Cross and launched his career.

See also