Henri Bergson(1859 — 1941)

Henri Bergson

France

9 min read

PhilosophyPhilosophe19th Century19th–20th centuries (1859–1941)

French philosopher (1859–1941) who revolutionized modern thought by opposing intuition to rational intelligence and developing a philosophy of duration. His major works, 'Laughter' and 'The Creative Mind', explore creativity and the evolution of consciousness. He received the Nobel Prize in Literature in 1927 for the body of his philosophical work.

Frequently asked questions

Henri Bergson (1859-1941) revolutionized thought by opposing intuition to rational intelligence and developing a philosophy of duration. What you need to remember is that he received the Nobel Prize in Literature in 1927, a rare honor for a philosopher, and that his lectures at the Collège de France drew enormous crowds, making him a central figure of the Belle Époque.

Famous Quotes

« Duration is the form which the succession of our conscious states assumes when our ego lets itself live, when it refrains from separating its present state from its former states. »
« Intuition is the sympathy by which one is transported into the interior of an object in order to coincide with what is unique in it. »
« Laughter is, above all, a certain grimace that warns us. »

Key Facts

  • 1889: Publication of 'Time and Free Will: An Essay on the Immediate Data of Consciousness', foundation of his theory of duration
  • 1900: Becomes professor at the Collège de France
  • 1907: Publication of 'Laughter: An Essay on the Meaning of the Comic'
  • 1927: Awarded the Nobel Prize in Literature
  • 1932: Publication of 'The Two Sources of Morality and Religion', his last major work

Works & Achievements

Time and Free Will: An Essay on the Immediate Data of Consciousness (1889)

Bergson's founding thesis in which he introduces the concept of 'duration' as the inner experience of time, irreducible to the time measured by science. This work constitutes the starting point of his entire philosophy.

Matter and Memory (1896)

A major work exploring the relationships between the brain, memory, and perception. Bergson distinguishes habit-memory (mechanical) from pure memory (spiritual), laying the foundations of a philosophy of mind.

Laughter: An Essay on the Meaning of the Comic (1900)

A brilliant essay in which Bergson analyzes laughter as a social reaction to 'the mechanical encrusted upon the living.' An accessible work frequently studied in secondary education for its clarity and depth.

Creative Evolution (1907)

Bergson's masterpiece, in which he develops the concept of the élan vital to propose a creative reading of biological evolution against pure Darwinian mechanism. This work earned him immediate international recognition.

The Two Sources of Morality and Religion (1932)

Bergson's last major work, distinguishing closed morality (tribal, mechanical) from open morality (universal, creative), and exploring mysticism as the culmination of the élan vital in humanity.

The Creative Mind: An Introduction to Metaphysics (1934)

A collection of essays and lectures in which Bergson revisits his philosophical method and defends intuition as a mode of knowledge superior to analytical intelligence for grasping living reality.

Anecdotes

Bergson's lectures at the Collège de France were so popular that hundreds of people would crowd outside the doors several hours before they opened. Society ladies sometimes had their servants reserve their seats in advance, and the hall overflowed into the corridors. This phenomenon, unique in French academic history, earned him the nickname 'philosopher of the salons'.

When Vichy's antisemitic laws were promulgated in 1940, Bergson — elderly and ill — could have been granted an exemption due to his worldwide renown. He categorically refused any preferential treatment and painfully rose from his sickbed to register in person on the lists of Jews, as an act of solidarity with his persecuted co-religionists. This gesture of great moral dignity compelled the admiration of his contemporaries.

In 1917, during the First World War, the French government sent Bergson on a secret diplomatic mission to the United States to persuade President Woodrow Wilson to enter the war on the side of the Allies. Philosopher turned diplomat, he met with Wilson on several occasions, and his conversations contributed, according to some historians, to influencing the American decision.

Bergson was a cousin by marriage of Marcel Proust, who was profoundly influenced by his philosophy of time and memory. Proust attended his thesis defence in 1889 and later acknowledged his debt to the Bergsonian notion of 'duration'. Yet Bergson declined the invitation to read 'In Search of Lost Time', feeling that Proust illustrated a conception of time different from his own.

Shortly before his death, Bergson — who had long drawn close to Catholicism and had nearly converted — explained in his will why he had remained faithful to Judaism: he did not want to abandon a people who were about to be persecuted. This decision, set down in his final wishes, reveals the profound ethical consistency of the philosopher of the élan vital.

Primary Sources

Time and Free Will: An Essay on the Immediate Data of Consciousness (1889)
Pure duration is the form which the succession of our conscious states assumes when our ego lets itself live, when it refrains from separating its present state from its former states.
Creative Evolution (1907)
The vital impetus we speak of consists, in short, in a need for creation. It cannot create absolutely, because it encounters matter before it, that is to say the movement inverse to its own.
Laughter: An Essay on the Meaning of the Comic (1900)
Any incident is comic that calls our attention to the physical side of a person when it is the moral side that is at stake. Why does one laugh at an orator who sneezes at the most pathetic moment of his speech? Because something mechanical is encrusted upon something living.
The Creative Mind: An Introduction to Metaphysics (1934)
A philosopher worthy of the name has never said more than a single thing; and even then it is something he has tried to say rather than actually said, and what he has said he has only half said.
The Two Sources of Morality and Religion (1932)
Humanity lies groaning, half crushed beneath the weight of its own progress. It does not sufficiently realize that its future is in its own hands. It is for humanity to see first whether it wants to go on living.

Key Places

Collège de France, Paris

Institution where Bergson taught from 1900 to 1921 and where his lectures on the philosophy of duration drew considerable crowds, making him the most celebrated intellectual figure of the Belle Époque.

École Normale Supérieure, Paris

Elite graduate school where Bergson pursued his brilliant studies from 1878 and forged his philosophical training, rubbing shoulders with the future intellectual elites of France.

Lycée Blaise-Pascal, Clermont-Ferrand

School where Bergson taught as a philosophy professor from 1883 to 1888, a formative provincial period during which he wrote his foundational thesis on consciousness and time.

Académie française, Paris

Institution to which Bergson was elected a member in 1914, cementing his status as a major figure in French letters and thought, where he delivered several widely noted speeches.

Paris, 16th arrondissement

Bourgeois residential district where Bergson lived for much of his adult life, in an apartment that served as the setting for numerous intellectual conversations with the leading figures of his time.

See also