Jackson Pollock(1912 — 1956)

Jackson Pollock

États-Unis

6 min read

Visual ArtsArtiste20th CenturyTwentieth-century United States, the postwar period when New York rose to become the world capital of modern art, eclipsing Paris.

American painter (1912-1956), a major figure of Abstract Expressionism. The inventor of “dripping,” he revolutionized painting by flinging color onto canvases laid on the floor.

Frequently asked questions

Jackson Pollock (1912-1956) was an American painter and a leading figure of Abstract Expressionism. What made him famous was his invention of dripping: instead of painting at an easel, he laid his canvas on the floor and splashed or poured industrial paint using sticks and stiffened brushes. This innovative technique, developed from 1947 in his studio in Springs (Long Island), made him the symbol of action painting, where the physical gesture of the painter becomes the very essence of the work.

Famous Quotes

« When I am in my painting, I'm not aware of what I'm doing.»

Key Facts

  • Born in 1912 in Cody (Wyoming), died in 1956 in a car accident.
  • From 1947 onward, developed the “dripping” technique (flinging and pouring paint).
  • Central figure of American Abstract Expressionism (Action Painting).
  • Created famous works such as “Number 1, 1948” and “Autumn Rhythm” (1950).
  • A 1949 Life Magazine feature made him a star of American art.

Works & Achievements

Mâle et femelle (Male and Female) (1942)

An early, still-figurative work influenced by Surrealism and Picasso, before his shift to total abstraction.

Mural (1943)

A huge canvas commissioned by Peggy Guggenheim for her entrance hall; a turning point toward large-scale gestural painting.

Full Fathom Five (1947)

One of the first major drip paintings, embedding nails, coins, and cigarette butts into the painted surface.

Number 1A, 1948 (1948)

An iconic drip painting in which Pollock left the imprint of his hands at the top of the canvas.

Number 5, 1948 (1948)

A canvas that became famous for fetching record-breaking prices on the art market decades later.

Autumn Rhythm (Number 30) (1950)

A vast web of black, brown, and white drips, regarded as a high point of Abstract Expressionism.

Lavender Mist (Number 1, 1950) (1950)

A subtle interlacing of colors evoking a mist; one of the artist's most admired works.

Blue Poles (Number 11, 1952) (1952)

A large canvas given rhythm by eight tilted blue “poles,” a major late work marking a return to color.

Anecdotes

In 1947, in his studio in Springs (Long Island), Pollock stopped painting on an easel and laid his canvases directly on the floor. He moved around them, letting paint flow from sticks, trowels, and hardened brushes: this was the birth of *dripping*, his signature technique.

In August 1949, *Life* magazine published an article with a provocative title: “Is Jackson Pollock the greatest living painter in the United States?” Overnight, this marginal painter became a national celebrity, which only deepened his anxiety and his troubled relationship with fame.

Pollock hated being told that he painted at random. He insisted: “I can control the flow of paint; there is no accident.” He compared his work to that of Native American sand painters, who also draw on the ground in a ritual gesture.

The photographer **Hans Namuth** filmed Pollock painting in 1950, sometimes on a sheet of glass seen from below. These images, showing the painter in full motion, contributed enormously to building the myth of the “gestural” painter.

Pollock died on **August 11, 1956**, at the age of 44, in a car accident near his home while driving drunk. His reputation, already immense, became almost legendary after his untimely death.

Primary Sources

My Painting (statement by Jackson Pollock), Possibilities magazine no. 1 (1947-1948)
On the floor I am more at ease. I feel nearer, more a part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
Radio interview of Jackson Pollock by William Wright (1950)
Modern painting expresses the world we live in — the airplane, the atom bomb, the radio. Each age finds its own technique.
“Jackson Pollock: Is He the Greatest Living Painter in the United States?”, Life magazine (August 8, 1949)
An article introducing the painter and his paint-pouring technique to the American public, propelling him to national fame.

Key Places

Cody, Wyoming

Town in the American West where Jackson Pollock was born in 1912, into a modest family that would move frequently to Arizona and California.

Art Students League, New York

New York school where Pollock studied from 1930 under the Regionalist painter Thomas Hart Benton.

Springs, East Hampton (Long Island)

Home and studio where Pollock settled in 1945 with Lee Krasner; it was there that he invented drip painting and created his major works.

Art of This Century Gallery, New York

Peggy Guggenheim's gallery where Pollock held his first solo exhibition in 1943, launching his career.

See also