Lee Miller(1907 — 1977)

Lee Miller

États-Unis

6 min read

Visual ArtsPhotographe20th CenturyFirst half of the 20th century, marked by the Surrealist artistic avant-gardes of the 1920s-1930s and the Second World War.

Lee Miller was an American photographer, first a fashion model and then a figure of Surrealism alongside Man Ray. Having become a war correspondent, she photographed the liberation of Europe and the concentration camps in 1945.

Frequently asked questions

Lee Miller (1907-1977) was an American photographer whose career spanned several worlds: first a model for Vogue, then a figure of Surrealism in Paris alongside Man Ray, and finally a war correspondent during World War II. What matters most is that she consistently refused to be confined to a single role, moving from the photographed object to the photographing subject, and from art to journalism. Less a muse than a complete artist, she left behind a body of work that blends the avant-garde with historical testimony.

Key Facts

  • Born in 1907 in Poughkeepsie (New York), died in 1977 in England
  • Collaborates with Man Ray in Paris from 1929 and contributes to the technique of solarization
  • War correspondent for Vogue magazine during the Second World War
  • Photographs the liberation of Paris and the Dachau and Buchenwald camps in 1945
  • Author of the famous photograph of herself in Hitler's bathtub in Munich in 1945

Works & Achievements

Solarized portraits and nudes (with Man Ray) (circa 1929-1932)

A series of images playing on the solarization effect that outlines bodies with a dark contour. These works rank among the great achievements of Surrealist photography.

“Grim Glory” reportage on the London Blitz (1940-1941)

Photographs of the ruins and of daily life under the German bombings. They show the courage of Londoners and the strange beauty of the rubble.

Coverage of the liberation of Europe for Vogue (1944-1945)

Reports from the front in Normandy, during the liberation of Paris and the Allied advance into Germany. Lee Miller was one of the few women war correspondents.

Photographs of the Buchenwald and Dachau camps (1945)

Images among the first visual evidence of the horror of the concentration camps, published in Vogue under the title “Believe It” to bear witness to the reality.

“Lee Miller in Hitler's bathtub” (with David E. Scherman) (30 April 1945)

An iconic photograph staged in Hitler's Munich apartment. It has become an ambiguous and powerful symbol of the end of the Nazi regime.

Portraits of Surrealist artists (1930s-1940s)

Portraits of Picasso, Max Ernst, Eileen Agar and Paul Éluard. Lee Miller, a close friend of these artists, built up a precious visual record of the Surrealist movement.

Anecdotes

In 1945, Lee Miller was photographed in the bathtub of Adolf Hitler's Munich apartment, on the very day his suicide was announced. Her boots, still caked with mud from the Dachau camp she had just left, dirtied the bath mat: an image that became one of the most disturbing symbols of the war's end.

According to the legend told by Man Ray, the technique of “solarization” was rediscovered partly thanks to a mistake by Lee Miller. A mouse is said to have brushed against her leg in the darkroom, making her switch on the light by reflex, partially reversing the image's tones and creating a striking artistic effect.

As a teenager in New York, Lee Miller was nearly run over by a car: a man pulled her back just in time. He was Condé Nast, the famous press magnate, who immediately launched her as a model for Vogue magazine.

After the war, Lee Miller stored her negatives and prints in boxes in the attic of her English farmhouse and barely spoke of them again until her death. It was only in the 1980s that her son, Antony Penrose, discovered this immense treasure of more than 60,000 images.

On the cover of Vogue, Lee Miller's face was even used to illustrate an advertisement for Kotex sanitary napkins in 1928, which caused a scandal at the time: it was the first time such an intimate product had been associated with a real photograph of a woman.

Primary Sources

Letter from Lee Miller to the Vogue editorial team, from Germany (1945)
“I implore you to believe this is true” — cable sent along with her photographs of the Buchenwald and Dachau camps to convince the editors to publish them.
“Believe It” photo essay in British Vogue (June 1945)
Report and photographs by Lee Miller on the liberation of the concentration camps, published under the title “Believe It”.
The Lives of Lee Miller, accounts collected by Antony Penrose (1985)
Biography written by her son from the archives, letters, and photographs found in the attic of Farley Farm House after Lee Miller's death.
Photograph “Lee Miller in Hitler's Bathtub”, by David E. Scherman (30 April 1945)
Image taken in Hitler's apartment in Munich showing Lee Miller washing herself, with Hitler's portrait propped on the edge of the bathtub and her muddy boots in the foreground.

Key Places

Poughkeepsie, New York

City in New York State where Lee Miller was born in 1907 and spent her childhood.

Paris, Man Ray's studio

Capital of Surrealism where Lee Miller became Man Ray's pupil and collaborator from 1929 onward. There she developed her art and co-experimented with solarization.

Dachau Concentration Camp

Nazi camp near Munich that Lee Miller photographed during its liberation in 1945, delivering harrowing images of the horror of the camps.

Hitler's apartment, Munich

Adolf Hitler's Munich residence where the famous photograph of Lee Miller in the bathtub was taken, on the day the dictator's suicide was announced.

London

City where Lee Miller settled with Roland Penrose and worked for British Vogue, notably photographing the capital during the Blitz.

Farley Farm House, Sussex

English farm where Lee Miller spent her final years with her family and where she died in 1977. Her photographic archives were found there in the attic.

See also