Robert Capa(1913 — 1954)

Robert Capa

Hongrie, États-Unis, France

6 min read

Visual ArtsMilitarySocietyPhotographe20th CenturyFirst half of the 20th century, marked by the Spanish Civil War and the Second World War, the golden age of photojournalism.

Robert Capa (1913-1954) was a photographer and war correspondent of Hungarian origin. A co-founder of the Magnum Photos agency, he covered five major conflicts of the 20th century and embodies war photojournalism.

Frequently asked questions

To understand the importance of Robert Capa, you have to imagine a world where war images were rare and often staged. What sets him apart is that he invented a persona of a “famous American photographer” together with his partner Gerda Taro in order to sell his pictures at a higher price – a pseudonym that stuck with him for life. But above all, in 1947 he co-founded the agency Magnum Photos, a cooperative that revolutionized the profession by giving photographers ownership of their negatives. The key takeaway is that Capa embodied a new kind of reporter: one who gets as close as possible to danger, camera in hand, to document History as it unfolds.

Famous Quotes

« If your photographs aren't good enough, you're not close enough.»

Key Facts

  • Born on October 22, 1913, in Budapest under the name Endre Ernő Friedmann.
  • Took the famous photograph “The Falling Soldier” in 1936 during the Spanish Civil War.
  • Photographed the Normandy landings on June 6, 1944, at Omaha Beach (“The Magnificent Eleven”).
  • Co-founded the cooperative agency Magnum Photos in 1947 with Henri Cartier-Bresson and others.
  • Died on May 25, 1954, in Indochina after stepping on a landmine.

Works & Achievements

The Falling Soldier (1936)

Photograph of a militiaman falling to a bullet during the Spanish Civil War, which became one of the most famous war images of the 20th century.

The Magnificent Eleven (Omaha Beach Landing) (6 June 1944)

Eleven blurry photos taken in the heart of the D-Day assault, the only survivors of a darkroom accident, which later inspired cinema.

Co-founding of the Magnum Photos agency (1947)

A cooperative created with Cartier-Bresson, David Seymour and George Rodger, giving photographers ownership of their images: a turning point for independent photojournalism.

Slightly Out of Focus (1947)

A memoir in which Capa recounts his war years in Europe with humor and emotion, from the Normandy landings to the Liberation.

Reportage on the birth of Israel (1948-1950)

A series documenting the first Arab-Israeli war and the arrival of immigrants, published notably in the book Report on Israel.

Reportage in China (1938)

Coverage of the Second Sino-Japanese War, bearing witness to Japanese aggression and the plight of Chinese civilians.

Photographs of the First Indochina War (1954)

Capa's final images, taken alongside the French army just hours before his death on a landmine.

Anecdotes

Robert Capa was not his real name: born André (Endre) Friedmann in Budapest, he invented, together with his companion Gerda Taro, the character of a "famous American photographer" named Robert Capa in order to sell his photos to magazines at higher prices. The trick was uncovered, but the pseudonym stayed with him for the rest of his life.

His most famous photo

The Falling Soldier

(1936)

shows a Spanish militiaman struck down by a bullet. It became a worldwide icon of photojournalism and is still debated today among historians over whether it may have been staged.

On the morning of 6 June 1944, Capa landed with the first waves of American soldiers on Omaha Beach, under German fire. Of the many photos he took, only eleven survived a drying accident in a London darkroom: they came to be nicknamed "The Magnificent Eleven.

His motto remained famous among photographers:

If your photographs aren

t good enough

you

re not close enough." He applied it to the extreme

staying as close to danger as possible.

In 1954, in Indochina, Capa left a convoy to photograph a column of French soldiers in a rice paddy and stepped on an anti-personnel mine. He died with his camera in his hand, becoming the first American correspondent killed in that war.

Primary Sources

Slightly Out of Focus, Robert Capa's memoir (1947)
For the war correspondent, losing his bet means a wound or death; winning it means a good photograph.
Motto attributed to Robert Capa, quoted in the photography press (1930s-1940s)
If your photographs aren't good enough, you're not close enough.
Founding act of the Magnum Photos agency (1947)
Four photographers — Capa, Cartier-Bresson, Seymour and Rodger — joined together as a cooperative in order to retain ownership of their negatives and freely choose their assignments.
Caption of the D-Day photographs published by Life magazine (19 June 1944)
The images, slightly out of focus, show American soldiers advancing through the water under enemy fire at Omaha Beach.

Key Places

Budapest, Hungary

Birthplace of Endre Friedmann, where he grew up before fleeing the repressive political climate of Central Europe.

Paris, France

Capa's refuge in the 1930s, where he coined the pseudonym “Robert Capa” and met Gerda Taro and Cartier-Bresson. He would also photograph the Liberation there in 1944.

Omaha Beach, Normandy

The D-Day landing beach where Capa joined the first assault wave on June 6, 1944, taking his most famous photographs under German fire.

New York, United States

Capa's American base, where the Magnum Photos agency was founded in 1947 and where he built his career as an international photojournalist.

Thái Bình, Indochina (Vietnam)

Region of the Red River delta where Capa was killed by a landmine on May 25, 1954, while following a French column.

Spanish Front (Córdoba / Brunete)

Theater of the Spanish Civil War where Capa took “The Falling Soldier” and where Gerda Taro died in 1937.

See also