Margherita Luti(1500 — 1522)

Margherita Luti

6 min read

Visual ArtsRenaissanceItalian Renaissance, early 16th century, in Rome during the time of the patron popes Julius II and Leo X

Margherita Luti, known as la Fornarina (“the baker's daughter”), was the model and companion of the painter Raphael in Rome. Her face inspired several of his Madonnas and the famous portrait La Fornarina.

Frequently asked questions

Margherita Luti, born around 1500 in the working-class Trastevere district of Rome, is best known as the companion and model of the painter Raphael. Her nickname, Fornarina (“the little baker girl”), comes from the tradition that her father was a baker. What matters most is that she became a legendary figure of the Renaissance not through any work of her own, but because her face served as the model for some of Raphael's most famous Madonnas, such as The Madonna of the Chair and La Donna Velata. Her life is closely tied to the artistic peak of Rome under the popes Julius II and Leo X.

Key Facts

  • Active in Rome in the early 16th century (around 1515-1520), at the height of Raphael's Roman career
  • Traditionally identified as the daughter of a baker from the Trastevere district, hence her nickname “la Fornarina”
  • Presumed model of the painting La Fornarina (around 1518-1519), held at the Galleria Nazionale d'Arte Antica in Rome
  • Her face is associated with several Madonnas and with Raphael's La Donna velata
  • Companion of Raphael until the painter's death in 1520

Works & Achievements

La Fornarina (portrait by Raphael) (around 1518-1520)

Portrait for which Margherita is said to have posed, now one of the most famous images of the Renaissance; the bracelet bears Raphael's signature. Held in Rome (Galleria Nazionale d'Arte Antica).

La Donna Velata (The Woman with a Veil) (around 1512-1516)

Portrait of a young veiled woman whose features are very close to those of La Fornarina; a masterpiece held at the Pitti Palace in Florence.

Madonna of the Chair (Madonna della Seggiola) (around 1513-1514)

Famous Madonna by Raphael whose gentle face is said, according to tradition, to have been inspired by that of his companion. Pitti Palace, Florence.

The Sistine Madonna (face of the Virgin) (around 1512-1513)

Large Madonna by Raphael in which some commentators have believed they recognized the idealized features of La Fornarina. Held in Dresden.

Inspiration for Raphael's Madonnas (1513-1520)

Beyond any single work, Margherita's face is said to have shaped an entire type of gentle, ideal female figure in Raphael's painting in Rome.

Anecdotes

She is nicknamed "la Fornarina

meaning "the baker's daughter

because tradition holds that her father ran a bakery in Rome's Trastevere district. This nickname became more famous than her real name, to the point that it was long forgotten that she may have been called Margherita Luti.

On the famous painting La Fornarina, one notices a thin blue bracelet tied around the young woman's arm, bearing the signature "RAPHAEL VRBINAS

(Raphael of Urbino). It is as if the painter had wanted to inscribe his name on the very skin of his model

a sign of the bond that united them.

The biography of Raphael written by Giorgio Vasari recounts that the painter was so smitten with his companion that he could not work without her; for him to complete a commission, the young woman was reportedly even brought to him at the worksite.

Margherita's face is said to have inspired several of Raphael's Madonnas as well as the tender portrait of La Donna Velata (

The Veiled Woman

)

in which one recognizes features very close to those of the Fornarina.

A persistent legend, reported by Vasari, claims that Raphael died prematurely in 1520, at only 37 years old, exhausted by his amorous passion. Historians lean instead toward a fever, but the story of the Fornarina nourished for centuries the myth of the artist who died of love.

Primary Sources

Giorgio Vasari, The Lives of the Most Excellent Painters, Sculptors, and Architects (Life of Raphael) (1550 (rev. ed. 1568))
Raphael was a man much given to love and very much attached to women, whom he was forever serving. It is said that he loved one of his mistresses so deeply that he could not apply himself to his work when away from her.
Inscription on the painting La Fornarina (Galleria Nazionale d'Arte Antica, Rome) (circa 1518-1520)
RAPHAEL VRBINAS — the painter's signature inscribed on the blue bracelet painted on the young woman's arm.
Roman archival documents mentioning “Margarita,” daughter of Francesco Luti of Siena, a baker in Trastevere (16th century)
A mention of a Margherita, daughter of a Sienese baker established in Rome, identified by some scholars as the Fornarina; a nun at the convent of Sant'Apollonia is recorded under the name of Raphael's widow after 1520.

Key Places

Trastevere (district of Rome)

Working-class district of Rome, on the right bank of the Tiber, where tradition places her father's bakery and Margherita's family home.

Rome

Capital of the patron popes Julius II and Leo X, artistic center of the Renaissance where Margherita lived her entire life and met Raphael.

Villa Farnesina

Villa of the wealthy banker Agostino Chigi, on the Tiber, where Raphael worked on great frescoes; tradition holds that the Fornarina accompanied him there.

Raphael's Workshop, Rome

The painter's place of work, where Margherita posed as a model for his portraits and Madonnas.

Convent of Sant'Apollonia, Trastevere

Roman convent where, according to documents, a “Margherita, widow of Raphael” is said to have withdrawn after the painter's death in 1520.

See also