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Portrait de Oscar Wilde

Oscar Wilde

Oscar Wilde

1854 — 1900

Irlande, France, Royaume-Uni, Royaume-Uni de Grande-Bretagne et d'Irlande

LiteratureÉcrivain(e)Dramaturge19th Century19th century (late Victorian period, 1854–1900)

A 19th-century Irish writer, Oscar Wilde is the author of major witty comedies and symbolist novels. An iconic figure of the Aesthetic movement, he left a lasting mark on English literature through his brilliant style, biting irony, and celebrated plays.

Émotions disponibles (6)

N

Neutre

par défaut

I

Inspiré

P

Pensif

S

Surpris

T

Triste

F

Fier

Famous Quotes

« The only way to get rid of a temptation is to yield to it. »
« I can resist everything except temptation. »
« To love oneself is the beginning of a lifelong romance. »
« The truth is rarely pure and never simple. »

Key Facts

  • 1890: Publication of 'The Picture of Dorian Gray', a philosophical novel on aestheticism and moral corruption
  • 1891–1892: Triumphant success of his comedies 'A Woman of No Importance' and 'The Importance of Being Earnest'
  • 1895: Landmark trial for gross indecency that marked the turning point of his life
  • 1898: Publication of 'The Ballad of Reading Gaol' following his imprisonment
  • 1854–1900: A life marked by artistic genius, scandal, and exile in France

Works & Achievements

The Picture of Dorian Gray (1890 (magazine), 1891 (book))

Wilde's only novel, it is a masterpiece of Victorian symbolism and aestheticism. It explores themes of beauty, moral corruption, and the Faustian bargain through a young man whose portrait ages in his place.

The Importance of Being Earnest (1895)

Considered the greatest English comedy since Shakespeare, this play brilliantly satirises Victorian society through a series of mistaken identities and misunderstandings around marriage. It represents the pinnacle of Wilde's style.

The Ballad of Reading Gaol (1898)

A long and poignant poem written after his release from prison, inspired by the execution of a fellow inmate. It is Wilde's most personal work, where humour gives way to a sincere meditation on suffering and death.

Salomé (1891 (written), 1896 (staged))

A play written directly in French, Salomé is a symbolist drama inspired by the Bible. Banned in England during his lifetime, it inspired Richard Strauss's opera (1905) and exerted a considerable influence on Art Nouveau.

De Profundis (1897 (written in prison), 1905 (partially published))

A long autobiographical letter addressed to Lord Alfred Douglas from Reading Prison. This text blends personal score-settling with reflection on suffering, art, and Christian spirituality.

Lady Windermere's Fan (1892)

Wilde's first great comedy of manners, it portrays the hypocrisies of London's aristocracy centred on a family secret. Its success established Wilde as the most brilliant playwright of his era.

The Happy Prince and Other Tales (1888)

A collection of poetic tales blending the fairy tale form with subtle and moving social criticism. These texts, often studied in schools, reveal the humane and engaged dimension of Wilde behind the dandy's mask.

Anecdotes

When passing through American customs in 1882, Oscar Wilde reportedly declared to the officers: "I have nothing to declare except my genius." This phrase, perhaps apocryphal but perfectly in keeping with his style, sums up his art of turning every situation into a spectacle.

Oscar Wilde wore extravagant outfits, including velvet knee breeches, silk stockings, and sunflower or lily buttonholes. He would stroll through the streets of London to provoke and assert that life itself could be a work of art.

At the opening night of his play The Importance of Being Earnest in 1895, the audience laughed so loudly and for so long that the actors had to stop several times. It stands as one of the greatest comic triumphs in the entire history of English theatre.

Imprisoned in Reading from 1895 to 1897, Wilde was subjected to degrading hard labour, such as turning the crank of a purposeless wheel. The experience broke his health but gave rise to his most poignant poem, The Ballad of Reading Gaol.

On his deathbed in Paris, Oscar Wilde reportedly looked at the wallpaper of his squalid room and said: "One of us has to go." He died on 30 November 1900, ruined and exiled, but his literary reputation would undergo a spectacular resurrection in the twentieth century.

Primary Sources

De Profundis (letter to Lord Alfred Douglas) (1897 (published 1905))
I forgot that every little action of the common day makes or unmakes character, and that therefore what one has done in the secret chamber one has some day to cry aloud on the housetop.
The Ballad of Reading Gaol (1898)
Yet each man kills the thing he loves, / By each let this be heard, / Some do it with a bitter look, / Some with a flattering word!
Preface to The Picture of Dorian Gray (1891)
The aim of art is to reveal art and to conceal the artist. [...] All art is at once surface and symbol. Those who go beneath the surface do so at their peril.
The Soul of Man under Socialism (1891)
The human personality will develop to a point as yet unknown when every man is free to choose his own work, to do it well, and to devote himself to it with joy.
Letter to the press during his trial (1895)
The love that dare not speak its name, in this century, is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy.

Key Places

Dublin, Ireland — birthplace

Oscar Wilde was born on 16 October 1854 at 21 Westland Row in Dublin. His father, a distinguished surgeon, and his mother, a nationalist poet, provided him with a brilliant education that shaped his precocious literary sensibility.

Magdalen College, Oxford, England

It was at Oxford that Wilde fully developed his Aestheticist philosophy, influenced by Walter Pater and John Ruskin. He won the Newdigate Prize for poetry there in 1878 and gained a reputation as a brilliant intellectual provocateur.

St James's Theatre, London, England

This London theatre was the venue for the premieres of several of his most celebrated comedies, including The Importance of Being Earnest in 1895. It was here that Wilde enjoyed his greatest theatrical triumphs before his downfall.

Reading Gaol, England

Wilde was imprisoned there from 1895 to 1897 following his conviction for homosexuality. This traumatic experience gave rise to his two final masterpieces: De Profundis and The Ballad of Reading Gaol.

HĂ´tel d'Alsace (L'HĂ´tel), Paris, France

Wilde spent the final months of his life in this modest hotel on the rue des Beaux-Arts in Paris, under the pseudonym Sebastian Melmoth. He died there on 30 November 1900, ruined and in exile.

Père Lachaise Cemetery, Paris, France

Oscar Wilde was interred in this Parisian cemetery in 1900. In 1909, his remains were transferred to a tomb adorned with a winged sphinx sculpted by Jacob Epstein, now covered in lipstick kisses left by his admirers.

Typical Objects

The lily or sunflower in the buttonhole

An emblem of the Aesthetic movement, Wilde wore these flowers to signify that beauty is a value in itself. This provocative gesture was part of his permanent self-staging.

The quill pen and vellum paper

Wilde wrote by hand, with care and deliberateness, revising little because he composed mentally before committing his sentences to paper. He considered writing an act of craftsmanship as much as creation.

The velvet suit and knee breeches

A provocative outfit adopted during his Oxford years, inspired by Pre-Raphaelite aesthetics. Wilde made it a public statement: life itself could be shaped like a work of art.

The gold-tipped cigarette

Wilde smoked gold-tipped cigarettes, a refined and distinctive accessory that reinforced his image as a dandy man of the world. In his plays, his characters often sport a cigarette as a symbol of elegant idleness.

The portrait photographed by Napoleon Sarony (1882)

During his American tour, Wilde was photographed in many poses by Sarony. These portraits became iconic images of his personality and fuelled his mass celebrity long before the era of modern media.

The manuscript of De Profundis

A long letter written from Reading Prison, this manuscript of several dozen pages was entrusted to his friend Robert Ross upon his release. It bears witness to profound introspection and a meditation on suffering and beauty.

School Curriculum

LycéeAnglais — Littérature anglaise en traduction : techniques de traduction et fidélité stylistique
LycéeAnglais — L'esthétisme et l'art pour l'art (fin du XIXe siècle)
LycéeAnglais — Le roman symboliste et la quête morale dans 'Le Portrait de Dorian Gray'
LycéeAnglais — Le théâtre britannique victorien et la comédie d'esprit
LycéeAnglais — Dandy et dandysme : figures de l'immoralisme et de la rébellion artistique

Vocabulary & Tags

Key Vocabulary

aestheticismdandyismsymbolismironymoralitydecadentismliterary modernismcomedy of manners

Tags

Mouvement

Oscar WildeDramaturgeesthétismedandysmeironiemoralitédécadentismemodernisme littérairecomédie d'espritXIXe siècle (période victorienne tardive, 1854-1900)

Daily Life

Morning

Wilde rarely rose before eleven in the morning, convinced that sleep was one of the most refined forms of pleasure. He began his day with an abundant correspondence, written in his dressing gown, and by reading the London newspapers in search of society and literary gossip.

Afternoon

The afternoon was devoted to writing in his apartments or in cafés, often at the Café Royal in London, where he conversed with artists, actors and writers. Wilde composed his works with deliberate slowness, carefully crafting each phrase; he could spend hours on a single sentence or a single epigram.

Evening

Wilde's evenings were glamorous and brilliant: dinners with lords, artists or celebrated actresses, theatre premieres, receptions at London clubs. He was the centre of every conversation, improvising witticisms that his hosts hastened to note down in order to repeat them the following day.

Food

Wilde enjoyed fine food and fine wines, frequenting the best London restaurants such as Willis's Rooms or the Café Royal. He was particularly fond of champagne, which he considered the most civilised of drinks, and seafood; his meals were social events as much as gastronomic ones.

Clothing

Wilde dressed with calculated extravagance: velvet knee-breeches, silk stockings, wide-lapelled jackets, flowing cravats and, inevitably, a flower — lily, sunflower or green carnation — in his buttonhole. His outfits, inspired by Pre-Raphaelite aesthetics, were designed to shock and to assert that appearance is a form of art.

Housing

At the height of his fame (1884–1895), Wilde lived with his wife Constance in an elegant townhouse at 16 Tite Street in Chelsea, a neighbourhood favoured by London artists. The interior, decorated by the architect Edward Godwin, was an Aestheticist manifesto: white walls, Japonesque furniture, carefully chosen objets d'art, with not the smallest detail left to chance.

Historical Timeline

1854Naissance d'Oscar Wilde Ă  Dublin, dans une famille intellectuelle irlandaise de la haute bourgeoisie.
1871Entrée au Trinity College de Dublin, où il se distingue en études classiques et remporte plusieurs prix.
1874Obtient une bourse pour Oxford (Magdalen College) ; il y rencontre l'esthétisme de Walter Pater et de John Ruskin.
1878Remporte le Newdigate Prize pour son poème Ravenna ; il est désormais l'une des personnalités les plus en vue d'Oxford.
1881Publication de son premier recueil de Poèmes ; la revue satirique Punch le caricature comme symbole du mouvement esthétiste.
1882Tournée de conférences triomphale aux États-Unis et au Canada : Wilde promeut l'esthétisme auprès du grand public américain.
1884Mariage avec Constance Lloyd Ă  Londres ; ils auront deux fils, Cyril et Vyvyan.
1891Année de gloire littéraire : publication du Portrait de Dorian Gray (version livre) et des Intentions ; rencontre Lord Alfred Douglas.
1892Triomphe de L'Éventail de Lady Windermere au théâtre St James's de Londres.
1895Double triomphe théâtral avec Une femme sans importance et L'Importance d'être Constant ; puis arrestation et procès pour homosexualité.
1895Condamné à deux ans de travaux forcés pour « grossière indécence » ; il est emprisonné à Pentonville puis à Reading.
1897Libéré de prison, Wilde s'exile en France sous le pseudonyme de Sebastian Melmoth ; il ne retournera jamais en Angleterre.
1898Publication de La Ballade de la geôle de Reading, son dernier grand texte, plébiscitée par la critique.
1900Mort d'Oscar Wilde à Paris, à l'hôtel d'Alsace, dans le dénuement, le 30 novembre, d'une méningite.

Period Vocabulary

Aestheticism — Artistic and literary movement of the second half of the 19th century advocating that 'art for art's sake' is the supreme value, independent of any moral or social utility. Wilde was its most emblematic figure.
Dandy — A man who makes of his appearance, manners, and wit a refined way of life. The Victorian dandy, of which Wilde was the archetype, was defined by provocative elegance and contempt for bourgeois mediocrity.
Epigram — A short, brilliant, and often paradoxical saying designed to provoke thought through wit. Wilde excelled at this: 'I can resist everything except temptation' is one of his most celebrated epigrams.
Comedy of Manners — A theatrical genre that satirises the hypocritical behaviour and social conventions of a privileged class — here, the Victorian aristocracy. Wilde's plays are the most brilliant examples of the form in English literature.
Gross Indecency — A legal term in Victorian law referring to homosexual acts between men, criminalised by the Criminal Law Amendment Act of 1885. It was under this charge that Wilde was sentenced to two years of hard labour in 1895.
Symbolism — A literary and artistic movement of the late 19th century favouring symbols, imagery, and suggestion over direct description. The Picture of Dorian Gray is often cited as an example of Symbolism in English prose.
Pre-Raphaelitism — An English pictorial movement of the years 1848–1900 that prized vivid colours, medieval or mythological subjects, and meticulous depictions of nature. Wilde deeply admired these painters and drew on them for his personal aesthetic.
Fin de siècle — A French expression denoting the cultural atmosphere of the 1880s–1900s, characterised by extreme refinement, pessimism, artistic decadence, and a questioning of traditional Victorian values. Wilde is its most emblematic figure.
Hard Labour — A Victorian penal sentence consisting of exhausting and purposeless physical tasks, such as walking the treadmill or breaking stones. Wilde suffered greatly during his two years of imprisonment at Reading.
Wildean Paradox — A rhetorical device favoured by Wilde in which a commonly accepted truth is inverted to reveal its absurdity or hidden complexity. Example: 'The truth is rarely pure and never simple.'

Gallery


Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics

Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics


Painting, sculpture and architecture as representative arts;

Painting, sculpture and architecture as representative arts;


Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics

Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics

French school - Portrait of a lady (1)

French school - Portrait of a lady (1)

Catalogue of an exhibition of modern French painting, from Manet to Matisse, Toronto, 1933

Catalogue of an exhibition of modern French painting, from Manet to Matisse, Toronto, 1933

Sculpture Oscar Wilde and Eduard Vilde

Sculpture Oscar Wilde and Eduard Vilde

Oscar Wilde Memorial Sculpture (27218488457)

Oscar Wilde Memorial Sculpture (27218488457)

Oscar Wilde Memorial Sculpture (27218450827)

Oscar Wilde Memorial Sculpture (27218450827)

Oscar Wilde by Napoleon Sarony. Three-quarter-length photograph, seated

Oscar Wilde by Napoleon Sarony. Three-quarter-length photograph, seated

Oscar Wilde and Bosie. Cornwall LGBT History Project 2016. Malcolm Lidbury b

Oscar Wilde and Bosie. Cornwall LGBT History Project 2016. Malcolm Lidbury b

Visual Style

Le style visuel associé à Wilde est celui de l'esthétisme victorien : couleurs veloutées et profondes, motifs de paons et de lys, intérieurs raffinés éclairés à la lumière dorée du gaz, évoquant les peintures préraphaélites et les premières photographies mondaines.

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AI Prompt
Late Victorian aesthetic movement visual style: rich jewel tones of deep emerald green, burgundy and gold, peacock feathers and lily motifs, art nouveau decorative swirls, Pre-Raphaelite painting influence, soft gaslight illumination casting warm amber glows, elegant wallpapered drawing rooms with dark wood panelling, well-dressed dandies in velvet frock coats, impressionistic soft focus photography, ornate gilded frames, black and white newspaper illustrations with delicate cross-hatching, foggy London streets at dusk.

Sound Ambience

L'univers sonore d'Oscar Wilde est celui du Londres victorien des salons et des théâtres : le cliquetis des fiacres sur les pavés, le tintement du cristal et les rires des dîners mondains, le bruit des applaudissements dans les théâtres du West End.

AI Prompt
Late Victorian London soundscape: horse-drawn carriages clattering on wet cobblestones, gas lamp hissing, theatre curtain rising and audience applause in a West End playhouse, drawing room piano playing Chopin or Gilbert and Sullivan tunes, champagne glasses clinking at a dinner party, the rustle of silk evening gowns, a man reciting witty epigrams to laughter, rain pattering on tall sash windows overlooking a foggy street, distant church bells, the creak of a leather-bound book opening.

Portrait Source

Wikimedia Commons — domaine public — Napoleon Sarony / Adam Cuerden — 1882