
Oscar Wilde
Oscar Wilde
1854 — 1900
Irlande, France, Royaume-Uni, Royaume-Uni de Grande-Bretagne et d'Irlande
A 19th-century Irish writer, Oscar Wilde is the author of major witty comedies and symbolist novels. An iconic figure of the Aesthetic movement, he left a lasting mark on English literature through his brilliant style, biting irony, and celebrated plays.
Émotions disponibles (6)
Neutre
par défaut
Inspiré
Pensif
Surpris
Triste
Fier
Famous Quotes
« The only way to get rid of a temptation is to yield to it. »
« I can resist everything except temptation. »
« To love oneself is the beginning of a lifelong romance. »
« The truth is rarely pure and never simple. »
Key Facts
- 1890: Publication of 'The Picture of Dorian Gray', a philosophical novel on aestheticism and moral corruption
- 1891–1892: Triumphant success of his comedies 'A Woman of No Importance' and 'The Importance of Being Earnest'
- 1895: Landmark trial for gross indecency that marked the turning point of his life
- 1898: Publication of 'The Ballad of Reading Gaol' following his imprisonment
- 1854–1900: A life marked by artistic genius, scandal, and exile in France
Works & Achievements
Wilde's only novel, it is a masterpiece of Victorian symbolism and aestheticism. It explores themes of beauty, moral corruption, and the Faustian bargain through a young man whose portrait ages in his place.
Considered the greatest English comedy since Shakespeare, this play brilliantly satirises Victorian society through a series of mistaken identities and misunderstandings around marriage. It represents the pinnacle of Wilde's style.
A long and poignant poem written after his release from prison, inspired by the execution of a fellow inmate. It is Wilde's most personal work, where humour gives way to a sincere meditation on suffering and death.
A play written directly in French, Salomé is a symbolist drama inspired by the Bible. Banned in England during his lifetime, it inspired Richard Strauss's opera (1905) and exerted a considerable influence on Art Nouveau.
A long autobiographical letter addressed to Lord Alfred Douglas from Reading Prison. This text blends personal score-settling with reflection on suffering, art, and Christian spirituality.
Wilde's first great comedy of manners, it portrays the hypocrisies of London's aristocracy centred on a family secret. Its success established Wilde as the most brilliant playwright of his era.
A collection of poetic tales blending the fairy tale form with subtle and moving social criticism. These texts, often studied in schools, reveal the humane and engaged dimension of Wilde behind the dandy's mask.
Anecdotes
When passing through American customs in 1882, Oscar Wilde reportedly declared to the officers: "I have nothing to declare except my genius." This phrase, perhaps apocryphal but perfectly in keeping with his style, sums up his art of turning every situation into a spectacle.
Oscar Wilde wore extravagant outfits, including velvet knee breeches, silk stockings, and sunflower or lily buttonholes. He would stroll through the streets of London to provoke and assert that life itself could be a work of art.
At the opening night of his play The Importance of Being Earnest in 1895, the audience laughed so loudly and for so long that the actors had to stop several times. It stands as one of the greatest comic triumphs in the entire history of English theatre.
Imprisoned in Reading from 1895 to 1897, Wilde was subjected to degrading hard labour, such as turning the crank of a purposeless wheel. The experience broke his health but gave rise to his most poignant poem, The Ballad of Reading Gaol.
On his deathbed in Paris, Oscar Wilde reportedly looked at the wallpaper of his squalid room and said: "One of us has to go." He died on 30 November 1900, ruined and exiled, but his literary reputation would undergo a spectacular resurrection in the twentieth century.
Primary Sources
I forgot that every little action of the common day makes or unmakes character, and that therefore what one has done in the secret chamber one has some day to cry aloud on the housetop.
Yet each man kills the thing he loves, / By each let this be heard, / Some do it with a bitter look, / Some with a flattering word!
The aim of art is to reveal art and to conceal the artist. [...] All art is at once surface and symbol. Those who go beneath the surface do so at their peril.
The human personality will develop to a point as yet unknown when every man is free to choose his own work, to do it well, and to devote himself to it with joy.
The love that dare not speak its name, in this century, is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy.
Key Places
Oscar Wilde was born on 16 October 1854 at 21 Westland Row in Dublin. His father, a distinguished surgeon, and his mother, a nationalist poet, provided him with a brilliant education that shaped his precocious literary sensibility.
It was at Oxford that Wilde fully developed his Aestheticist philosophy, influenced by Walter Pater and John Ruskin. He won the Newdigate Prize for poetry there in 1878 and gained a reputation as a brilliant intellectual provocateur.
This London theatre was the venue for the premieres of several of his most celebrated comedies, including The Importance of Being Earnest in 1895. It was here that Wilde enjoyed his greatest theatrical triumphs before his downfall.
Wilde was imprisoned there from 1895 to 1897 following his conviction for homosexuality. This traumatic experience gave rise to his two final masterpieces: De Profundis and The Ballad of Reading Gaol.
Wilde spent the final months of his life in this modest hotel on the rue des Beaux-Arts in Paris, under the pseudonym Sebastian Melmoth. He died there on 30 November 1900, ruined and in exile.
Oscar Wilde was interred in this Parisian cemetery in 1900. In 1909, his remains were transferred to a tomb adorned with a winged sphinx sculpted by Jacob Epstein, now covered in lipstick kisses left by his admirers.
Typical Objects
An emblem of the Aesthetic movement, Wilde wore these flowers to signify that beauty is a value in itself. This provocative gesture was part of his permanent self-staging.
Wilde wrote by hand, with care and deliberateness, revising little because he composed mentally before committing his sentences to paper. He considered writing an act of craftsmanship as much as creation.
A provocative outfit adopted during his Oxford years, inspired by Pre-Raphaelite aesthetics. Wilde made it a public statement: life itself could be shaped like a work of art.
Wilde smoked gold-tipped cigarettes, a refined and distinctive accessory that reinforced his image as a dandy man of the world. In his plays, his characters often sport a cigarette as a symbol of elegant idleness.
During his American tour, Wilde was photographed in many poses by Sarony. These portraits became iconic images of his personality and fuelled his mass celebrity long before the era of modern media.
A long letter written from Reading Prison, this manuscript of several dozen pages was entrusted to his friend Robert Ross upon his release. It bears witness to profound introspection and a meditation on suffering and beauty.
School Curriculum
Vocabulary & Tags
Key Vocabulary
Tags
Mouvement
Daily Life
Morning
Wilde rarely rose before eleven in the morning, convinced that sleep was one of the most refined forms of pleasure. He began his day with an abundant correspondence, written in his dressing gown, and by reading the London newspapers in search of society and literary gossip.
Afternoon
The afternoon was devoted to writing in his apartments or in cafés, often at the Café Royal in London, where he conversed with artists, actors and writers. Wilde composed his works with deliberate slowness, carefully crafting each phrase; he could spend hours on a single sentence or a single epigram.
Evening
Wilde's evenings were glamorous and brilliant: dinners with lords, artists or celebrated actresses, theatre premieres, receptions at London clubs. He was the centre of every conversation, improvising witticisms that his hosts hastened to note down in order to repeat them the following day.
Food
Wilde enjoyed fine food and fine wines, frequenting the best London restaurants such as Willis's Rooms or the Café Royal. He was particularly fond of champagne, which he considered the most civilised of drinks, and seafood; his meals were social events as much as gastronomic ones.
Clothing
Wilde dressed with calculated extravagance: velvet knee-breeches, silk stockings, wide-lapelled jackets, flowing cravats and, inevitably, a flower — lily, sunflower or green carnation — in his buttonhole. His outfits, inspired by Pre-Raphaelite aesthetics, were designed to shock and to assert that appearance is a form of art.
Housing
At the height of his fame (1884–1895), Wilde lived with his wife Constance in an elegant townhouse at 16 Tite Street in Chelsea, a neighbourhood favoured by London artists. The interior, decorated by the architect Edward Godwin, was an Aestheticist manifesto: white walls, Japonesque furniture, carefully chosen objets d'art, with not the smallest detail left to chance.
Historical Timeline
Period Vocabulary
Gallery
Painting, sculpture and architecture as representative arts; an essay in comparative æsthetics
Painting, sculpture and architecture as representative arts;
Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics

French school - Portrait of a lady (1)
Catalogue of an exhibition of modern French painting, from Manet to Matisse, Toronto, 1933
Sculpture Oscar Wilde and Eduard Vilde
Oscar Wilde Memorial Sculpture (27218488457)
Oscar Wilde Memorial Sculpture (27218450827)
Oscar Wilde by Napoleon Sarony. Three-quarter-length photograph, seated
Oscar Wilde and Bosie. Cornwall LGBT History Project 2016. Malcolm Lidbury b
Visual Style
Le style visuel associé à Wilde est celui de l'esthétisme victorien : couleurs veloutées et profondes, motifs de paons et de lys, intérieurs raffinés éclairés à la lumière dorée du gaz, évoquant les peintures préraphaélites et les premières photographies mondaines.
AI Prompt
Late Victorian aesthetic movement visual style: rich jewel tones of deep emerald green, burgundy and gold, peacock feathers and lily motifs, art nouveau decorative swirls, Pre-Raphaelite painting influence, soft gaslight illumination casting warm amber glows, elegant wallpapered drawing rooms with dark wood panelling, well-dressed dandies in velvet frock coats, impressionistic soft focus photography, ornate gilded frames, black and white newspaper illustrations with delicate cross-hatching, foggy London streets at dusk.
Sound Ambience
L'univers sonore d'Oscar Wilde est celui du Londres victorien des salons et des théâtres : le cliquetis des fiacres sur les pavés, le tintement du cristal et les rires des dîners mondains, le bruit des applaudissements dans les théâtres du West End.
AI Prompt
Late Victorian London soundscape: horse-drawn carriages clattering on wet cobblestones, gas lamp hissing, theatre curtain rising and audience applause in a West End playhouse, drawing room piano playing Chopin or Gilbert and Sullivan tunes, champagne glasses clinking at a dinner party, the rustle of silk evening gowns, a man reciting witty epigrams to laughter, rain pattering on tall sash windows overlooking a foggy street, distant church bells, the creak of a leather-bound book opening.
Portrait Source
Wikimedia Commons — domaine public — Napoleon Sarony / Adam Cuerden — 1882
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Références
Ĺ’uvres
Le Portrait de Dorian Gray
1890 (magazine), 1891 (livre)
L'Importance d'ĂŞtre Constant (The Importance of Being Earnest)
1895
La Ballade de la geĂ´le de Reading
1898
De Profundis
1897 (écrit en prison), 1905 (publié partiellement)
L'Éventail de Lady Windermere (Lady Windermere's Fan)
1892
Le Prince heureux et autres contes
1888





