Pier Paolo Pasolini(1922 — 1975)

Pier Paolo Pasolini

Italie, royaume d'Italie

6 min read

Performing ArtsLiteraturePoète(sse)Écrivain(e)20th CenturyPost-war Italy and the boom years, marked by neorealism, the economic miracle and the political tensions of the 1960s and 1970s

Italian writer, poet and filmmaker, a major figure of the politically engaged post-war intelligentsia. A heterodox Marxist and critic of consumer society, he left his mark on literature as much as on cinema before his murder in 1975.

Frequently asked questions

Pier Paolo Pasolini (1922-1975) was an Italian writer, poet and filmmaker, a major figure of the politically engaged post-war intelligentsia. The key thing to remember is that he left his mark on Italian culture through a many-sided body of work blending social criticism, heterodox Marxism and an exploration of the margins. Films like Accattone (1961) and The Gospel According to St. Matthew (1964) revolutionized cinema through their raw realism and their gaze on the poor. He was murdered in 1975 under murky circumstances, which only reinforced his myth as a martyred intellectual.

Famous Quotes

« I am a force of the Past.»

Key Facts

  • Born on 5 March 1922 in Bologna, he published his first collection of poems in the Friulian dialect in 1942
  • Published the novel A Violent Life (Una vita violenta) in 1959, depicting the Roman slums
  • Directed The Gospel According to St. Matthew in 1964, praised even in Catholic circles
  • Released Theorem (Teorema) in 1968, a parable-film about the Italian bourgeoisie
  • Murdered during the night of 1–2 November 1975 in Ostia, in circumstances that remain murky

Works & Achievements

Poesie a Casarsa (1942)

His first collection of poems, written in the Friulian dialect, revealing his early talent and his attachment to a vernacular language.

Ragazzi di vita (The Ragazzi) (1955)

A novel about the youth of Rome's poor outskirts, which caused a scandal for its rawness but made him famous.

The Ashes of Gramsci (Le ceneri di Gramsci) (1957)

A major poetry collection in which he blends Marxist political reflection with personal emotion.

Accattone (1961)

His first film, which brings the world of the Roman borgate to the screen using non-professional actors.

The Gospel According to St. Matthew (1964)

An austere and deeply moving adaptation of the life of Christ, praised even by Catholic circles.

Theorem (Teorema) (1968)

An enigmatic film about a bourgeois family thrown into turmoil by a mysterious visitor, a critique of consumer society.

Corsair Writings (Scritti corsari) (1975)

A collection of polemical articles denouncing the conformism and homogenization of Italian society.

Salò, or the 120 Days of Sodom (1975)

His final film, ultra-violent and provocative, released after his death, denouncing totalitarian power.

Anecdotes

At just twenty years old, Pasolini published his first collection of poems, *Poesie a Casarsa* (1942), not in Italian but in Friulian, the dialect of his mother's village. Choosing a rural, minority language for serious poetry was, at the time, a bold and provocative gesture.

A Marxist and a non-believer, Pasolini nevertheless made *The Gospel According to St. Matthew* in 1964, a film about the life of Christ that he dedicated to Pope John XXIII. He cast only amateur actors and gave the role of the elderly Virgin Mary to his own mother, Susanna.

A passionate football fan, Pasolini played as a striker in pickup matches with his film crews and supported the club of Bologna, his native city. He said that football was “the last sacred performance of our time.”

In 1974, in a sensational article in the Corriere della Sera, he wrote “I Know”: he claimed to know who was responsible for the attacks bloodying Italy, while admitting he had no proof. The text became the symbol of the intellectual who defies power.

On the night of 1–2 November 1975, Pasolini was brutally killed on a beach near Ostia, south of Rome. A young man, Pino Pelosi, confessed to the crime, but his contradictory statements have left doubt hanging over the true circumstances of his death to this very day.

Primary Sources

What Is This Coup d'État? (“I Know”), Corriere della Sera (14 November 1974)
I know the names of those responsible for what is called a coup d'état. I know the names of those responsible for the massacres. But I have no proof. I do not even have any clues.
Corsair Writings (Scritti corsari), article on the disappearance of the fireflies (1975)
In the early 1960s, because of pollution and the transformation of the countryside, the fireflies began to disappear. For Pasolini, this was the sign of a deep and brutal change in Italian society.
Ragazzi di vita (The Ragazzi) (1955)
A novel that plunges into the daily life of the young people of Rome's poor outskirts (the borgate), with their raw language and their poverty, far from the official, triumphant Italy.
The Ashes of Gramsci (Le ceneri di Gramsci) (1957)
A poetry collection in which Pasolini meditates at the tomb of the communist thinker Antonio Gramsci, torn between his Marxist reason and his passionate attachment to the vanishing world of the common people.

Key Places

Bologna

City in northern Italy where Pasolini was born in 1922 and where he completed part of his studies. There he developed his love of literature and supported the local football team his whole life.

Casarsa della Delizia (Friuli)

Village in the Friuli region that his mother came from and where he spent his youth. It was there that he wrote his first poems in the Friulian dialect.

Rome and its borgate

The capital where he settled in 1950 and which became the setting for his novels and films. There he observed life in the poor outlying neighborhoods, the sub-proletariat.

Ostia Beach (Idroscalo)

A spot by the sea, south of Rome, where Pasolini was murdered during the night of 1–2 November 1975. A monument there keeps his memory alive.

See also