Stheno

Stheno

6 min read

MythologyBefore ChristGreek Antiquity, the age of archaic mythological tales passed down through oral tradition and later set down by the Greek poets

In Greek mythology, Stheno is the eldest of the three Gorgons, daughters of the sea deities Phorcys and Ceto. Unlike her sister Medusa, she is immortal. Her name means “the strong one” or “the mighty one.”

Frequently asked questions

To understand Stheno's place, you have to picture the Gorgons as a trio of monstrous sisters living at the edges of the world. What sets Stheno apart from her sister Medusa is her immortality: she cannot be killed. Her name, which means “the strong one,” announces her formidable power. While Medusa is the most famous because Perseus beheads her, Stheno is, according to some traditions, the deadliest of the three. The key point to remember is that she embodies brute force and a permanent threat, with no hope of victory for the heroes.

Key Facts

  • Stheno is one of the three Gorgons, along with Euryale and Medusa, according to Hesiod's Theogony (8th–7th century BC)
  • She is the daughter of the primordial sea deities Phorcys and Ceto
  • Like Euryale, she is immortal, unlike Medusa, the only mortal of the three sisters
  • Her Greek name (Sthenô) means “the strong one” or “the mighty one”
  • She has a head of snakes for hair and a gaze capable of turning people to stone

Works & Achievements

Hesiod's Theogony (circa 700 BC)

The first text to name the three Gorgons and establish their genealogy. A foundational source for the myth of Stheno.

Pindar's Pythian 12 (circa 490 BC)

A poem linking the lament of the immortal Gorgons to Athena's invention of the flute (aulos).

Ovid's Metamorphoses (circa AD 8)

A detailed Latin account of the myth of Perseus and the Gorgons that secured its spread throughout the Roman world.

The Library of Apollodorus (1st–2nd century AD)

A compilation giving the canonical version of the myth, with the physical description of the Gorgons and their attributes.

The Gorgon pediment (Temple of Artemis, Corfu) (circa 580 BC)

A monumental archaic sculpture depicting a Gorgon, a milestone in Greek art and Gorgon iconography.

Perseus with the Head of Medusa (Antonio Canova) (1804–1810)

A Neoclassical masterpiece illustrating the long legacy of the myth of the Gorgons in Western art.

Anecdotes

In Greek mythology, Stheno is the eldest of the three Gorgons. Along with her sister Euryale, she is immortal, while the third, Medusa, is the only one of the three who is mortal. It is this distinction that will allow the hero Perseus to kill Medusa, but never her two sisters.

Her name, in Ancient Greek Σθενώ (Sthenố), derives from the word “sthenos” meaning “strength” or “power.” According to certain ancient traditions recorded later, Stheno was said to be the deadliest of the three sisters, having killed more men on her own than her two sisters combined.

Like her sisters, Stheno is described with a head of snakes, boar's tusks, hands of bronze, and sometimes wings of gold. Anyone who met her gaze was turned to stone, a terrifying power shared by all three Gorgons.

The Gorgons, including Stheno, are the daughters of the primordial sea deities Phorcys and Ceto. They belong to a lineage of monstrous creatures that also includes the Graeae, their grey-haired sisters who guard the path leading to the Gorgons.

After Medusa was beheaded by Perseus, her two immortal sisters, Stheno and Euryale, set off in pursuit of the hero to avenge their sister, but could not reach him because he wore the helmet of invisibility of Hades (the kunee).

Primary Sources

Hesiod, Theogony (c. 700 BC)
Phorcys, mating with Ceto, fathered the fair-cheeked Graeae, [...] and the Gorgons who dwell beyond glorious Ocean, at the edge of night: Stheno, Euryale, and Medusa of the sorrowful fate. She alone was mortal, while the other two were immortal and ageless.
Apollodorus, Library (1st-2nd century AD)
The Gorgons were Stheno, Euryale, and Medusa. Medusa alone was mortal; that is why Perseus was sent to fetch her head. They had heads encircled with the scales of dragons, great tusks like boars', hands of bronze, and golden wings on which they flew.
Ovid, Metamorphoses (c. AD 8)
Perseus's account of the Gorgons, whose gaze turned to stone anyone who beheld them, and of the birth of Pegasus and Chrysaor from the blood of the beheaded Medusa.
Pindar, Pythian Odes (Pythian 12) (c. 490 BC)
An evocation of Perseus slaying the Gorgon and of the mournful song raised by her immortal sisters, a lament that Athena imitated when she invented the flute (the *aulos*) of many voices.

Key Places

The land of the Gorgons (beyond Ocean)

According to Hesiod, the Gorgons dwell at the edges of the world, beyond the river Ocean, near the realm of Night. A mythical place marking the boundary of the world known to the Greeks.

Libya

Several ancient traditions, notably in Herodotus and the Roman authors, place the lair of the Gorgons at the edges of Libya, at the far west of the Mediterranean world.

The Garden of the Hesperides (far West)

A mythical region of the far West associated with the domain of the Gorgons, close to the place where Atlas holds up the sky. Perseus passes through it during his quest.

Serifos

An island of the Cyclades from which Perseus sets out on his quest for the head of Medusa. It is the starting point of the adventure that seals the fate of the Gorgons.

Temple of Artemis at Corfu

Site of the oldest surviving monumental Greek pediment, decorated with an enormous Gorgon (around 580 BC). A major testimony to the iconography of the Gorgons.

See also