Wong Kar-wai(1958 — ?)

Wong Kar-wai

Hong Kong britannique

6 min read

Performing ArtsVisual ArtsRéalisateur/trice20th CenturyLate 20th and early 21st century, around the time of the handover of Hong Kong to China (1997) and the rise of Asian auteur cinema on the international stage.

Wong Kar-wai is a Hong Kong director, screenwriter, and producer born in 1958 in Shanghai. A major figure of Asian auteur cinema, he is celebrated for his mesmerizing visual style and his melancholic stories about love and the passage of time.

Frequently asked questions

Wong Kar-wai is a Hong Kong filmmaker born in Shanghai in 1958, a major figure in Asian art cinema. What makes him pivotal is his unique visual style — saturated colours, jerky slow motion (step printing), haunting soundtracks — which has influenced an entire generation of filmmakers. Less a linear storyteller than a poet of memory and thwarted love, he established a new way of filming the passage of time. His masterpiece In the Mood for Love (2000) is regularly ranked among the greatest films in the world.

Key Facts

  • Born on July 17, 1958 in Shanghai, he emigrated as a child to Hong Kong in 1963
  • Directed his first feature film, As Tears Go By, in 1988
  • Won the Best Director award at the Cannes Film Festival in 1997 for Happy Together
  • Directed In the Mood for Love (2000), an iconic film acclaimed around the world
  • Was named president of the jury of the Cannes Film Festival in 2006, a first for an Asian filmmaker

Works & Achievements

As Tears Go By (1988)

First feature film, a sentimental crime drama that already foreshadows his taste for emotion and visual style.

Days of Being Wild (1990)

A drama set in 1960s Hong Kong that lays the foundations of his nostalgic world.

Chungking Express (1994)

A cult film about urban loneliness, shot quickly and handheld; it introduced Wong to international audiences.

Happy Together (1997)

The story of a gay couple living in exile in Buenos Aires; it earned him the Best Director award at Cannes.

In the Mood for Love (2000)

The pinnacle of his work, about a thwarted love in 1962 Hong Kong; a masterpiece of world cinema.

2046 (2004)

A melancholic sequel to “In the Mood for Love,” blending memory and science fiction.

The Grandmaster (2013)

An epic about martial arts master Ip Man, combining a fight film with a meditation on time.

Anecdotes

Born in Shanghai in 1958, Wong Kar-wai moved to Hong Kong at the age of five with his mother. Speaking only Mandarin in a Cantonese-speaking city, the young boy felt isolated and spent countless afternoons at the cinema with his mother. This solitary childhood spent in the darkness of movie theaters would later feed his fascination with memory and nostalgia.

Wong Kar-wai is almost always photographed wearing thick black sunglasses, even indoors. Having become his trademark, they are so much a part of his public image that he is instantly recognizable on festival red carpets.

In 1994, exhausted by the endless shoot of *Ashes of Time*, Wong improvised a light-hearted film in just a few weeks during an editing break: it became *Chungking Express*, shot handheld in the bustling streets of Hong Kong. Born out of urgency, this film would become one of his most famous.

In 1997, Wong Kar-wai won the Best Director award at the Cannes Film Festival for *Happy Together*, becoming the first Hong Kong director to receive this honor. This triumph, in the same year as Hong Kong's handover to China, placed the city's cinema under the global spotlight.

Wong is known for shooting without a fixed script, rewriting scenes from day to day. The filming of *In the Mood for Love* stretched over nearly fifteen months, with his actors often unaware of how the story would end. This disorienting method demands total trust from his actors and crew.

Primary Sources

Wong Kar-wai, on his working method (around 2000)
I never begin with a complete screenplay. I prefer to discover the film while making it, the way you discover a person by spending time with them.
Interview about “In the Mood for Love” (2000)
This film is about the way people keep their secrets and the way they choose to share them. It's the story of a bygone era, the Hong Kong of the 1960s where I grew up.
Statement at the Cannes Film Festival for “Happy Together” (1997)
This award belongs as well to the whole crew and to Hong Kong cinema, at such a particular moment in our history.

Key Places

Shanghai, China

Wong Kar-wai's birthplace, which he left as a child but which haunts his imagination. He would return to it with the series *Blossoms Shanghai*.

Hong Kong

The city where Wong grew up and shot most of his films. Its alleys, its buildings and its nocturnal atmosphere are at the heart of his work.

Hong Kong Polytechnic

The institution where Wong studied graphic design before turning to television and then cinema.

Buenos Aires, Argentina

The shooting location for *Happy Together*, at the opposite end of the world from Hong Kong. There Wong filmed the wanderings of two exiled lovers.

Cannes Film Festival, France

The stage of his greatest accolades: the Best Director award in 1997 and then the presidency of the jury in 2006.

See also