Imaginary interview

Imaginary interview with Jonas

by Charactorium · Jonas (822 av. J.-C. — 719 av. J.-C.) · Mythology · 6 min read

Imaginary interview generated by AI from documented sources.
Portrait of Jonas
Wikimedia Commons, Public domain — Jonas Åkerström

On the shore where the great fish spat him out, an exhausted man, his clothes still stiff with salt, agrees to speak. Behind him, the dusty road leads back up to Nineveh; before him, the sea he tried to put between him and his God. Jonah, son of Amittai, prophet from Gath-Hepher, recounts the flight, the belly of the waters, and the anger that has never quite left him.

When the word of the Lord came to you, what did it require of you?

It said to me: arise, go to Nineveh, the great city, and cry out against it. Understand what that meant for a son of Israel. Nineveh is not a neighboring village you gently rebuke; it is the capital of Assyria, the empire whose chariots trample our harvests and deport our brothers. None of those I knew had ever been sent to preach to the enemy. A prophet speaks to his own people, warns them, pleads with them — not to the city that dreams of swallowing us. And yet the Lord asked me to carry his voice behind those immense walls, to those whose wickedness, he said, had come up before him. I felt the ground give way beneath me. This was not a mission; it was an overturning of everything I thought I knew.

A prophet speaks to his own people — not to the city that dreams of swallowing us.

Instead of obeying, you headed in the opposite direction. How did this flight begin?

I went down to Jaffa, on the coast. There, the Phoenician ships load timber and oil for distant ports at the other end of the Mediterranean Sea. I found one bound for Tarshish, the farthest place one could go, and paid my fare. I believed, poor fool, that one can sail away from the face of God like leaving a creditor. The deck smelled of pitch and dried fish; the sailors laughed at their own gods. I lay down deep in the hold and slept, relieved, persuaded I had put the sea between the Lord and me. That is where I learned my first lesson: there is no Tarshish far enough. The storm was already waiting in the breath that filled the sails.

I believed that one can sail away from the face of God like leaving a creditor.

How did you realize that this storm concerned you, and you alone?

The sea rose up suddenly, and the ship cracked like a reed. The sailors threw the cargo overboard and each cried out to his god, while I still slept in the hold. When they woke me, they cast lots to find out whose fault this calamity was, and the lot fell on me. I could not lie. I told them I was fleeing the Lord, the God who made the sea and the dry land — and these men, who were not of my people, were more afraid of him than I was. I asked them to throw me into the water, for I knew the storm would calm. It was I who troubled their voyage. A prophet on the run is dead weight in the hold of the world.

A prophet on the run is dead weight in the hold of the world.

Then comes the most famous episode. What happened to you once you were thrown into the waves?

The Lord provided a great fish — dag gadol in our language, a great fish, nothing more; it was others, later, who wanted to give it a specific name. It swallowed me, and I remained in its belly three days and three nights. Imagine that darkness: no up, no down, salt water up to the seaweed wrapped around my head, the dull beating of a huge heart around me. I thought I had gone down to the roots of the mountains, to the gates of the underworld. And there, in the deepest place, I prayed. Not to flee again, but to give thanks for still being alive in this tomb of flesh. On the third day, the fish vomited me onto the shore. I had come out of death without truly passing through it.

Three days and three nights — I had come out of death without truly passing through it.

In that dark belly, what did you discover that dry land had never taught you?

That flight has a bottom. You can run to Jaffa, pay your fare, go down into the hold, go down further into the sea, go down into the belly of the beast — and still the Lord is there, lower than the lowest. I had tried to flee to the open sea; I found myself at the farthest point of his creation, and he met me there. In that endless night, I stopped bargaining. I understood that my life did not belong to me like a bag you carry away. People will say, after me, that these three days prefigure another coming out of the tomb; I only know that I went in a rebel and came out alive, the fish's belly spitting onto the sand a man who had no more excuses.

Flight has a bottom; and the Lord is there, lower than the lowest.
PORTRAIT DE GABRIELLE JONAS
PORTRAIT DE GABRIELLE JONASWikimedia Commons, Public domain — Édouard Vuillard

Once in Nineveh, how did this immense city react to your preaching?

Nineveh was so vast that it took three days to cross it. I did not make a long speech — just a few words, barely a sentence: yet forty days, and Nineveh shall be overthrown. That's all. I had neither the eloquence of courts nor the authority of a king. And yet, what had never happened to me in Israel, where prophets are mocked, happened among the enemy: they believed God. From the greatest to the least, they proclaimed a fast and put on sackcloth. The king himself came down from his throne, removed his robe, and sat in ashes. Even the beasts were deprived of food. A handful of words from a reluctant mouth, and the entire Assyrian capital bowed the knee. I had never seen such total repentance, nor expected it to come.

A handful of words from a reluctant mouth, and the entire Assyrian capital bowed the knee.

What does it mean for the people of a city to put on sackcloth and sit in ashes?

The sackcloth is rough against the skin; it scratches, it wounds, it does not let you forget. You wear it when you mourn the dead, or when you know you are guilty. Ashes on the head is to acknowledge you are dust, to accept being nothing before the one who made the sea. In Nineveh, they did all this not out of ritual habit, but in sincere terror of being destroyed. That is repentance — not a word muttered under your breath, but the whole body changing posture, the king leaving purple for ashes. And the Lord, seeing that they turned from their evil way, relented from the disaster he had threatened. The city was spared. That is precisely where my story turns, and where my joy as a prophet turned to bitterness.

Repentance is the whole body changing posture, the king leaving purple for ashes.
Portrait of the painter Alphonse Chigotlabel QS:Len,"Portrait of the painter Alphonse Chigot"label QS:Lfr,"Portrait du peintre Alphonse Chigot"
Portrait of the painter Alphonse Chigotlabel QS:Len,"Portrait of the painter Alphonse Chigot"label QS:Lfr,"Portrait du peintre Alphonse Chigot"Wikimedia Commons, Public domain — Lucien Jonas

One would expect the pride of a fulfilled prophet. Why, instead, did anger seize you?

Because I knew it. I had known it from the first day, and that is why I had fled to Tarshish: I knew the Lord as a God who forgives, slow to anger, abounding in steadfast love, who relents from disaster. And I, a son of Israel, had to go offer this forgiveness to Nineveh, to Assyria, to those who would one day swoop down on my people! I was sent to save the enemy. What justice is there in that? I left the city, sat down east of it, and asked to die, for death was better for me than life. My anger was not a whim: it was the cry of a man who sees mercy overflowing the boundaries he thought sacred, and overflowing in favor of those he hated.

I was sent to save the enemy. What justice is there in that?

It is said that a simple plant shed light on this anger. What happened under that sun?

I had made myself a shelter east of the city, to see what would become of it. The Lord made a castor oil plant grow up over me, a broad plant that shaded my head, and I was greatly glad — a disproportionate joy for a bit of foliage. But at dawn, a worm attacked it, the plant withered, and the sun with a scorching east wind struck my head until I grew faint. I asked again to die. Then the Lord said to me: you are concerned for this plant, which cost you no labor nor care, which sprang up in a night and perished in a night — and should I not have pity on Nineveh, that great city with more than one hundred and twenty thousand people who cannot tell their right hand from their left, and also many animals? At that, the text falls silent. It leaves me, and leaves you, with the question.

You are concerned for this plant — and should I not have pity on one hundred and twenty thousand souls?

You, a prophet of Israel, what did you finally understand about the God who sent you to the foreigner?

That I had confined him within the borders of my people, and he would not stay there. I had set out from Gath-Hepher in Galilee, persuaded that the word of the Lord stopped at the hills of Israel, that pity was our inheritance alone. The sea, the great fish, the walls of Nineveh, the withered plant — all of it had only one purpose: to dislodge me from that narrowness. The God who made the sea and the dry land has no capital, not even Jerusalem; his compassion does not stop where our map ends. I have not yet answered his last question, I admit. Perhaps there is no answer, only a lifetime to learn it. They will read my story, they say, on the day of the great fast, when each one wonders if they are worthy of forgiveness. Let them remember then that even the one who brings forgiveness can have a heart too small to receive it.

His compassion does not stop where our map ends.
See the full profile of Jonas

This imaginary interview was generated by artificial intelligence from sources documented in Jonas's profile. It dramatises what the figure might have said based on what we know about them, but does not constitute attested historical testimony. For primary sources and factual documentation, refer to the full profile.