Charles Baudelaire(1821 — 1867)

Charles Baudelaire

France

7 min read

LiteraturePoète(sse)Écrivain(e)19th Century19th century (1821–1867), Second Empire and Third Republic

19th-century French poet and founder of modern poetry. Baudelaire is best known for his collection "The Flowers of Evil" (Les Fleurs du Mal, 1857), which revolutionized literature by exploring the beauty of evil, decadence, and existential torment. His work, considered scandalous at the time, profoundly influenced contemporary poetry and subsequent literary movements.

Frequently asked questions

Charles Baudelaire (1821-1867) is a French poet whose work radically transformed literature. What you need to remember is that he dared to bring into poetry themes previously deemed scandalous: the beauty of evil, urban melancholy, artificial paradises. His collection Les Fleurs du Mal (1857) was condemned for offending public morality, showing just how much he challenged norms. Less an heir to Romanticism than an inventor of poetic modernity, he paved the way for the Symbolists and Surrealists.

Famous Quotes

« I adore you as much as the vault of night »
« Plunge to the depths of the abyss, whether Hell or Heaven, what does it matter? To the depths of the Unknown to find something new »
« Nature is a temple where living pillars sometimes let slip confused words »

Key Facts

  • 1841: Voyage to Île Bourbon (Réunion), which deeply shaped his imagination and poetry
  • 1857: Publication of Les Fleurs du Mal; the collection is prosecuted for obscenity and six poems are censored
  • 1861: Expanded edition of Les Fleurs du Mal with 35 new poems
  • 1862: Translation of Edgar Allan Poe's works, whose writing fascinated Baudelaire and reinforced his literary influence
  • 1867: Death in Paris following a long illness; belated recognition of his literary genius

Works & Achievements

Les Fleurs du Mal (1857)

Major poetry collection that establishes the foundation of modernity in poetry. The work explores spleen, the ideal, beauty and death through verse of remarkable perfection.

Les Paradis artificiels (1860)

Essay on the effects of hashish and opium, blending personal experience with philosophical reflection on the quest for the ideal through substances.

Le Spleen de Paris (Petits Poèmes en prose) (1869 (posthumous))

Collection of fifty prose poems that radically renews the poetic genre by abandoning verse in favor of a musical and free-form prose.

Curiosités esthétiques and L'Art romantique (1868 (posthumous))

Collections of art criticism in which Baudelaire theorizes aesthetic modernity and champions painters such as Delacroix and Constantin Guys.

Translations of Edgar Allan Poe (1856-1865)

Translations of Poe's Extraordinary Tales and New Extraordinary Tales, regarded as literary works in their own right.

Mon cœur mis à nu (1887 (posthumous))

Fragmentary intimate journals in which Baudelaire shares his most personal reflections on art, society and the human condition.

Anecdotes

In 1857, Baudelaire was prosecuted for 'outrage to public morality' following the publication of Les Fleurs du Mal. Six poems were condemned and removed from the collection. It would take until 1949 for the Court of Cassation to rehabilitate the work and overturn the conviction.

Baudelaire maintained a passionate relationship with Jeanne Duval, a mixed-race actress whom he nicknamed his 'Black Venus'. She was one of his principal muses and inspired numerous poems in the love cycle of Les Fleurs du Mal, notably 'La Chevelure' and 'Le Serpent qui danse'.

At 21, Baudelaire was set to inherit his father's fortune, approximately 75,000 gold francs. But his family, alarmed by his extravagant spending on clothes and art objects, secured the appointment of a legal guardian who paid him a modest monthly allowance, condemning him to chronic financial hardship.

Baudelaire was a passionate admirer of Edgar Allan Poe, whose major works he translated into French over nearly seventeen years. These translations are still regarded today as literary masterpieces in their own right and introduced Poe to European audiences.

In 1864, Baudelaire moved to Brussels hoping to earn money through lectures. The venture was a resounding failure: Belgian audiences shunned his talks. Embittered, he began drafting a scathing pamphlet titled 'Pauvre Belgique!' ('Poor Belgium!'), which was left unfinished.

Primary Sources

Letter to his mother, Caroline Aupick (1857)
I have felt struck by a great discouragement. An immense accumulation of debts, the necessity of perpetual work, and above all the horrible mistakes of my youth — these are what torment me.
Preface to Les Fleurs du Mal, draft preface (1857)
This book was made for no other purpose than to amuse myself and to exercise my passionate taste for obstacles.
Indictment by prosecutor Pinard at the trial of Les Fleurs du Mal (1857)
The author wished to paint everything, to lay everything bare. He probes human nature in its most intimate recesses; he employs vigorous and striking tones to render it, exaggerating above all its hideous aspects.
My Heart Laid Bare (intimate journals) (1864)
There is in every man, at every hour, two simultaneous impulses, one toward God, the other toward Satan. The invocation of God, or spirituality, is a desire to rise in rank; that of Satan, or animality, is a joy in descending.

Key Places

Hôtel Pimodan (Île Saint-Louis, Paris)

Baudelaire lived here from 1843 to 1845. It was in this place that he frequented the Club des Hashischins and led his life as a dandy.

Latin Quarter, Paris

The neighborhood of Baudelaire's literary youth, where he frequented cafés, bookshops, and artistic circles on the Left Bank.

Montparnasse Cemetery, Paris

Baudelaire's burial place, where he has rested since 1867. His grave is regularly adorned with flowers by admirers.

Honfleur, Normandy

Baudelaire's mother owned a house there. The poet stayed there on several occasions and found inspiration for some of his maritime poems.

Brussels, Belgium

Baudelaire lived there from 1864 to 1866, a period of isolation and physical decline marked by the failure of his lecture series.

See also