Giuseppe Verdi(1813 — 1901)
Giuseppe Verdi
royaume d'Italie
8 min read
Giuseppe Verdi (1813-1901) was a major Italian composer of the Romantic era, creator of world-famous operas such as Rigoletto, La Traviata, and Aida. His musical work accompanied the unification of Italy and remains at the heart of the European operatic repertoire.
Frequently asked questions
Key Facts
- 1842: Premiere of Nabucco at La Scala in Milan, which made him famous across Italy and Europe
- 1851: Premiere of Rigoletto, a groundbreaking opera for its dramatic structure and characters
- 1853: Back-to-back premieres of La Traviata and Il Trovatore, cementing his international success
- 1871: Composition of Aida, commissioned for the inauguration of the Cairo Opera House, a spectacular and majestic opera
- 1887: Premiere of Otello, a musical adaptation of Shakespeare's masterpiece, demonstrating his artistic modernity
Works & Achievements
Opera in four acts inspired by the Old Testament, whose famous chorus 'Va, pensiero' became the anthem of the Italian unification movement, propelling Verdi to the status of national composer.
Tragic opera in three acts based on Victor Hugo (Le roi s'amuse), a masterpiece of Verdian psychological drama featuring the unforgettable aria 'La donna è mobile', premiered despite Austrian censorship.
Opera in four acts of extreme dramatic complexity, immensely popular in the 19th century for the power of its arias and the darkness of its plot.
Opera in three acts inspired by La Dame aux camélias by Dumas fils, a deeply moving portrait of a woman sacrificed by social conventions, today one of the most performed operas in the world.
Grand opera in four acts commissioned by the Khedive of Egypt, the pinnacle of monumental lyric spectacle combining Orientalist exoticism with dramatic depth.
Requiem composed in homage to the writer Alessandro Manzoni, a choral and orchestral work of such dramatic intensity that it transcends the strictly liturgical framework to reach the universal.
Opera in four acts based on Shakespeare, composed after sixteen years of operatic silence; considered the pinnacle of mature Verdian drama, with a libretto by Arrigo Boito of rare excellence.
Verdi's only comic opera, composed at the age of 79 after Shakespeare (The Merry Wives of Windsor and Henry IV), a work of astonishing lightness and modernity hailed as a brilliant artistic testament.
Anecdotes
Verdi was rejected by the Milan Conservatory in 1832: the examiners judged that he had exceeded the age limit and that his piano playing lacked technique. Far from being discouraged, he studied privately in Milan and became one of the most celebrated composers of the 19th century.
At the premiere of Nabucco in 1842 at La Scala in Milan, the chorus 'Va, pensiero' was encored by an audience in tears. This song of the Hebrew slaves became a symbol of Italian resistance against Austrian domination, and Verdi was hailed as the musician of the Risorgimento.
Verdi's name was used as a political acronym by supporters of Italian unification: 'Viva VERDI' stood for 'Viva Vittorio Emanuele Re D'Italia', meaning 'Long live Victor Emmanuel King of Italy'. The Austrians could not censor shouts of enthusiasm for the composer without making themselves look ridiculous.
Verdi endured a terrible personal tragedy between 1838 and 1840: he lost his daughter, his son, and his wife Margherita Barezzi in less than two years. Devastated, he wanted to abandon music, but his friend the impresario Merelli handed him the libretto of Nabucco, and composing that opera saved him from despair.
At over 74 years of age, Verdi composed Otello (1887) and then Falstaff (1893), his only comic opera. His contemporaries were astonished that a man of such advanced age could produce works of such modernity and vitality. Falstaff remains one of the most admired comic operas in the world repertoire.
Primary Sources
"I am a peasant... I was raised in the countryside and I have never been able to shed certain rustic habits, a certain roughness of manner that perhaps shocks people of the world."
"I want the opera to be great, splendid; I want magnificence in the sets and costumes, but above all I want truth in the situations and in the characters."
"Copying reality may be a good thing, but inventing reality is better, far better. It does not seem that Falstaff ever existed, and yet he is truer than truth."
"Verdi worked every morning with an energy and a joy I had never seen in him before. He laughed as he composed; he had become young again."
"Music is a universal language; it speaks to the heart of all people, regardless of nation or rank."
Key Places
Tiny village in the Duchy of Parma where Verdi was born on October 10, 1813; he took his first musical steps there on the organ of the parish church.
Italy's most prestigious opera house, where Verdi enjoyed his greatest triumphs with Nabucco (1842), Otello (1887), and Falstaff (1893).
Agricultural estate acquired in 1848 near Busseto, Verdi's main residence for more than fifty years, where he composed most of his works.
Legendary theatre where Rigoletto (1851) and La Traviata (1853) had their world premieres — two of the most performed operas in the global repertoire.
Site of the world premiere of Aida on December 24, 1871, commissioned to celebrate the inauguration of the Suez Canal in a context of triumphant Orientalism.
Retirement home for elderly musicians founded and entirely funded by Verdi in 1899; he died there in 1901 and rests there alongside his wife Giuseppina Strepponi.






