Heinrich Böll(1917 — 1985)

Heinrich Böll

Allemagne

6 min read

LiteratureÉcrivain(e)20th Century20th-century Germany: Nazism, the Second World War, reconstruction, and the post-war Federal Republic

German writer, a major figure of post-war literature. His work, marked by a moral critique of West German society and the memory of Nazism, earned him the Nobel Prize in Literature in 1972.

Frequently asked questions

Heinrich Böll (1917-1985) is one of the most important writers of post-war Germany. What you need to remember is that he embodied Trümmerliteratur (rubble literature), a movement that depicts without embellishment the moral and physical ruins left behind by Nazism and the war. His work, crowned with the Nobel Prize in Literature in 1972, is a constant critique of social hypocrisy, the forgetting of the past, and the materialism of the Wirtschaftswunder (economic miracle). Less an author of entertainment than a moral conscience, he forced Germans to face their history head-on.

Key Facts

  • Born in 1917 in Cologne into a Catholic family of craftsmen
  • Conscripted into the Wehrmacht during the Second World War (1939-1945), an experience central to his work
  • Member of Group 47, the literary circle of young post-war German writers
  • Published “The Lost Honour of Katharina Blum” in 1974, a critique of the tabloid press
  • Awarded the Nobel Prize in Literature in 1972; died in 1985

Works & Achievements

The Train Was on Time (Der Zug war pünktlich) (1949)

His first published story: a young soldier senses his own death as he heads to the Eastern Front. A foundational work of post-war literature.

And Where Were You, Adam? (Wo warst du, Adam?) (1951)

A novel made up of episodes on the absurdity and horror of war as seen by ordinary men.

The Unguarded House (Haus ohne Hüter) (1954)

An account of post-war Germany seen through the eyes of two children whose fathers were killed in combat.

Billiards at Half-Past Nine (Billard um halb zehn) (1959)

The saga of a Cologne family across half a century, confronting Nazism and its aftermath.

The Clown (Ansichten eines Clowns) (1963)

The bitter monologue of a fallen artist, a critique of the social and Catholic hypocrisy of West Germany.

Group Portrait with Lady (Gruppenbild mit Dame) (1971)

A vast novelistic fresco cited by the Nobel Academy; the portrait of a free-spirited woman moving through German history.

The Lost Honour of Katharina Blum (Die verlorene Ehre der Katharina Blum) (1974)

A novel denouncing the tabloid press that destroys the reputation of an innocent woman. A huge success, adapted for the screen.

Nobel Prize in Literature (1972)

Crowning his entire body of work, praised for its renewal of German literature and its moral scope.

Anecdotes

Conscripted into the Wehrmacht in 1939, Heinrich Böll fought on several fronts, was wounded four times, and ended up a prisoner of the Americans in 1945. His entire body of work bears the mark of this war he loathed, so much so that he often said he wrote “against” it.

After 1945, Böll dug through the ruins of Cologne, his native city devastated by bombing. From this experience was born what came to be called “rubble literature” (Trümmerliteratur): rather than being ashamed of it, he proudly claimed the name in a 1952 essay.

In 1972, Böll received the Nobel Prize in Literature, becoming the first West German honored since the war. Many saw it as a sign of reconciliation: the voice of a Germany that dared to look its Nazi past in the face.

In 1974, when the dissident writer Alexander Solzhenitsyn was expelled from the Soviet Union, it was at Böll's country house that he found refuge during his first days in the West. Böll defended the persecuted on both sides of the Iron Curtain.

Viciously attacked by the major tabloid Bild for having called for a fair trial for alleged terrorists, Böll turned the experience into a novel: *The Lost Honour of Katharina Blum* (1974), a scathing critique of the sensationalist press.

Primary Sources

Ansichten eines Clowns (The Clown), incipit (1963)
It was already dark when I arrived in Bonn.
Die verlorene Ehre der Katharina Blum (The Lost Honour of Katharina Blum), subtitle (1974)
How violence develops and where it can lead.
Wanderer, kommst du nach Spa… (short story), title taken from an ancient inscription (1950)
Stranger, go tell the Spartans… — a line scratched on a school blackboard by a young dying soldier, an echo of the epitaph of Thermopylae.
Bekenntnis zur Trümmerliteratur (A Plea for the Literature of Rubble), essay (1952)
Böll embraces the disparaging term “literature of rubble” as a badge of honour: the writer must show the world as it is, ruins included.

Key Places

Cologne (Köln), Germany

Böll's native city, on the Rhine. Destroyed by bombing, it is the setting of many of his novels and the source of his “rubble literature.”

Bonn, Germany

Capital of West Germany, where Böll trained as a bookseller and studied. The setting of *The Clown* and of the political life he observed with severity.

Achill Island (Ireland)

Island off the west coast of Ireland where Böll owned a cottage. A writing retreat far from Germany, it is where he wrote his *Irish Journal*.

Stockholm, Sweden

The city where Böll received the Nobel Prize in Literature in 1972 and delivered his acceptance speech.

Langenbroich (Kreuzau), Germany

Village in the Eifel region where Böll had his country house and where he died in 1985. He notably hosted Solzhenitsyn there in 1974.

See also