Biography

French painter, draughtsman, lithographer and poster artist, a major figure of Post-Impressionism. A witness to the Paris of the Belle Époque, he immortalized the cabarets, the music halls and the nightlife of Montmartre.

Henri de Toulouse-Lautrec(1864 — 1901)

Henri de Toulouse-Lautrec

France

6 min read

Visual ArtsArtiste19th CenturyBelle Époque, late 19th century, under the French Third Republic

Frequently asked questions

Henri de Toulouse-Lautrec (1864-1901) was a French painter and poster artist, a major figure of Post-Impressionism. The key thing to remember is that he revolutionized the art of the poster by turning advertising into a genuine artistic genre, with his bold compositions in flat areas of color. Born into an aristocratic family, he chose to live in Montmartre to immortalize the nightlife of cabarets like the Moulin Rouge. What makes him so singular is that he managed to capture the energy of the Belle Époque with a gaze that was both tender and uncompromising, all while innovating technically through lithography.

Famous Quotes

« I have tried to depict the true and not the ideal.»

Key Facts

  • Born in 1864 in Albi into an aristocratic family
  • Suffered fractures to both legs in his adolescence (around 1878-1879) that stunted his growth
  • Settled in Montmartre in the 1880s and frequented the cabarets
  • Created his famous poster for the Moulin Rouge in 1891, which made him famous
  • Died prematurely in 1901 at the age of 36, worn down by alcohol and illness

Works & Achievements

At the Moulin Rouge (1892-1895)

Large canvas depicting the atmosphere of the cabaret, its patrons and its dancers; a masterpiece of the painting of modern life.

Poster “Moulin Rouge: La Goulue” (1891)

The artist's first lithographic poster, which revolutionized advertising art through its flat areas of color and stylized silhouette.

Posters of Aristide Bruant (“Ambassadeurs”) (1892)

Portrait of the cabaret singer with his red scarf and broad-brimmed hat, an image that became iconic of the Paris of the cabarets.

La Goulue Entering the Moulin Rouge (1892)

Portrait of the famous cancan dancer, a witness to the nightlife of Montmartre.

Album “Elles” (1896)

A series of lithographs on the intimate lives of the women of the brothels, observed with humanity and without caricature.

At the Salon on the Rue des Moulins (1894)

A painting showing the residents of a brothel in a moment of waiting, without any sense of wretchedness.

Jane Avril Dancing (1892)

Portraits and posters of the dancer Jane Avril, one of his models and friends, captured in full motion.

La Toilette (Woman Combing Her Hair) (1896)

An intimate study of a woman seen from behind, an example of his talent for scenes of everyday life.

Anecdotes

As a teenager, Toulouse-Lautrec broke both of his femurs a year apart (1878 and 1879). Because of a probable genetic disorder made worse by his parents' consanguinity (they were first cousins), his legs stopped growing while his torso developed normally: as an adult, he stood about 1.52 m tall.

A devotee of the Moulin Rouge cabaret, which opened in 1889, he had his own reserved table there. The director, Charles Zidler, hung one of his large paintings in the entrance hall, which brought the artist to the attention of the Parisian public.

To escape the heat and work in peace, Toulouse-Lautrec would sometimes settle for weeks at a time in the brothels of Paris, where he drew the women in their daily lives, without judgment or condescension.

An inventor of cocktails, he is said to have created the “earthquake” (tremblement de terre), an explosive mix of absinthe and cognac. His alcoholism, which wrecked his health, led him to hide alcohol inside a hollow walking cane.

His lithographed posters for the Moulin Rouge and the performer Aristide Bruant were pasted on the walls of Paris in 1891–1892 and revolutionized the art of the poster, turning advertising into an art form in its own right.

Primary Sources

Letter from Toulouse-Lautrec to his mother, Countess Adèle (1880s-1890s)
Throughout his life, Toulouse-Lautrec kept up an abundant and affectionate correspondence with his mother, to whom he reported on his work and his Parisian life.
Poster “Moulin Rouge: La Goulue” (1891)
The artist's first major lithographic poster, commissioned by the cabaret, depicting the dancer La Goulue and the dancer Valentin le Désossé.
Album “Elles” (1896)
A series of lithographs devoted to the daily life of the women of the brothels, observed with tenderness and without voyeurism.
Maurice Joyant, biography of Toulouse-Lautrec (1926-1927)
A childhood friend and the artist's dealer, Joyant wrote a definitive biography after his death and worked to preserve his oeuvre, laying the foundations of the museum in Albi.

Key Places

Albi

Toulouse-Lautrec's birthplace in the Tarn. The Palais de la Berbie now houses the museum dedicated to him.

Montmartre, Paris

The district of cabarets and nightlife where the artist lived and worked. The heart of his work on the Belle Époque.

Moulin Rouge, Paris

Famous cabaret on the Boulevard de Clichy, opened in 1889. Toulouse-Lautrec found his subjects there, along with his first major poster commission.

Fernand Cormon's Studio, Paris

Studio where the young artist trained from 1882 and met, among others, Vincent van Gogh and Émile Bernard.

Château de Malromé, Saint-André-du-Bois

His mother's estate in the Gironde where Toulouse-Lautrec died on 9 September 1901, at the age of 36.

Verdelais Cemetery

The place where the artist is buried, near the Château de Malromé, in the Gironde.

See also