Howard Hawks(1896 — 1977)

Howard Hawks

États-Unis

7 min read

Performing ArtsVisual ArtsRéalisateur/trice20th CenturyHollywood's Golden Age, from the 1920s (silent cinema) to the 1960s

Howard Hawks was an American director, producer, and screenwriter, a major figure of Hollywood's Golden Age. A jack-of-all-trades across genres (western, film noir, comedy, war film), he is regarded as one of the great auteurs of classic cinema.

Frequently asked questions

Howard Hawks (1896-1977) is one of the most versatile filmmakers of Hollywood's Golden Age. The key thing to remember is that he excelled in every genre: the western, film noir, screwball comedy, and the war film. What sets him apart from many of his contemporaries is his ability to bring the same energy and sense of rhythm to works as different as Scarface (1932) and Gentlemen Prefer Blondes (1953). French critics, through the auteur theory, hailed him as an artist in his own right rather than a mere craftsman.

Famous Quotes

« A good movie is three good scenes and no bad ones.»

Key Facts

  • Born May 30, 1896, in Goshen (Indiana), died December 26, 1977, in Palm Springs
  • Directed "Scarface
  • (1932)
  • an iconic gangster film from the early sound era
  • Directed "The Big Sleep
  • (1946) with Humphrey Bogart and Lauren Bacall
  • a pinnacle of film noir
  • Made the western "Rio Bravo
  • (1959) with John Wayne
  • Received an Honorary Oscar in 1975 for his lifetime achievement

Works & Achievements

Scarface (1932)

A gangster film inspired by Al Capone that became a classic of the genre. Its violence sparked a long tug-of-war with the censors.

Bringing Up Baby (1938)

A zany screwball comedy starring Katharine Hepburn and Cary Grant, plus a leopard named Baby. A model of the genre, long misunderstood when it was first released.

His Girl Friday (1940)

A newsroom comedy famous for its ultra-fast, overlapping dialogue. A feat of pacing and writing.

To Have and Have Not (1944)

An adventure film based on Hemingway that introduced Lauren Bacall alongside Humphrey Bogart. The birth of a legendary screen couple.

The Big Sleep (1946)

A film noir based on Raymond Chandler, featuring detective Philip Marlowe. Famous for its deliberately labyrinthine plot.

Red River (1948)

An epic Western about a massive cattle drive, starring John Wayne and Montgomery Clift. A benchmark of the genre.

Gentlemen Prefer Blondes (1953)

A flamboyant musical comedy with Marilyn Monroe and Jane Russell. Hawks shows off his sense of tempo and humor.

Rio Bravo (1959)

A Western with John Wayne, conceived as a response to “High Noon.” It became one of the most admired and imitated Westerns of all time.

Anecdotes

For the film noir “The Big Sleep” (1946), the plot was so convoluted that no one on set knew who had killed the Sternwoods' chauffeur. Howard Hawks sent a telegram to the author of the novel, Raymond Chandler, to ask him the question: Chandler replied that he didn't know himself! The film remains a masterpiece all the same, proof that for Hawks, mood and characters mattered more than the logic of the story.

It was Hawks's wife, nicknamed “Slim,” who spotted an unknown 19-year-old, Lauren Bacall, on the cover of a fashion magazine. Hawks gave her her debut in “To Have and Have Not” (1944) opposite Humphrey Bogart. During filming, the two actors genuinely fell in love and married the following year — one of Hollywood's most famous couples was born.

Hawks hated the western “High Noon” (1952), in which the sheriff spends the whole film begging for help. To answer it, he made “Rio Bravo” (1959) with John Wayne: this time, a self-assured sheriff turns down the help of amateurs. Hawks thus turned a filmmaker's disagreement into one of the most beloved westerns in history.

Before the cinema, Hawks was a daredevil: an airplane pilot during the First World War and a passionate race-car driver. This taste for risk and machines reappears in his aviation films such as “Only Angels Have Wings,” where he films the pilots with a precision he knew from experience.

In 1975, at the end of his career, Hawks received an Honorary Oscar from the hands of John Wayne, the actor he had directed so often. The Academy hailed him as “a master American filmmaker.” Yet, surprisingly, Hawks had been nominated only once for Best Director, for “Sergeant York” in 1941.

Primary Sources

Jacques Rivette, "The Genius of Howard Hawks," Cahiers du cinéma no. 23 (May 1953)
Self-evidence is the mark of Hawks's genius.
Howard Hawks, interviews with Peter Bogdanovich (published in "Who the Devil Made It") (interviews from the 1960s-1970s)
We didn't know who had killed the chauffeur. I sent a telegram to Chandler to ask him, and he replied that he didn't know either.
Citation from the Honorary Oscar awarded to Howard Hawks by the Academy of Motion Picture Arts and Sciences (1975)
A master American filmmaker whose creative efforts hold a distinguished place in world cinema.

Key Places

Goshen, Indiana

Town in the American Midwest where Howard Hawks was born in 1896. His family, made wealthy by the paper industry, would later move to California.

Cornell University, Ithaca (New York)

Hawks studied mechanical engineering here, which fueled his passion for machines, airplanes, and race cars. This technical background would resurface in his films.

Hollywood, Los Angeles

World capital of cinema where Hawks built his career during the golden age of the studios. He shot films for most of the major studios there, from the silent era to the 1960s.

Arusha, Tanzania (then Tanganyika)

Region of East Africa where Hawks shot “Hatari!” (1962), a film about hunters capturing wild animals. Filming on location was a real adventure.

Palm Springs, California

California desert resort where Hawks spent his final years and died in 1977. The place was a favorite among Hollywood stars.

See also