Ariosto(1474 — 1533)

Ariosto

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LiteraturePoète(sse)RenaissanceItalian Renaissance (late 15th — first half of the 16th century), golden age of princely courts and chivalric poetry

An Italian poet of the Renaissance, Ariosto is the author of Orlando Furioso, a vast epic poem in the Italian language. In the service of the Este court at Ferrara, he became one of the greatest literary figures of his time.

Frequently asked questions

Ariosto, whose real name was Ludovico Ariosto, was an Italian poet of the Renaissance, born in 1474 and died in 1533. He is best known for his epic poem Orlando Furioso (Orlando furioso), a monumental work that recounts the adventures of knights, wars, and impossible loves. The key thing to remember is that he spent nearly thirty years writing and refining this text, making it as rich and complex as the frescoes of the Sistine Chapel. His historical importance lies in the fact that he established the model of the chivalric poem for all of Europe, influencing authors such as Shakespeare and Cervantes.

Key Facts

  • Born in 1474 in Reggio Emilia, Italy
  • Enters the service of the House of Este at Ferrara, notably of Cardinal Ippolito d'Este and then of Duke Alfonso I
  • Publishes the first version of Orlando Furioso in 1516, a work revised until the definitive edition of 1532
  • Orlando Furioso, a chivalric poem, continues Boiardo's Orlando Innamorato and inspires all of European literature
  • Died in 1533 in Ferrara

Works & Achievements

La Cassaria (1508)

An early comedy performed at Ferrara, one of the first great Italian comedies inspired by the Latin theatre of Plautus and Terence.

I Suppositi (The Pretenders) (1509)

A comedy of intrigue whose influence was felt across European theatre, notably on Shakespeare.

Orlando Furioso (The Frenzy of Orlando), first edition (1516)

A vast epic poem in 40 cantos that continues Boiardo's *Orlando Innamorato*; a founding masterpiece of Renaissance chivalric poetry.

Satires (circa 1517-1525)

Seven satirical poems inspired by Horace, in which Ariosto offers a humorous self-portrait and defends his inner freedom.

Orlando Furioso, definitive edition (1532)

A reworked version expanded to 46 cantos, the culmination of nearly thirty years of work, which established Ariosto as the greatest epic poet of his time.

Il Negromante (The Necromancer) (1520)

A satirical comedy featuring a fake magician, showcasing Ariosto's comic verve.

Rime (published posthumously)

A collection of lyric poetry (sonnets, madrigals, canzoni) in the Petrarchan tradition.

Anecdotes

Ariosto spent nearly thirty years writing and polishing *Orlando Furioso*. He published a first version in 1516, then never stopped correcting and expanding it, right up to the definitive edition of 1532, just one year before his death.

Cardinal Ippolito d'Este, his first patron, is said to have received the poem with disdain, scoffing at him: "Master Ludovico, wherever did you find so much nonsense?" Ariosto, offended, eventually left his service for that of Duke Alfonso I.

Sent as governor to the Garfagnana, a mountainous region overrun with brigands, Ariosto confronted bandits for three years. According to a famous legend, when he was captured by a band, he was released with respect as soon as the leader learned that he was the author of *Orlando Furioso*.

With little taste for travel, Ariosto hated long journeys and preferred his native Ferrara. He liked to say that he travelled through his imagination in his poem rather than on the roads — even though he sent his hero Astolfo all the way to the Moon.

Toward the end of his life, Ariosto had a modest house built in Ferrara, which he furnished himself. On it he had a Latin inscription carved, meaning in essence: "Small, but all my own, paid for with my own money, and harming no one."

Primary Sources

Orlando Furioso (Orlando furioso), Canto I, opening (1532 (definitive edition))
Of ladies, knights, of arms, of loves, of courtesies, of bold endeavours I sing, that took place in the days when the Moors crossed the sea from Africa and wrought such havoc in France.
Satires (Satire I, to his brother Galasso) (around 1517-1525)
Here Ariosto expresses his refusal to follow Cardinal Ippolito d'Este to Hungary, preferring study and the tranquillity of his homeland to the pomp and servitude of court life.
Inscription on Ariosto's house in Ferrara (around 1528)
Parva sed apta mihi, sed nulli obnoxia, sed non sordida, parta meo sed tamen aere domus. (A house small but suited to me, beholden to no one, not squalid, and yet acquired with my own money.)
The comedy La Cassaria (The Comedy of the Casket) (1508)
The first major Italian comedy in prose and later in verse, performed at the court of Ferrara, marking the revival of comic theatre inspired by the Latin tradition.

Key Places

Reggio Emilia

City in Emilia-Romagna where Ariosto was born in 1474, his father being at the time captain of the citadel there.

Ferrara

Capital of the Este duchy, where Ariosto spent most of his life in the service of the court. There he composed his work, had his comedies performed and died in 1533.

Garfagnana

Mountainous region of Tuscany of which Ariosto was governor from 1522 to 1525, tasked with maintaining order against the brigands.

Ariosto's House (Casa dell'Ariosto), Ferrara

Modest house that the poet had built at the end of his life and that he loved deeply, adorned with a Latin inscription celebrating simplicity.

University of Ferrara

Ariosto undertook law studies there under pressure from his father, before devoting himself fully to literature and Latin.

See also