Biography

Mary Cassatt (1844-1926) was an American painter and printmaker who settled in France, one of the few women to join the Impressionist movement. She is famous for her intimate paintings of women's lives, especially her scenes of mothers and children.

Mary Cassatt(1844 — 1926)

Mary Cassatt

États-Unis

6 min read

Visual ArtsArtiste19th CenturyLate 19th century, the golden age of Parisian Impressionism and the rise of artistic exchanges between Europe and the United States.

Frequently asked questions

Mary Cassatt (1844-1926) was an American painter and printmaker who became one of the major figures of Impressionism in Paris. The key thing to remember is that she shattered the glass ceiling of a very male-dominated world: invited by Degas in 1877 to exhibit with the group, she was the only American and one of the very few women to join this movement. Her importance goes beyond her own work: she also advised American collectors on building collections of Impressionist art now held at the Metropolitan Museum in New York. Less famous than Monet or Renoir, her influence on the recognition of Impressionism in the United States was nonetheless decisive.

Key Facts

  • Born in 1844 in Allegheny City (Pennsylvania), she settled permanently in Paris from 1874 onward
  • Invited by Edgar Degas, she exhibited with the Impressionists from 1879
  • A specialist in intimate scenes of mothers and children, such as “The Child's Bath” (1893)
  • In 1890-1891 she created a series of color prints inspired by Japanese woodblock prints (ukiyo-e)
  • Died in 1926 at the Château de Beaufresne, in Mesnil-Théribus (France)

Works & Achievements

In the Loge (1878)

A scene of a young woman at the theater, one of her first major Impressionist works to win critical praise.

Little Girl in a Blue Armchair (1878)

A boldly framed painting, suggested by Degas, that breaks with the prim pose of traditional children's portraits.

The Child's Bath (1893)

A masterpiece influenced by Japanese prints, with its patterns, its overhead viewpoint, and its intimate tenderness.

The Letter (1890-1891)

A color print from her series inspired by ukiyo-e, a dazzling example of her genius for drypoint and aquatint.

Modern Woman (1893)

A large mural created for the Woman's Building at the Chicago World's Fair, now lost.

Mother and Child (around 1900)

A recurring theme in her work, depicting motherhood with dignity and without excessive sentimentality.

Young Girls Picking Fruit (1891-1892)

A canvas that extends the allegorical theme of the modern woman and the passing on of knowledge.

Anecdotes

When Edgar Degas discovered one of Mary Cassatt's works on display at the Salon, he exclaimed that he recognized in her someone who saw things the way he did. In 1877, he personally invited her to exhibit with the Impressionists, freeing her from the official Salon jury that she despised. Their demanding friendship would last more than forty years, punctuated by memorable quarrels.

Mary Cassatt played a decisive role in the birth of the great American art collections. She advised her wealthy friend Louisine Havemeyer to buy works by Manet, Degas, and Courbet, convinced that these canvases should one day find their way into the museums of the United States. Many of these works are now in the Metropolitan Museum in New York.

During a trip to Paris in 1890, Cassatt visited a major exhibition of Japanese prints right in the heart of the École des Beaux-Arts. Dazzled by Utamaro's woodblock prints, she set out to create a series of ten color prints of extraordinary refinement, considered today to be masterpieces of Western printmaking.

Suffering from cataracts and nearly blind at the end of her life, Mary Cassatt had to stop painting. She nevertheless remained an influential figure, passionately championing women's right to vote: in 1915, she agreed to exhibit her works for the benefit of the suffragist movement, falling out with Louisine Havemeyer before reconciling over this shared cause.

Although she spent almost her entire life in France, Cassatt never married and devoted her whole existence to her art, which was a bold choice for a woman of her time and her bourgeois background. Her father is said to have first told her that he would rather see her dead than become an artist.

Primary Sources

Letter from Mary Cassatt to Louisine Havemeyer (around 1913)
I cannot accept money for my paintings. I have reached the limit of what I can do, and I know it.
Edgar Degas, remarks reported about Mary Cassatt (around 1880)
I will not admit that a woman can draw that well.
Achille Segard, A Painter of Children and Mothers: Mary Cassatt (1913)
The first biography devoted to the artist, written from direct interviews with Mary Cassatt during her lifetime.
Letter from Mary Cassatt recalling Degas (reported recollection)
I first saw pastels by Degas in a dealer's window, and I would press my nose against the glass to absorb all I could of his art. It changed my life.

Key Places

Allegheny City, Pennsylvania (United States)

Birthplace of Mary Cassatt, now part of Pittsburgh; she was born there into a well-to-do family.

Pennsylvania Academy of the Fine Arts, Philadelphia

Cassatt's first art school, where she studied from 1860 to 1865 before leaving for Europe.

Paris, France

The city where Cassatt lived and worked for most of her career, at the heart of the Impressionist movement.

Louvre Museum, Paris

She copied the great masters here early in her career, as young artists in training did at the time.

Château de Beaufresne, Mesnil-Théribus (Oise)

The country home she acquired in 1894 and where she died in 1926.

See also