Biography

A Soviet writer and playwright of Ukrainian origin, originally trained as a doctor. Censored under Stalin, he is famous for his satirical and fantastical novel *The Master and Margarita*, published only after his death.

Mikhail Bulgakov(1891 — 1940)

Mikhail Bulgakov

Union soviétique, Empire russe

6 min read

LiteratureÉcrivain(e)DramaturgeMédecin20th CenturyThe late Russian Empire and then the Soviet Union under Lenin and Stalin, marked by the 1917 revolution, the civil war, and Stalinist censorship.

Frequently asked questions

Mikhail Bulgakov (1891-1940) was a Soviet writer and playwright of Ukrainian origin, a physician by training. The key thing to remember is that he is best known for his novel The Master and Margarita, a fantastical satire of Stalinist Moscow in which the devil arrives to sow chaos. Published only after his death, this masterpiece became a symbol of resistance to censorship. What makes Bulgakov decisive is his ability to blend humor, the fantastical, and political critique, while remaining one of the most widely read and studied authors in Russia.

Famous Quotes

« Manuscripts don't burn.»

Key Facts

  • Born in 1891 in Kiev, he worked as a doctor during the First World War and the Russian Civil War.
  • Abandoned medicine around 1920 to devote himself to writing and the theater.
  • Published *The White Guard* (1925), adapted for the stage under the title *The Days of the Turbins*.
  • Wrote *The Master and Margarita* from 1928 until his death; the novel was not published until 1966-1967, long after he was gone.
  • Censored and banned from publishing under Stalin, he died in Moscow in 1940.

Works & Achievements

A Country Doctor's Notebook (1925-1926)

A collection of short stories inspired by his years as a rural doctor, blending humor, anguish, and clinical observation.

The White Guard (1925)

A novel about a Kiev family caught in the turmoil of the civil war, Bulgakov's first major work.

Heart of a Dog (1925)

A biting satire about a scientist who transforms a dog into a man; deemed too critical of the regime, it was not published in the U.S.S.R. until 1987.

The Fatal Eggs (1925)

A satirical science-fiction tale in which a scientific invention turns into a catastrophe, mocking Soviet bureaucracy.

The Days of the Turbins (1926)

A stage adaptation of The White Guard, a huge success at the Moscow Art Theatre, admired even by Stalin.

Flight (1928)

A play about the exile of the White Russians, banned before it could even be staged during the author's lifetime.

The Master and Margarita (1928-1940 (published 1966-1967))

A satirical and fantastical novel in which the devil visits Stalinist Moscow; a masterpiece published only after his death.

Anecdotes

In 1930, in despair at seeing all his plays banned, Bulgakov threw the first manuscript of his great novel into the fire. He later rewrote it from memory, and it was from this experience that the famous line in The Master and Margarita was born: “Manuscripts don't burn.”

That same year, after the writer had sent a letter to the government demanding the right to emigrate or to be allowed to work, Stalin telephoned him personally. Caught off guard, Bulgakov replied that a Russian writer could not live far from his homeland. Soon afterwards, he was offered a position at the Moscow Art Theatre.

Stalin loathed Bulgakov's ideology but adored his play The Days of the Turbins, which portrayed White officers sympathetically: he is said to have seen it some fifteen times, which long shielded the author from outright arrest.

A doctor before he became a writer, Bulgakov was sent as a young man to a country hospital lost in the snow, an experience he recounted in A Country Doctor's Notebook. There he also went through a period of morphine addiction, which he managed to overcome and later transposed into his short story Morphine.

Nearly blind and dying of a hereditary kidney disease in 1940, he kept dictating the final corrections to The Master and Margarita to his wife Elena. The novel was not published until 1966-1967, more than twenty-five years after his death.

Primary Sources

Letter to the Government of the U.S.S.R. (28 March 1930)
I ask the Soviet Government to order me to leave the borders of the U.S.S.R. without delay. And if what I write is not convincing and I am condemned to remain silent until the end of my days in the U.S.S.R., I ask the Government to give me work.
The Master and Margarita (written 1928-1940, published 1966-1967)
Manuscripts don't burn.
A Country Doctor's Notebook (1925-1926)
Forty versts from any railway line, the young doctor finds himself alone, at night, facing cases he has never treated, with only his textbooks and his fear for company.

Key Places

Kyiv

Bulgakov's native city, then part of the Russian Empire, where he grew up and studied medicine. It serves as the backdrop for his novel *The White Guard* during the civil war.

Smolensk region (field hospital)

Bulgakov worked here as an isolated zemstvo doctor, far from everything. This experience fed into his *A Country Doctor's Notebook*.

Vladikavkaz

In the Caucasus, during the civil war, Bulgakov gave up medicine and took his first steps in theatre and journalism.

Bolshaya Sadovaya apartment, Moscow

Communal housing (kommunalka) where Bulgakov lived upon arriving in Moscow. The “bad apartment” in *The Master and Margarita* is inspired by it; today it is a museum.

Moscow Art Theatre (MKhAT)

Prestigious stage where *The Days of the Turbins* triumphed and where Bulgakov worked as an assistant director and playwright after Stalin's phone call.

Moscow (death)

Soviet capital where Bulgakov spent most of his career and died on 10 March 1940. He is buried at Novodevichy Cemetery.

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See also