Paul Verlaine(1844 — 1896)

Paul Verlaine

France

7 min read

LiteraturePoète(sse)19th Century19th century (1844–1896), contemporary period

A major French poet of the 19th century (1844–1896), Paul Verlaine is one of the central figures of Symbolism. Author of Poèmes saturniens and other groundbreaking collections, he revolutionized French poetry through his musicality and exploration of intimate emotional states.

Frequently asked questions

Paul Verlaine (1844-1896) is a major 19th-century French poet and a central figure of Symbolism. What you need to remember is that he revolutionized poetry through its musicality and exploration of intimate emotions. He notably wrote Poèmes saturniens and Romances sans paroles, and was elected 'Prince of Poets' in 1894. His influence extends beyond his era: he inspired the Symbolist movement and paved the way for modern poetry.

Famous Quotes

« Music before all else »
« And all the rest is mere literature »
« I have often this strange and penetrating dream »

Key Facts

  • 1866: Publication of Poèmes saturniens, his first major collection
  • 1869: Publication of La Bonne Chanson, a collection of love poems
  • 1872: Intensified literary and personal relationship with Arthur Rimbaud
  • 1873: Violent incident in Brussels marking a turning point in his life
  • 1884: Publication of Jadis et Naguère, a collection of varied poetry

Works & Achievements

Poèmes saturniens (1866)

Verlaine's first collection, still marked by Parnassian aesthetics but already pervaded by a deep personal melancholy. It contains the famous Chanson d'automne.

Fêtes galantes (1869)

A poetry collection evoking the pictorial world of the painter Watteau, with masked festivities and secluded gardens. This collection reveals Verlaine's ability to create musical and dreamlike atmospheres.

La Bonne Chanson (1870)

A collection composed for his fiancée Mathilde Mauté, bearing witness to a simple and intimate happiness. It represents the brief period of conjugal serenity in Verlaine's life before the turbulence to come.

Romances sans paroles (1874)

Written partly during his wanderings with Rimbaud in England and Belgium, this collection pushes Verlaine's musicality to the extreme and dissolves meaning into pure sensation.

Sagesse (1881)

A collection born of his Catholic conversion in prison, considered one of his masterpieces. It expresses a sincere spiritual quest and a poetry of interiority and repentance.

Les Poètes maudits (1884)

A critical essay devoted to six overlooked poets including Rimbaud, Mallarmé, and Corbière. Here Verlaine coins the concept of the 'poète maudit' and contributes to the posthumous recognition of his contemporaries.

Jadis et Naguère (1885)

A collection containing the Art poétique, a true aesthetic manifesto in which Verlaine defines his conception of poetry founded on music, nuance, and deliberate imprecision.

Anecdotes

In September 1871, Verlaine received a letter accompanied by poems from an unknown 17-year-old named Arthur Rimbaud. Captivated by his genius, he invited him to Paris, thus launching one of the most turbulent and fruitful literary relationships in the history of French poetry.

In July 1873, in Brussels, following a violent quarrel, Verlaine fired two pistol shots at Rimbaud and wounded him in the wrist. Sentenced to two years in prison, he served his time in Mons where, in his cell, he converted to Catholicism and wrote part of Sagesse.

Verlaine had a passionate fondness for absinthe, that green liqueur nicknamed 'the green fairy', which he consumed in great quantities in Parisian cafés. It is said that he would spend entire days at the Café François Ier or the Café Procope, scribbling verses on paper tablecloths between glasses.

Elected 'Prince of Poets' by his peers in 1894, two years before his death, Verlaine spent his final years in profound destitution, alternating between Parisian hospitals and squalid hotel rooms. His literary fame contrasted cruelly with his complete material poverty.

In 1884, Verlaine published Les Poètes maudits, a collection of critical portraits dedicated to little-known poets including Rimbaud, Mallarmé and Corbière. This book contributed greatly to bringing recognition to these authors and forged the very concept of the 'poète maudit'.

Primary Sources

Art poétique (1874 (published in 1882 in Jadis et Naguère))
Music above all else, / And for that prefer the Odd / More vague and more soluble in the air, / With nothing in it that weighs or poses.
Letter from Verlaine to Rimbaud (July 1872) (July 1872)
Come, dear great soul, you are called, you are awaited. Here life is better for our common work.
Autumn Song (Poèmes saturniens) (1866)
The long sobs / Of the violins / Of autumn / Wound my heart / With a monotonous / Languor.
Autobiographical Confession (Mes Prisons) (1893)
I had lost everything — wife, family, friends, health — and I found myself alone in that cell, face to face with God and my poetry.
Preface to Les Poètes maudits (1884)
These poets are not recognized during their lifetime, but their work is of such power that it will ultimately impose itself on posterity in spite of everything.

Key Places

Metz (Moselle)

Paul Verlaine's birthplace, born in 1844 in this Lorraine city. His childhood and military family origins are intimately tied to it.

Paris — Latin Quarter and Left Bank cafés

Verlaine spent most of his creative life in Paris, frequenting the cafés of the Latin Quarter where he met the great poets of his time and wrote a large part of his work.

Mons Prison (Belgium)

It was in this prison that Verlaine served a two-year sentence after wounding Rimbaud in Brussels. There he converted to Catholicism and wrote the poems that would form Sagesse.

Brussels — Rue des Brasseurs

The Hôtel Liégeois on the Rue des Brasseurs was the scene of the July 1873 drama: Verlaine shot Rimbaud there, ending their tumultuous relationship and permanently altering his fate.

London — Soho and Camden Town

Verlaine stayed in London several times with Rimbaud between 1872 and 1873, moving among the community of Commune exiles. These stays enriched his work with new sensations.

See also