Pierre de Ronsard(1524 — 1585)

Pierre de Ronsard

France

8 min read

LiteraturePoète(sse)Renaissance16th century (French Renaissance)

Major French poet of the Renaissance (1524–1585), co-founder of the Pléiade with du Bellay. He transformed French poetry by introducing lyrical forms inspired by Antiquity and championing the vernacular language.

Frequently asked questions

Pierre de Ronsard (1524-1585) is the most influential poet of the French Renaissance. The key thing to remember is that with his friend Joachim du Bellay, he founded the Pléiade group, whose aim was to defend and illustrate the French language, then considered inferior to Latin. Inspired by ancient poets such as Pindar and Horace, he revolutionized poetry by introducing forms like the ode and the Petrarchan sonnet. His importance lies in the fact that he gave French poetry its letters of nobility, ushering it into modernity.

Famous Quotes

« When you are very old, at evening, by candlelight, sitting by the fire, spinning and winding »
« I want to read Homer's Iliad in three days »
« Love is a tyrant who shows no mercy »

Key Facts

  • 1550: publication of the Quatre Premiers Livres des Odes, establishing Ronsard as a leading poet
  • 1552: publication of the first edition of Les Amours, a collection of 180 sonnets addressed to Cassandre
  • 1556: co-founding of the Pléiade with Joachim du Bellay, a movement to renew French poetry
  • 1572: publication of La Franciade, an unfinished epic poem inspired by the Aeneid
  • 1584: official recognition as court poet, ennobled by the king

Works & Achievements

Les Odes (1550)

Ronsard's first major collection, inspired by Pindar and Horace. It revolutionized French poetry by introducing the grand ancient lyric ode and established Ronsard as the leader of the new poetic school.

Les Amours (Cassandre) (1552)

A collection of Petrarchan sonnets addressed to Cassandre Salviati. It defines the amorous lyric register of the French Renaissance and introduces the influence of the poet Petrarch into national literature.

Les Hymnes (1555-1556)

Large-scale poems celebrating the ancient gods, the stars, and the seasons. They bear witness to Ronsard's epic and philosophical ambition, beyond his purely amorous lyricism.

Discours des misères de ce temps (1562)

Politically engaged poetic pamphlets against the Wars of Religion and Protestantism. They show that Ronsard was also a civic poet capable of addressing the major political and religious events of his time.

La Franciade (1572 (unfinished))

A national epic commissioned by Charles IX, tracing the mythical origins of the Franks. Left unfinished at four cantos out of the planned twenty-four, it illustrates the difficulties of adapting the ancient epic genre into French.

Sonnets pour Hélène (1578)

The masterpiece of Ronsard's maturity, addressed to Hélène de Surgères. This collection blends the melancholy of passing time, the threat of death, and the promise of immortality conferred by poetry.

Anecdotes

At the age of twelve, Ronsard was sent to Scotland as a page to Princess Madeleine of France, wife of King James V. This stay at the Scottish court revealed to him a cosmopolitan and refined world that profoundly shaped his poetic sensibility.

Around the age of fifteen, Ronsard contracted a serious illness that left him half-deaf for the rest of his life. This disability forced him to abandon a diplomatic career and directed him definitively toward literature and poetry.

Ronsard and his friends Joachim du Bellay, Jean-Antoine de Baïf, and a few others formed the literary group known as the Pléiade in 1549, whose name evokes the seven stars of the constellation. They took it upon themselves to defend and illustrate the French language against Latin.

King Charles IX admired Ronsard so greatly that he visited him at his retreat at the priory of Saint-Cosme, near Tours. The poet was elderly and ailing at the time, yet the sovereign treated him with all the deference owed to the 'prince of poets' of his age.

Ronsard was fiercely attacked by Protestant poets during the Wars of Religion, notably by Agrippa d'Aubigné, because he championed the Catholic cause. In response, he wrote his Discours des misères de ce temps, demonstrating that he could wield polemical prose as skillfully as amorous lyricism.

Primary Sources

Les Amours (sonnet to Cassandre) (1545 (ode to Cassandre, published 1550))
Darling, let us go and see if the rose / That this morning had unfurled / Its crimson robe to the Sun, / Has not lost this evening / The folds of its crimson robe, / And its complexion like unto yours.
Defence and Illustration of the French Language (du Bellay, Pléiade manifesto) (1549)
Leave therefore that old French poetry to the Floral Games of Toulouse and the Puy of Rouen, and choose rather to imitate the ancient Greeks and Latins.
Discourse on the Miseries of This Time (1562)
I see the Turk armed against the Christians, / I see the Christians armed against themselves, / I see the people dying of thirst in their homes, / And the soldier living at the expense of the land.
Sonnets for Hélène (1578)
When you are very old, at evening by candlelight, / Seated by the fire, spinning and winding thread, / You will say, singing my verses, marvelling: / Ronsard celebrated me in the time when I was beautiful.

Key Places

Château de la Possonnière, Couture-sur-Loir

Ronsard's birthplace, built by his father Loys de Ronsard in the early Renaissance style. The château is still standing today and bears witness to the noble, cultivated environment in which the poet grew up.

Collège de Coqueret, Paris

The decisive centre of intellectual formation where Ronsard studied Greek and Latin under Jean Dorat, alongside du Bellay and Baïf. It was here that the literary project that would become the Pléiade was born.

Priory of Saint-Cosme, La Riche (Tours)

Ronsard's favourite retreat in his final years, where he tended his garden and revised his work. He died there in 1585 and was buried on the site; it is now a museum dedicated to the poet.

Château de Fontainebleau

The royal residence where Ronsard was presented at the court of Henri II and Catherine de Médicis. There he rubbed shoulders with Italian painters, musicians, and humanists who enriched his vision of the Renaissance.

Forest of Gastine, Vendômois

A forest in Ronsard's native region that he celebrated in his poems and mourned the destruction of in his famous poem 'Against the Woodcutters of the Forest of Gastine'. It symbolises his attachment to nature and to his origins.

See also