Abaddon
Abaddon
A biblical figure from the Book of Revelation, Abaddon is the angel-king of the bottomless pit, whose Hebrew name means 'destruction.' He commands the devastating locusts during the fifth seal and embodies the ambiguous boundary between destroying angel and demonic power.
Key Facts
- Mentioned in the Book of Revelation (Rev 9:11) as king of the devastating locusts
- His Hebrew name 'Abaddon' (אֲבַדּוֹן) means 'destruction' or 'ruin'
- Called in Greek 'Apollyon', meaning 'the Destroyer'
- Also appears in the books of Job and Proverbs as a place of perdition
- Reinterpreted throughout the Middle Ages as a prince of hell in Christian demonology
Works & Achievements
Canonical Christian text in which Abaddon is named and personified for the first time as the angel-king of the Abyss. It is the primary — and almost sole — source for the figure of Abaddon as retained by Christian tradition.
A Hebrew wisdom text that mentions Abaddon as a cosmic place of destruction and death, the direct ancestor of the apocalyptic personification. Here Abaddon is a toponym of the afterlife, synonymous with Sheol.
A collection of Essene texts discovered in 1947 in caves near the Dead Sea, which use the term Abaddon in a liturgical and eschatological context, attesting to its presence in intertestamental Jewish theology.
A Jewish apocryphal text describing the world of angels, demons, and cosmic punishments. Although it does not name Abaddon directly, it belongs to the same current of thought that prepared his figure and influenced the Book of Revelation.
The earliest known Latin commentary on Revelation, written by a bishop of Pannonia (present-day Slovenia). It offers an interpretation of the figure of Abaddon/Apollyon that would shape all of Western medieval exegesis.
Anecdotes
The name 'Abaddon' appears seven times in the Hebrew Bible, notably in the Book of Job, where it refers not to a being but to a place: the realm of the dead, an underground region of destruction. It is only in the Book of Revelation that Abaddon becomes a personified figure — an angel given both a name and a specific role.
In Revelation (chapter 9), when the fifth angel sounds his trumpet, a bottomless pit opens and smoke pours out, darkening the sun. From this smoke emerge locusts resembling warhorses, crowned with gold, with human faces and lions' teeth. Their king is Abaddon — an image of extraordinary symbolic power for first-century readers.
Abaddon has a double name: 'Abaddon' in Hebrew and 'Apollyon' in Greek, both meaning 'destroyer.' This deliberate bilingualism in the text of Revelation reveals that John was addressing both Jewish and Greek communities simultaneously, seeking to reach the widest possible audience amid the persecutions of the late first century.
Some ancient biblical scholars drew a connection between Apollyon (the Greek name for Abaddon) and the Greek god Apollo, whose attributes included the locust and epidemic plague. This phonetic similarity may have been intentional — a subtle way of critiquing the Roman imperial cult, which identified emperors such as Nero or Domitian with Apollo.
In the Dead Sea Scrolls (Qumran manuscripts, 2nd–1st century BCE), the word 'Abaddon' appears as a synonym for 'Sheol,' the kingdom of the dead. These texts show that the figure existed in the Jewish imagination long before the Book of Revelation, attesting to a long tradition of representing ultimate destruction.
Primary Sources
The fifth angel sounded his trumpet [...] They had as king over them the angel of the Abyss, whose name in Hebrew is Abaddon and in Greek is Apollyon.
Death is naked before God; Destruction (Abaddon) lies uncovered.
Death and Destruction (Abaddon) lie open before the Lord — how much more do human hearts!
The cords of death have encompassed me and Sheol is upon my bed; I groan on my couch until morning [...] like those who go down into Abaddon.
Is your love declared in the grave, your faithfulness in Destruction (Abaddon)?
Key Places
Aegean island where John of Patmos received his visions and wrote the Book of Revelation, the foundational text in which Abaddon appears. John's exile to this rocky island under Emperor Domitian gave rise to the most visionary text of the New Testament.
Holy city whose destruction by Rome in 70 AD haunts all apocalyptic literature of the 1st century. The imagery of destruction associated with Abaddon echoes the trauma of the fall of the Temple, the religious center of Judaism.
Site where the Essene community produced the Dead Sea Scrolls (2nd–1st centuries BC), in which Abaddon is mentioned as a place of cosmic destruction — evidence of a tradition predating the Book of Revelation.
A major metropolis of Asia Minor and the first of the seven recipients of the Book of Revelation. A cosmopolitan city where imperial cults, Greek mystery religions, and early Christian communities coexisted, Ephesus embodies the religious syncretism that forms the backdrop for Abaddon.
Capital of the Roman Empire, implicitly referred to as 'Babylon the Great' in the Book of Revelation. The imperial persecutions launched from Rome form the direct political context in which the text featuring Abaddon/Apollyon was written.
Gallery

Russian: «Абадонна и ангелы»label QS:Lru,"Абадонна и ангелы"
Wikimedia Commons, Public domain — Fyodor Zavyalov
Queen Mary Apocalypse - BL Royal MS 19 B XV f. 15v Locusts
Wikimedia Commons, Public domain — AnonymousUnknown author
Annual exhibition of contemporary American sculpture, paintings, watercolors, drawings, 1956
Wikimedia Commons, Public domain — Whitney Museum of American Art
Russian: «Абадонна и ангелы»label QS:Lru,"Абадонна и ангелы"
Wikimedia Commons, Public domain — Fyodor Zavyalov






