Abaddon

Abaddon

SpiritualityMythologyAntiquityApocalyptic texts of late Antiquity (1st century AD)

A biblical figure from the Book of Revelation, Abaddon is the angel-king of the bottomless pit, whose Hebrew name means 'destruction.' He commands the devastating locusts during the fifth seal and embodies the ambiguous boundary between destroying angel and demonic power.

Key Facts

  • Mentioned in the Book of Revelation (Rev 9:11) as king of the devastating locusts
  • His Hebrew name 'Abaddon' (אֲבַדּוֹן) means 'destruction' or 'ruin'
  • Called in Greek 'Apollyon', meaning 'the Destroyer'
  • Also appears in the books of Job and Proverbs as a place of perdition
  • Reinterpreted throughout the Middle Ages as a prince of hell in Christian demonology

Works & Achievements

Revelation (New Testament) (c. 95 AD)

Canonical Christian text in which Abaddon is named and personified for the first time as the angel-king of the Abyss. It is the primary — and almost sole — source for the figure of Abaddon as retained by Christian tradition.

Book of Job (Hebrew Bible) (between the 5th and 2nd centuries BC)

A Hebrew wisdom text that mentions Abaddon as a cosmic place of destruction and death, the direct ancestor of the apocalyptic personification. Here Abaddon is a toponym of the afterlife, synonymous with Sheol.

Dead Sea Scrolls (Qumran) (c. 200–68 BC)

A collection of Essene texts discovered in 1947 in caves near the Dead Sea, which use the term Abaddon in a liturgical and eschatological context, attesting to its presence in intertestamental Jewish theology.

Book of Enoch (1 Enoch) (3rd–1st century BC)

A Jewish apocryphal text describing the world of angels, demons, and cosmic punishments. Although it does not name Abaddon directly, it belongs to the same current of thought that prepared his figure and influenced the Book of Revelation.

Commentary on the Apocalypse, Victorinus of Poetovio (c. 260–304 AD)

The earliest known Latin commentary on Revelation, written by a bishop of Pannonia (present-day Slovenia). It offers an interpretation of the figure of Abaddon/Apollyon that would shape all of Western medieval exegesis.

Anecdotes

The name 'Abaddon' appears seven times in the Hebrew Bible, notably in the Book of Job, where it refers not to a being but to a place: the realm of the dead, an underground region of destruction. It is only in the Book of Revelation that Abaddon becomes a personified figure — an angel given both a name and a specific role.

In Revelation (chapter 9), when the fifth angel sounds his trumpet, a bottomless pit opens and smoke pours out, darkening the sun. From this smoke emerge locusts resembling warhorses, crowned with gold, with human faces and lions' teeth. Their king is Abaddon — an image of extraordinary symbolic power for first-century readers.

Abaddon has a double name: 'Abaddon' in Hebrew and 'Apollyon' in Greek, both meaning 'destroyer.' This deliberate bilingualism in the text of Revelation reveals that John was addressing both Jewish and Greek communities simultaneously, seeking to reach the widest possible audience amid the persecutions of the late first century.

Some ancient biblical scholars drew a connection between Apollyon (the Greek name for Abaddon) and the Greek god Apollo, whose attributes included the locust and epidemic plague. This phonetic similarity may have been intentional — a subtle way of critiquing the Roman imperial cult, which identified emperors such as Nero or Domitian with Apollo.

In the Dead Sea Scrolls (Qumran manuscripts, 2nd–1st century BCE), the word 'Abaddon' appears as a synonym for 'Sheol,' the kingdom of the dead. These texts show that the figure existed in the Jewish imagination long before the Book of Revelation, attesting to a long tradition of representing ultimate destruction.

Primary Sources

Revelation (New Testament), Chapter 9, Verses 1-11 (c. 95 AD)
The fifth angel sounded his trumpet [...] They had as king over them the angel of the Abyss, whose name in Hebrew is Abaddon and in Greek is Apollyon.
Book of Job (Hebrew Bible), Chapter 26, Verse 6 (between the 5th and 2nd centuries BC)
Death is naked before God; Destruction (Abaddon) lies uncovered.
Book of Proverbs, Chapter 15, Verse 11 (between the 10th and 5th centuries BC)
Death and Destruction (Abaddon) lie open before the Lord — how much more do human hearts!
Thanksgiving Scroll (1QH), Dead Sea Scrolls (c. 150–100 BC)
The cords of death have encompassed me and Sheol is upon my bed; I groan on my couch until morning [...] like those who go down into Abaddon.
Psalm 88, Verse 12 (Hebrew Bible) (between the 10th and 5th centuries BC)
Is your love declared in the grave, your faithfulness in Destruction (Abaddon)?

Key Places

Patmos (Greek island, Aegean Sea)

Aegean island where John of Patmos received his visions and wrote the Book of Revelation, the foundational text in which Abaddon appears. John's exile to this rocky island under Emperor Domitian gave rise to the most visionary text of the New Testament.

Jerusalem

Holy city whose destruction by Rome in 70 AD haunts all apocalyptic literature of the 1st century. The imagery of destruction associated with Abaddon echoes the trauma of the fall of the Temple, the religious center of Judaism.

Qumran (western shore of the Dead Sea)

Site where the Essene community produced the Dead Sea Scrolls (2nd–1st centuries BC), in which Abaddon is mentioned as a place of cosmic destruction — evidence of a tradition predating the Book of Revelation.

Ephesus (modern-day Turkey)

A major metropolis of Asia Minor and the first of the seven recipients of the Book of Revelation. A cosmopolitan city where imperial cults, Greek mystery religions, and early Christian communities coexisted, Ephesus embodies the religious syncretism that forms the backdrop for Abaddon.

Rome

Capital of the Roman Empire, implicitly referred to as 'Babylon the Great' in the Book of Revelation. The imperial persecutions launched from Rome form the direct political context in which the text featuring Abaddon/Apollyon was written.

Gallery


Russian:  «Абадонна и ангелы»label QS:Lru,"Абадонна и ангелы"

Russian: «Абадонна и ангелы»label QS:Lru,"Абадонна и ангелы"

Wikimedia Commons, Public domain — Fyodor Zavyalov

Queen Mary Apocalypse - BL Royal MS 19 B XV f. 15v Locusts

Queen Mary Apocalypse - BL Royal MS 19 B XV f. 15v Locusts

Wikimedia Commons, Public domain — AnonymousUnknown author

Annual exhibition of contemporary American sculpture, paintings, watercolors, drawings, 1956

Annual exhibition of contemporary American sculpture, paintings, watercolors, drawings, 1956

Wikimedia Commons, Public domain — Whitney Museum of American Art


Russian:  «Абадонна и ангелы»label QS:Lru,"Абадонна и ангелы"

Russian: «Абадонна и ангелы»label QS:Lru,"Абадонна и ангелы"

Wikimedia Commons, Public domain — Fyodor Zavyalov

Angel de Llimona 002

Angel de Llimona 002

Wikimedia Commons, CC BY-SA 4.0 — P. B. Obregón

Abadonna by A.V.Loganovskiy (1842, Hermitage) 01 by shakko

Abadonna by A.V.Loganovskiy (1842, Hermitage) 01 by shakko

Wikimedia Commons, CC BY-SA 4.0 — shakko

Abadonna by A.V.Loganovskiy (1842, Hermitage) 03 by shakko

Abadonna by A.V.Loganovskiy (1842, Hermitage) 03 by shakko

Wikimedia Commons, CC BY-SA 4.0 — shakko


Poems, on religious and historical subjects

Poems, on religious and historical subjects

Wikimedia Commons, Public domain — Weekes, Refine, b. 1759


Apocalyptic history

Apocalyptic history

Wikimedia Commons, Public domain — Allin, Samuel. [from old catalog]


The history of the Devil

The history of the Devil

Wikimedia Commons, Public domain — Defoe, Daniel, 1661?-1731. n 79053974

See also