Alcaeus(450 av. J.-C. — 400 av. J.-C.)

Alcaeus

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LiteratureBefore ChristArchaic Greece (late 7th–early 6th century BC), the age of the city-states and of the political struggles between aristocrats and tyrants on Lesbos.

Alcaeus is a Greek lyric poet of the late 7th and early 6th century BC, born in Mytilene on the island of Lesbos. A contemporary and compatriot of Sappho, he is one of the great representatives of Greek monodic poetry.

Frequently asked questions

Alcaeus was a Greek lyric poet of the late 7th and early 6th century BC, born in Mytilene on the island of Lesbos. The key thing to remember is that he is one of the fathers of monodic poetry — that is, poetry sung by a single voice accompanied by the lyre — at the very height of the golden age of Lesbian poetry. A contemporary and compatriot of Sappho, he left his mark on European literature through his invention of the Alcaic stanza, a metrical form later taken up by the Latin poet Horace. His work, though fragmentary, gives us a unique testimony to the political passions and aristocratic life of his time.

Key Facts

  • Born around 630 BC in Mytilene, on the island of Lesbos.
  • A contemporary of the poetess Sappho, who also came from Lesbos.
  • Composed monodic lyric poems (songs for a single voice accompanied by the lyre) at the beginning of the 6th century BC.
  • Involved in the political struggles of Mytilene against the tyrants, notably Pittacus, which earned him exile.
  • His name is associated with the “Alcaic stanza,” a metrical form later adopted by the Latin poet Horace.

Works & Achievements

Songs of revolt (stasiôtika) (around 600 BC)

Politically combative poems denouncing the tyrants Myrsilus and Pittacus, and calling on the aristocracy to seize power again. They give a unique voice to the civil struggles of Mytilene.

The ship of state (fragments 6 and 208) (around 600 BC)

Poems spinning out the metaphor of the city as a vessel caught in a storm. A political image of immense legacy, taken up right down to modern times.

Banquet songs (sumpotika) (around 590 BC)

Poems celebrating wine and conviviality, in which Alcaeus invites his companions to drink in every season. They bear witness to the culture of the Greek aristocratic banquet.

Hymns to the gods (6th century BC)

Religious poems addressed to Apollo, Hermes, the Dioscuri, or Athena. They would later inspire the hymns of other Greek and Latin poets.

The Alcaic stanza (6th century BC)

A metrical form of four lines that bears the poet's name. Adapted into Latin by Horace, it secured Alcaeus a lasting influence on European poetry.

Alexandrian edition in ten books (around 280 BC)

A scholarly compilation of Alcaeus's work produced by the scholars of Alexandria. It is through this edition that the fragments have come down to us today.

Anecdotes

Alcaeus lived in Mytilene, on the island of Lesbos, in the midst of a civil war between rival aristocratic families. Caught up in these struggles against the tyrants Melanchrus and then Myrsilus, he was driven from his city and went into exile several times. His poetry rings with the anger and bitterness of the defeated aristocrat.

In one of his most famous poems, Alcaeus admits without shame that he threw away his shield to flee a battle against the Athenians, near Sigeion. Instead of hiding this flight, he mocks himself for it: “the shield, the Athenians hung it up in the temple of Athena.” The poet Archilochus, and later Horace, would take up this same motif of the abandoned shield.

Alcaeus compared his city, torn apart by factions, to a ship caught in a storm, tossed about by contrary winds and threatened with sinking. This image of the “ship of state” became a famous political metaphor, taken up for centuries right down to the present day.

Alcaeus and the poetess Sappho were contemporaries and compatriots, both from Lesbos. An ancient vase depicts them facing each other, lyre in hand. A fragment attributed to Alcaeus addresses her: “Violet-haired, pure, honey-smiling Sappho…,” to which Sappho is said to have replied.

The ancients gave the name “Alcaic” to a four-line stanza that Alcaeus used, so closely was it associated with him. The Latin poet Horace claimed to be its heir and adapted it to Latin, securing for Alcaeus a legacy of more than two thousand years.

Primary Sources

Alcaeus, fragment 6 (on the ship of state) (c. 600 BC)
Understand this rising wind: the wave rolls in from one side, rolls in from the other, and we, caught in the middle, are swept along with our black ship.
Alcaeus, fragment 428 (the abandoned shield) (c. 600 BC)
Alcaeus is safe and sound, but the Athenians have hung up his arms in the temple of grey-eyed Athena.
Alcaeus, fragment 332 (on the death of Myrsilus) (c. 590 BC)
Now we must get drunk and drink with all our might, since Myrsilus is dead.
Horace, Odes, II, 13 (tribute to Alcaeus) (c. 23 BC)
Alcaeus, with his golden plectrum, sings of the hardships of the sea, the cruel hardships of exile, and the hardships of war.

Key Places

Mytilene

The principal city of the island of Lesbos and the homeland of Alcaeus, torn apart by struggles between aristocratic factions and tyrants. It was there that he composed and sang his poetry.

Island of Lesbos

A large Greek island in the Aegean Sea, the cradle of lyric poetry with Alcaeus and Sappho. Its name has remained tied to the golden age of monodic poetry.

Sigeion

A promontory near Troy, in Asia Minor, contested between Mytilene and Athens. Alcaeus took part in a battle there from which he returned after abandoning his shield.

Egypt

A distant land where, according to tradition, Alcaeus traveled during his exile far from Mytilene. These journeys feed the themes of wandering in his poetry.

Sanctuary of Messon (Lesbos)

The island's common sanctuary, where the exiled Alcaeus evokes beauty contests and religious festivals. A place of the social and religious life of the Lesbians.

See also