Benny Goodman(1909 — 1986)

Benny Goodman

États-Unis

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MusicCultureMusicien(ne)20th CenturyThe jazz and swing era, interwar and postwar United States

American clarinetist and bandleader (1909-1986), nicknamed “the King of Swing”. He helped bring jazz to mainstream white audiences and racially integrated his bands during the 1930s and 1940s.

Frequently asked questions

Benny Goodman (1909–1986) was an American clarinetist and bandleader. What stands out is that he brought swing to mainstream white audiences in the 1930s, to the point where an entire era bore his name. What makes him unique is his ability to blend impeccable classical technique with jazz energy, while integrating Black musicians into his orchestra at a time of racial segregation. His triumph at the Palomar Ballroom in 1935 marked the official beginning of the swing era.

Famous Quotes

« If you don't like it, don't listen to it.»

Key Facts

  • Born on May 30, 1909, in Chicago, into a family of Polish Jewish immigrants
  • In 1935, his band ignited the “Swing Era” with a concert at the Palomar Ballroom in Los Angeles
  • In 1938, he performed the first jazz concert at Carnegie Hall in New York, a landmark event in music history
  • From 1936, he integrated his band with Black musicians (Teddy Wilson, Lionel Hampton), breaking the color barrier in the music industry
  • Died on June 13, 1986, in New York

Works & Achievements

Sing, Sing, Sing (With a Swing) (1937)

An arrangement of Louis Prima's composition, made legendary by Goodman with Gene Krupa's explosive drumming. This over eight-minute track was the first swing standard to become a mass phenomenon and remains one of the most celebrated pieces in American jazz.

Carnegie Hall Concert (January 16, 1938)

The first jazz concert ever staged at America's most prestigious venue, before a sold-out crowd of 2,800. The recording, rediscovered in 1950, is ranked among the defining musical documents of the 20th century.

Contrasts (Béla Bartók) (1938)

A work for clarinet, violin, and piano commissioned by Goodman from Hungarian composer Béla Bartók. That a jazz musician could commission one of the greatest living classical composers speaks to the exceptional prestige Goodman had achieved across musical boundaries.

The Kingdom of Swing (autobiography) (1939)

An autobiographical account in which Goodman recounts his childhood in poverty, his passion for music, and the rise of swing. A valuable historical document on the musical life of America between the two world wars.

Interracial Quartet with Teddy Wilson, Lionel Hampton, and Gene Krupa (1936)

A pioneering ensemble bringing together Black and white musicians on stage at a time of widespread racial segregation. This quartet was one of the first public acts of integration in American show business.

Official Tour of the Soviet Union (1962)

Commissioned by the U.S. government, Goodman became the first jazz musician to undertake an official tour of the USSR, illustrating the role of swing as an instrument of cultural diplomacy and a showcase for American freedom during the Cold War.

Anecdotes

On January 16, 1938, Benny Goodman gave the first jazz concert ever held at Carnegie Hall in New York, a temple of classical music. That night, the hall was sold out and the audience, at first reserved, eventually began dancing in the aisles. The recording of this concert, rediscovered in 1950 in a closet, is today considered one of the most important musical documents of the 20th century.

In 1936, Goodman made a revolutionary move for the time: he hired Black pianist Teddy Wilson to perform alongside him on stage, in a country still shaped by racial segregation. He later added vibraphonist Lionel Hampton to the lineup, forming one of the first interracial bands to perform publicly in the United States.

Benny Goodman, the son of Polish Jewish immigrants, began studying the clarinet at the age of ten at Hull House, a social settlement in Chicago. His talent was so evident that he was playing in professional orchestras by the age of thirteen, helping support his very poor family of twelve children.

During his national tour in 1935, Goodman arrived exhausted and discouraged at the Palomar Ballroom in Los Angeles. To his great surprise, the audience — who had heard the orchestra on national radio — was calling for his most rhythmic arrangements. That evening of August 21, 1935 is often cited as the official birth of the Swing Era.

Hungarian composer Béla Bartók composed the work 'Contrasts' in 1938 specifically for Benny Goodman. This unexpected collaboration between the King of Swing and one of the greatest living classical composers spoke to the extraordinary respect the academic world had come to hold for the Chicago clarinetist.

Primary Sources

The Kingdom of Swing (autobiography of Benny Goodman) (1939)
I was born Benjamin David Goodman on May 30, 1909, in Chicago. I was one of twelve children. Music was the way out for me, the way to get away from the poverty and the hardships of our neighborhood.
New York Times — review of the Carnegie Hall concert (January 17, 1938)
Swing held Carnegie Hall in its hot embrace last night. Benny Goodman and his orchestra gave the first jazz concert in the history of that august auditorium, and the audience responded with an enthusiasm that shook the rafters.
Down Beat Magazine — interview with Benny Goodman (1936)
I don't think music should be segregated. If a man can play, he can play, regardless of his color. Teddy Wilson is among the finest piano players I have ever heard.
Metronome Magazine — report on the national tour (August 1935)
The Goodman band hit Los Angeles last night and the crowd went absolutely wild. Nobody had anticipated this kind of reaction out west, but these young people knew every arrangement by heart.

Key Places

Hull House, Chicago

Social center founded by Jane Addams in a working-class neighborhood of Chicago, where the young Benny Goodman learned clarinet for free at the age of ten. Without this access to quality music education, the future King of Swing would likely never have emerged.

Palomar Ballroom, Los Angeles

Ballroom where, on August 21, 1935, Goodman and his orchestra scored an unexpected triumph that officially marked the beginning of the swing era in America. This event is often called "the night swing was born."

Carnegie Hall, New York

The most prestigious concert hall in the United States, where Goodman gave the first jazz concert in its history on January 16, 1938, definitively establishing jazz and swing as legitimate art forms.

Manhattan Room, Hotel Pennsylvania, New York

The iconic New York residency of Goodman's orchestra throughout the 1930s and 1940s. Live radio broadcasts from this ballroom helped make Goodman a national star.

Chicago, Illinois

Benny Goodman's hometown and a major American musical crossroads in the 1920s, where Delta blues, New Orleans jazz, and the music of European immigrants all converged to shape Goodman's earliest influences.

See also