Carole King(1942 — ?)

Carole King

États-Unis

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MusicCulture20th CenturySecond half of the 20th century, golden age of American rock and pop, singer-songwriter movement

American singer-songwriter born in 1942, Carole King is one of the defining figures of rock and pop from the 1960s–1970s. Her album *Tapestry* (1971) remains one of the best-selling records in history.

Frequently asked questions

Carole King is an American singer-songwriter born in 1942 in Brooklyn. The key takeaway is that she made history by transitioning from a behind-the-scenes composer at the Brill Building hit factory to a superstar of the singer-songwriter movement in the 1970s. Her album Tapestry (1971) sold over 25 million copies and won four Grammy Awards in a single evening. What makes her journey remarkable is that she wrote classics for others (including Aretha Franklin) before revealing her own intimate voice, ushering in a new era of sincerity in pop music.

Famous Quotes

« I feel the earth move under my feet.»
« Music is my religion.»

Key Facts

  • 1942: born in Brooklyn, New York
  • 1960s: co-wrote dozens of hits with Gerry Goffin for other artists (The Shirelles, Aretha Franklin)
  • 1971: release of *Tapestry*, 25 million copies sold, 4 Grammy Awards
  • 2013: Presidential Medal of Freedom awarded by Barack Obama
  • 2014: the musical *Beautiful* tells her life story on Broadway

Works & Achievements

Will You Love Me Tomorrow (chanson pour The Shirelles) (1960)

The first number-one hit on the American pop charts for a Black female group, this romantic ballad co-written with Gerry Goffin revealed Carole King's talent at age 18 and launched the golden era of the Brill Building.

(You Make Me Feel Like) A Natural Woman (chanson pour Aretha Franklin) (1967)

Co-written with Gerry Goffin and producer Jerry Wexler, this song became one of Aretha Franklin's greatest recordings and an anthem of feminine dignity; Carole King herself would later record it on Tapestry with comparable intensity.

Tapestry (album) (1971)

A masterpiece of the singer-songwriter genre, this album with its intimate lyrics and stripped-down acoustic arrangements has sold more than 25 million copies worldwide and remains one of the most-listened-to records of the 20th century, ushering in a new era of sincerity in pop.

You've Got a Friend (chanson) (1971)

Written for Tapestry, this song was also recorded by her friend James Taylor, whose version reached number one and earned Carole King the Grammy for Song of the Year in 1972 — a rare honor awarded to the songwriter rather than the performer.

I Feel the Earth Move / It's Too Late (double face A) (1971)

This double A-side single from Tapestry reached number one in the United States for five consecutive weeks; 'It's Too Late,' a song about the end of a romantic relationship, won the Grammy for Record of the Year and showcases King's artistic maturity.

Wrap Around Joy (album) (1974)

The third album following her landmark debut trilogy, it confirms Carole King's musical evolution toward a more rhythmic and sun-drenched sound, incorporating jazz and funk influences, and reached number one in the United States.

Anecdotes

At just 17 years old, Carole King co-wrote 'Will You Love Me Tomorrow' with her boyfriend Gerry Goffin. Recorded by the Shirelles in 1960, it became the first number-one hit on the American pop charts performed by a Black girl group. This meteoric success launched the career of a Brooklyn teenager who composed at the piano in her bedroom.

In the 1960s, Carole King worked in the offices of the Brill Building, a Midtown Manhattan skyscraper packed with songwriters and music publishers. She wrote songs 'assembly-line style' for other artists, sometimes churning out several hits per week. It was a true hit factory: her melodies graced the voices of stars like Aretha Franklin, The Drifters, and Dusty Springfield.

In 1962, Carole King and Gerry Goffin were looking for a song for their babysitter, a young woman named Eva Boyd. They wrote 'The Loco-Motion' for her — a catchy, irresistible track they recorded with her under the stage name Little Eva. The record shot straight to the top of the charts — and their babysitter became a star overnight.

Her album Tapestry, released in February 1971, remains one of the most extraordinary commercial phenomena in music history. It held the number-one spot on the American charts for 15 consecutive weeks and sold over 25 million copies worldwide. At the 1972 Grammy Awards ceremony, Carole King walked away with four trophies in a single evening: Album of the Year, Song of the Year, Record of the Year, and Best Female Vocal Performance.

In the late 1960s, Carole King left New York and settled in the bohemian enclave of Laurel Canyon, in the hills of Los Angeles. She lived among a community of musicians who constantly influenced one another — Joni Mitchell, James Taylor, Crosby, Stills & Nash — playing acoustic guitar and composing in a laid-back atmosphere, far from the commercial machinery of New York's Brill Building. This radical break from her past as a behind-the-scenes songwriter would allow her to fully step into her own as a performer.

Primary Sources

A Natural Woman: A Memoir (autobiography by Carole King) (2012)
I had no idea that what I was doing was unusual. Writing songs was just something I did, like breathing. It never occurred to me that I would one day perform them myself.
Inner sleeve of the album Tapestry (liner notes by Carole King) (1971)
All the songs on this album were written at a time when I was feeling very much in touch with myself. I hope they bring you some of the same feeling.
Interview with Carole King, Rolling Stone Magazine, issue 82 (1971)
I never thought of myself as a performer. I was a songwriter. Getting up on stage and singing my own songs felt terrifying at first, but Tapestry changed everything — it forced me to stop hiding behind other people's voices.
Acceptance speech at the Grammy Awards (14th ceremony, Los Angeles) (1972)
I am completely overwhelmed. I want to thank James Taylor, who sang 'You've Got a Friend' better than I ever could, and Lou Adler, who believed in this album when no one else did.

Key Places

Brooklyn, New York (birthplace)

Carole King was born on February 9, 1942, in the Manhattan Beach neighborhood of Brooklyn. It was in this urban, musical postwar environment that she discovered the piano and began composing as a teenager.

Brill Building, 1619 Broadway, New York

In this office building that became the cathedral of American pop songwriting, Carole King spent years writing hits for other artists. It was here that the King-Goffin duo produced dozens of chart-toppers between 1960 and 1966.

Laurel Canyon, Los Angeles, California

This wooded, bohemian neighborhood in the Hollywood Hills is where Carole King reinvented herself in the late 1960s. She rubbed shoulders with Joni Mitchell, James Taylor, and the future Eagles, composing much of the *Tapestry* repertoire there in a free and creative atmosphere.

A&M Records Studios, Hollywood, Los Angeles

It was in these studios — formerly the Charlie Chaplin Studios — that *Tapestry* was recorded in 1970–1971 under the artistic direction of Lou Adler, in a relaxed, almost domestic atmosphere, with acoustic guitars and piano front and center.

Carnegie Hall, New York

On February 27, 1971, Carole King gave one of her first major public concerts at Carnegie Hall, performing the songs from *Tapestry*. This legendary concert marked her definitive emergence as a performing artist.

Ketchum area, Idaho

From the late 1980s onward, Carole King settled in the mountains of Idaho, where she led a quiet life and became deeply involved in environmental activism. This voluntary retreat stands in sharp contrast to the decades she spent in the spotlight.

See also