Biography

French poet and writer of Polish origin, a major figure in poetic modernity of the early 20th century. Author of "Alcools" and "Calligrammes," he was also an art critic and defender of avant-garde movements such as Cubism.

Guillaume Apollinaire(1880 — 1918)

Guillaume Apollinaire

France

7 min read

LiteratureCulturePoète(sse)Écrivain(e)20th CenturyEarly 20th century, period of artistic avant-gardes and World War I

Frequently asked questions

Guillaume Apollinaire (1880-1918) was a French poet and art critic of Polish origin, a major figure of poetic modernity in the early 20th century. Author of the collections Alcools and Calligrammes, he revolutionized poetry by freeing it from classical forms and became the passionate theorist and defender of the avant-gardes, notably the cubism of Picasso and Braque.

Famous Quotes

« Under the Mirabeau Bridge flows the Seine / And our loves»
« Come night fall the hour / Days go by I remain»
« In the end you are weary of this ancient world»

Key Facts

  • Born in 1880 in Rome under the name Wilhelm Apollinaris de Kostrowitzky
  • Publishes the collection "Alcools" in 1913, removing all punctuation
  • Coins the word "surrealism" in 1917 for his play "The Breasts of Tiresias"
  • Publishes "Calligrammes" in 1918, poems forming drawings through word arrangement
  • Dies in 1918 of the Spanish flu, weakened by a war wound received in 1916

Works & Achievements

Alcools (1913)

Major poetry collection bringing together twenty years of creation. *Alcools* frees French poetry from classical forms, gathering poems on love, modernity, and melancholy.

The Cubist Painters (1913)

Fundamental critical essay in which Apollinaire theorizes Cubism and defends the revolutionary young painters. This text invents the critical vocabulary of modern art.

Calligrammes (1918)

Posthumous collection of visual poems where typographic arrangement forms images. *Calligrammes* fuse poetry and visual art, embodying the radical break with classical form.

The Poet Assassinated (1916)

Novel with a prophetic title, written during his war convalescence. The work explores the misunderstood artist facing society and death.

Zone (1918)

Major war poem in which Apollinaire reflects on his wound and his commitment. “Zone” becomes the cry of a lost generation facing the horrors of the Great War.

L’Esprit Nouveau (magazine) (1909-1914)

Magazine founded and directed by Apollinaire, a major platform for the avant-garde. The magazine publishes art criticism, poems, and manifestos of the modernists.

Anecdotes

Apollinaire was arrested in September 1911 and imprisoned for six days in La Santé Prison, wrongly suspected of stealing the Mona Lisa from the Louvre. Though innocent and quickly released, this traumatic ordeal inspired his poem 'La Chanson du Mal-Aimé' and profoundly marked his Parisian life.

In 1907, Apollinaire discovered Picasso's painting 'Les Demoiselles d'Avignon' and became one of its most ardent defenders. He coined the term 'cubism' to describe this revolutionary movement, helping to transform these artistic experiments into a recognized historical movement.

During World War I, Apollinaire voluntarily enlisted as an artilleryman in 1914. Seriously wounded in the head by a shell fragment in March 1916, he underwent trepanation. Though physically weakened, he continued to write and died from his wounds on November 9, 1918, the day of the armistice.

The 'Calligrammes' constitute a poetic revolution: Apollinaire created poems where the typographic arrangement of words forms a visual image. With 'La Colombe poignardée et le jet d'eau', he merged literature and visual art, inspiring all visual poets of the 20th century.

Apollinaire cultivated a deep friendship with Pablo Picasso, becoming his first critic and theorist. Their collaboration and numerous letters between them testify to a true artistic brotherhood at the heart of the Parisian avant-gardes.

Primary Sources

Alcools (1913)
At last you're weary of this ancient world / O warrior, lay down your heavy arms // The sun declines, it's time to cease the fight
The Cubist Painters (1913)
The young painters of the cubist school seek to accomplish, each individually, what the cubists attempted collectively.
Calligrammes (1918)
Where are they, Braque and Picasso? / The children of the trepan of Trepan
Correspondence with Picasso (1905-1918)
Your art will be the joy of the new century / You are the apostles of the new beautiful style
Zone (1918)
I am convinced that one day I will be recognized / And I drag my wound across the universe

Key Places

Paris (France)

Artistic capital where Apollinaire lived from 1897 to 1918, creating the beating heart of his career. Paris embodies modernity, decisive encounters with Picasso, and the emergence of the avant-garde.

Montparnasse (Paris)

Artistic district where Apollinaire frequented cafés and studios, meeting painters and poets. Montparnasse is the vibrant home of the avant-garde and Parisian modernist creation.

The Louvre (Paris)

Museum where the Mona Lisa affair unfolded in 1911: Apollinaire was mistakenly arrested there. The Louvre forever marked his life with this unjust trauma.

Champagne (France)

Front-line region where Apollinaire fought as an artilleryman from 1914 to 1916. It was near Reims that he was mortally wounded in the head by a shell fragment.

Rome (Italy)

Birthplace of Apollinaire in 1880, where his mother fled after a scandal. Rome represents his cosmopolitan origins and his status as a foreigner in France.

Picasso’s Studio (Paris)

The Bateau-Lavoir in Montmartre is where he met and befriended Picasso. Here, the theories of Cubism were born and the vision of modernity was exchanged.

See also